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One-week exhibition guide ｜ Tate Collection Exhibition enters countdown, Tokyo commemorates foujita.

In the hot summer, the opening speed of new exhibitions in various places has slowed down slightly, but it is also the opportunity to slowly appreciate high-quality exhibitions. After several months’ stay, the Shanghai Museum’s "Spiritual Scenery: Tate British Museum Collection Exhibition" will end next Sunday. Shanghai Minsheng Modern Art Museum’s "Integrated Vision-Asia-Europe Classic Print Exhibition" will not last long. Teenagers and Japanese lovers in the summer vacation are looking forward to the memorial exhibition of Japanese contemporary animation director Makoto Shinkai this week; In Tokyo, 2018 marks the 50th anniversary of foujita’s death. The Tokyo Art Museum and Fujita’s alma mater, Tokyo University of Arts Art Museum, have successively opened exhibitions to review his artistic life.

"The Paper Art Review" specially sorts out the recent exhibitions and lectures worth seeing in various places.

Shanghai

Spiritual Scenery: Tate British Museum Collection Exhibition (1700-1980)

Exhibition period: April 27-August 5, 2018

Venue: Shanghai Museum

This paper selects a group of works of British landscape paintings with great aesthetic value and originality from the great classical painters in the 18th century and romanticism in the 19th century, through pre-Raphael and impressionist painters, and finally to the works of avant-garde modernist artists in the 20th century, with a view to comprehensively tracing the development process of British landscape paintings spanning more than 300 years.

Century Collection: Shanghai Natural History Tracing Exhibition

Exhibition period: July 17-October 21, 2018

Venue: Shanghai Museum of History

The exhibition is jointly organized by Shanghai Science and Technology Museum, Shanghai Museum and Shanghai History Museum. More than 100 natural history, anthropology, archaeology, art collections and related exhibits collected by Shanghai Museum, the former Asian Language Society, are displayed to explore the early development of China Museum and explore the cultural heritage of Shanghai.

Makoto Shinkai Exhibition: From The Voice of the Stars to Your Name. 》

Exhibition period: July 27th-October 7th, 2018.

Venue: Shanghai Museum of Contemporary Art

The 15th anniversary exhibition of Japanese contemporary animation director Makoto Shinkai’s debut, by designing original paintings, images, three-dimensional models, materials and other exhibits, reviews his works from the Voice of the Stars in 2002 to Your Name in 2016. "The development track, showing the animation world of Makoto Shinkai.

Youth Tour-Exhibition of Five Works of the New Generation

Exhibition period: August 4-August 29, 2018

Venue: An Yan Art Space (1st floor, No.4 Lane 90, Tongren Road, Jing ‘an District, Shanghai)

Yang Xinjia, Hou Hongxu, Huang Junwei, Li Shutian and Zong Jiancheng, five "young painters", have a solid specialty and complete technology, and have gradually formed their own language style. They each have a professional college background, and today their paintings are gathered together, each of which is wonderful and sets off each other. An interesting observation is that they all have a strong sense of scene and substitution from the perspective of movies. Yang Xinjia’s watercolor works are just like a kind of freeze-frame, sometimes with close-ups, while Hou Hongxu’s oil paintings are in the middle, which is the scene of telling daily stories. Huang Junwei’s comprehensive material works seem to be depicted in a wide-angle panorama, with traditional elements such as Taihu Stone substituted.

Infrastructure-the Spatial Foundation of Community Discourse

Exhibition period: June 30-September 9, 2018

Venue: OCAT Shanghai Pavilion

With the theme of "Infrastructure, Jiangshan", the exhibition discusses the expression of various forms and behaviors of infrastructure in the whole landscape, and looks forward to the role and position of infrastructure in reconstructing large-scale regional space and meso-micro daily space in the future, and shows the process of infrastructure integration into cultural landscape in various forms such as devices, images, models and images.

Compass /Saudade Fosun Foundation China-Portugal Contemporary Art Exhibition

Exhibition period: July 3-August 26, 2018

Venue: Fosun Art Center

The exhibition brings together nearly 100 works by 12 Chinese and Portuguese contemporary artists, covering paintings, comprehensive material creation, installations, images and other media. It is the first time in China to systematically compare and sort out the development of contemporary art between China and Portugal.

Integrated Vision —— Asia-Europe Classic Print Exhibition

Exhibition period: June 26-August 12, 2018

Venue: Shanghai Minsheng Modern Art Museum

275 classic prints of Asia and Europe from 16th to 21st century were exhibited, including more than 30 folk woodcuts of Ming and Qing Dynasties in China, mainly Fengxiang woodcut New Year pictures and Taohuawu woodcut New Year pictures. More than 140 Japanese ukiyo-e paintings, including the classic original works of the masters of ukiyo-e painting; As well as more than 70 European copperplate and woodcut prints, and selected the authentic prints of Diu Lei, Rembrandt, Goya and other artists.

Charlie Chaplin: Outstanding Vision

Exhibition period: June 8-October 7, 2018

Venue: BudiTek Art Museum

The exhibition explores the reasons that contributed to Chaplin’s success and brought him key opportunities, and studies the important role of photographic images in the process of artists’ legend.

WAVELENGTH: factory setting-immersive art experience exhibition

Exhibition period: July 8-October 8, 2018

Venue: Baolong Art Museum

The exhibition invited 40 global contemporary artists and designers from 17 countries and regions, including Xu Zhen and Anserme Rael, to present more than 100 interdisciplinary works of art, including visual art, fashion, installation and interactive art of new media. Inspired by the scene of factory assembly line, the exhibition showed a deconstructive vision of urban life.

2018 Shanghai Youth Calligraphy and Seal Carving Exhibition

Exhibition period: from July 22nd.

Venue: Shanghai Federation of Literary and Art Circles Exhibition Hall

Since the 1990s, it has been held once a year, which has played a positive role in discovering and cultivating outstanding young calligraphers in Shanghai and boosting the vigorous development of calligraphy in Shanghai. This year, out of more than 3,000 contributions, 49 winning works, 100 exhibiting works and 150 selected works were finally selected. The exhibition shows Shanghai teenagers’ solid calligraphy basic skills and certain copying creative ability.

Nian Ji | wangyi Di Photography Solo Exhibition

Exhibition period: July 28-August 20, 2018

Venue: Dehe Contemporary Art Center (No.93, Moganshan Road, Shanghai)

Wangyi Di now lives in Shanghai, graduated from Shanghai Theatre Academy, majoring in stage art design. She once worked in Shanghai TV Station and now works in Shanghai Film Group Company, engaged in film and television drama production designer, photography and graphic design.

Suzhou

Han Yi Shen Fei: Calligraphy Exhibition of Past Dynasties Collected in Suzhou Museum

Exhibition period: June 15th-September 2nd, 2018.

Venue: Suzhou Museum

The works of more than 30 calligraphers in the Yuan, Ming and Qing Dynasties were exhibited, including Qian Liangyou’s Wu Zhongren’s Wuzhong Chorus, Shen Zhou’s Five Rhythms of Running Calligraphy, Xu Wei’s Seven-line Axis of Cursive Calligraphy, Zheng Zhi’s Official Calligraphy Axis, and Wang Duo’s Kulan Fuhua Scroll.

Ye Shengtao’s Literature Exhibition (Phase I)

Exhibition period: July 14-September 16, 2018

Venue: Suzhou Art Museum

Ye Shengtao’s diary manuscript, four letters from his father and son, 150 old photos and 20 letters with friends such as Bing Xin, Lao She, Guo Shaoyu and Zhu Ziqing were exhibited to outline Ye Shengtao’s life track.

Hangzhou

Cross-border treasure: 100 cultural relics tell the story of Zhejiang

Exhibition period: June 8-October 8, 2018

Venue: Zhejiang West Lake Art Museum

Exhibit 100 pieces/group of treasures from 39 Zhejiang cultural and cultural institutions, telling Zhejiang stories from prehistoric times to Ming and Qing dynasties.

Yun Mengze: Exhibition of Chu Cultural Relics Collected in Jingzhou Museum

Exhibition period: July 17-September 24, 2018

Venue: Southern Song Dynasty Imperial Kiln Museum, Hangzhou

Exhibition of 96 pieces/sets of cultural relics collected by Jingzhou Museum, from the Warring States Period to the Han Dynasty, showing the material culture of Jingchu and the life style of nobles from various aspects such as food, clothing, housing and transportation.

Wuzhen

Transcript of ancient Persian poems

Exhibition period: July 28-November 28, 2018

Venue: Muxin Art Museum

In the past three years, Muxin Art Museum has successively published several manuscripts of European thinkers and writers admired by Muxin. This year, five manuscripts of ancient Persian poems with fine paintings came to Wuzhen. Persian miniatures are displayed in China from the future. Now, in Muxin’s hometown, we can get a glimpse of the precious original appearance of ancient Persian poems and miniatures.

Beijing

Qing Ping Fu Lai —— Qi Baishi’s Art Exhibition

Exhibition period: July 18-October 8, 2018

Venue: Palace Museum

More than 200 paintings, seal cutting and literature works have been selected, which are divided into four sections: "Heaven rewards diligence", "Helping the dream to return to the hometown", "Being strong in old age" and "White Stone seal cutting", showing the diligent and arduous exploration of Qi Baishi, a people’s artist, from all angles, his homesickness for his hometown, his lofty sentiments of being old but not decadent, and the impression of a blade.

Bing Xu: Thought and Method

Exhibition period: July 21-October 18, 2018

Venue: Ullens Center for Contemporary Art

Bing Xu has always been committed to the mutual transformation between eastern and western cultures, transcending cultural boundaries and expressing his thoughts and practical problems with visual language. The exhibition is the artist’s most comprehensive solo exhibition in Beijing in recent years.

Overseas Kizil Grottoes Murals and Cave Restoration Image Exhibition & Monks and Artists

Exhibition period: July 14th-September 2nd, 2018.

Venue: Mumu Art Museum

Both exhibitions focus on Kizil and look around the world, presenting the treasures and legends of human civilization-the unique value and charm of Kizil Grottoes art born on the Silk Road.

Pang Tuan の natural secret language

Exhibition period: August 11th-October 7th, 2018.

Venue: Beijing Times Art Museum

Ton Mak, who graduated from University of London with a master’s degree in anthropology, worked in an advertising company before becoming a full-time artist. Due to the pressure of work, Ton often draws some graffiti to decompress, and creates the image of "Little Fat Bun" on a sunny day. Through this image, he emphasizes the magical power of nature and our application of nature.

Xi’an

Great Grassland Heritage: Treasure Art

Exhibition period: July 12-September 12, 2018

Venue: Shaanxi History Museum

The 370 exhibits, all from the National Museum of Kazakhstan, are cultural relics and replicas unearthed from Esek’s tomb in that country, mainly jewelry works from the early Iron Age to the Middle Ages, showing the unique culture and arts and crafts traditions of nomadic people in the grasslands of Asia and Europe.

Guangzhou

Five-color Xiangyun: A Special Exhibition of Monochrome Glazed Porcelain in Song, Yuan, Ming and Qing Dynasties Collected in Zidetang

Exhibition period: July 28-August 26, 2018

Venue: Guangdong Provincial Museum

Exhibit 68 pieces/sets of monochrome glazed porcelain collected by Zizitang, showing the elegance of monochrome glazed porcelain in Song, Yuan, Ming and Qing Dynasties.

Feng Shang: China export fans from 18th to 20th century.

Exhibition period: August 15-November 19, 2018

Venue: Guangdong Provincial Museum

More than 200 China export fans and European-made Chinese style fans, supplemented by export silk embroidered Chinese clothes, shawls and jewelry, were exhibited in Guangdong Provincial Museum, presenting China export fans and their oriental aesthetic taste, which were popular in European markets.

Splendid Times —— Exhibition of Fine Artists in China in the 20th Century

Exhibition period: July 27-August 18, 2018

Venue: Guangdong Art Museum

The exhibition covers Beijing-Tianjin painting school, Shanghai painting school, Chang ‘an painting school, New Jinling painting school and Lingnan painting school in China in the 20th century, as well as representative artists and works of almost all important schools since the new period. These artists transformed the relationship between personal perspective and living reality into the relationship between artistic theme and the context of the times, showing their unique sensitivity to the times.

Taipei

Where is Penglai: Special Exhibition of Fairy Mountain Map

Exhibition period: July 1-September 25, 2018

Venue: Palace Museum

There are 30 paintings with the theme of fairyland in the exhibition, spanning the Song, Yuan, Ming and Qing Dynasties, which are divided into three units: the ethereal fairyland, the unique cave, the practice of collecting herbs and the spiritual pursuit of the ancients’ desire to emerge from the immortal.

Xinglin Spring Warm: Exhibition of Interesting Painting and Calligraphy for Health Care

Exhibition period: July 1-September 25, 2018

Venue: Palace Museum

With the theme of health preservation, the exhibition is divided into three parts, namely, alchemy, medicine and traditional health preservation, and exhibits paintings and calligraphy related to health care, including Chou Ying-style Painting of Burning Dan in Jade Cave in the Ming Dynasty and Huang Tingjing, which advocates the spirit of nourishing qi.

Tokyo

50th Anniversary of Death | foujita Exhibition

Exhibition period: July 31-October 8, 2018

Venue: Tokyo Art Museum

Foujita, a modern painter who was born in Meiji Japan and spent most of his life in France, became a special figure in the history of Japanese art because of his remarkable artistic achievements and controversial life track. In 2018, the 50th anniversary of his death, Japan held the largest retrospective exhibition so far, presenting his artistic panorama.

Foujita in the 1940s: Greetings.

Exhibition period: July 28-August 15, 2018

Venue: Tokyo University of Arts University Art Museum

Tokyo University of the Arts (then called Tokyo Fine Arts School) adjacent to Tokyo Art Museum is foujita’s alma mater. The exhibition gathered a group of people who were interested in Fujita or had personal connections with Fujita in those days, aiming to hold a "tribute album" and reflect on the 1940s, the most controversial creative period in foujita.

Kyoto

Respond to Bauhaus

Exhibition period: August 4-October 8, 2018

Venue: National Museum of Modern Art, Kyoto

In 1919, Bauhaus School was founded in Weimar, Germany, which was the most advanced comprehensive art school at that time. Bauhaus, the centenary of its founding, has deeply influenced Germany and the world with its educational philosophy and innovative curriculum. This exhibition introduces how the idea of Bauhaus was introduced, accepted and developed in Japan, reviews its process through about 100 related materials, records and student works, and compares it with the situation in India, which is part of a transnational project to rethink the modern significance of Bauhaus.

New York

Collection Sketch and Print Exhibition: Travel

Exhibition period: July 31-October 29, 2018

Venue: Metropolitan Museum of Art

Exhibit European and American sketches, prints, watercolors and book illustrations since the Renaissance. Because this kind of art is sensitive to light, it can’t be exhibited for a long time, so the exhibits will be updated every 13 weeks and exhibited for 4 rounds every year. The theme of the new exhibition is travel, focusing on Europeans’ exploration of the world in the 16th-18th century.

Nudity in Klimt, Schiller and Picasso’s Works

Exhibition period: July 3-October 7, 2018

Venue: Metropolitan Museum of Art

About 50 nude paintings collected by the Metropolitan Museum of Art, including works by Spanish artists Picasso, Austrian artists gustav klimt and Egon Schiele, were exhibited to commemorate the centenary of the death of Klimt and Schiller.

Rebellious women: challenging Victorian fashion

Exhibition period: July 17, 2018-January 6, 2019.

Venue: New York City Museum

Exhibit photographs, costumes, prints, etc. collected by the New York City Museum, and tell the story of new york women’s resistance to Victorian fashion in the 19th century. These independent women have an indelible influence on the social, cultural and economic development of new york in the 20th century.

Washington

Sense of humor: satire exhibition

Exhibition period: July 15, 2018-January 6, 2019.

Venue: National Gallery of Art, Washington

Exhibition of Renaissance caricatures, English satirical works and 20th century caricatures, etc., showing the expression of sense of humor by art..

Space: Collection Exhibition of the National Gallery of Art in Washington (1966-1976)

Extension: August 4, 2018-to be determined

Venue: National Gallery of Art, Washington

Five pieces of minimalist and post-minimalist sculpture installations collected by the National Gallery of Art in Washington are all donated by American collector Virginia Dwan, and each exhibit will be exhibited independently in a single exhibition hall.

London

Magic Realism: Art in Weimar Republic from 1919 to 1933

Exhibition period: July 30, 2018-July 14, 2019

Location: tate modern.

About 70 works are exhibited, presenting the artistic practice of Weimar Republic in Germany from 1919 to 1933, and trying to explore the anxious and chaotic magical realism phenomenon of German art under this special historical background.

Friendship in Portrait Works

Exhibition period: June 30, 2018-May 13, 2019

Venue: British National Portrait Gallery

Show the historical and contemporary works with the theme of "friendship" in the British National Portrait Collection, including photography and painting, and show how portrait works express the feelings of happiness and leisure between friends.

Bacon, Freud and Centennial Painting

Exhibition period: February 28th-August 27th, 2018

Venue: Tate British Museum

This paper reviews a group of artists who were active in London in the middle and late 20th century, focusing on lucian freud and Francis Bacon. Although their painting styles are different, these artists focus on presenting the most authentic people and environment, and the exhibition will show their exploration and innovation in painting techniques through paintings.

Paris

Being in the society: pastel exhibitions in the Louvre in the 17th and 18th centuries.

Exhibition period: June 7-September 10, 2018

Venue: Louvre

The pastel painting exhibition in the Louvre Museum featured about 120 works by European masters selected from the precious pastel paintings in the 17th and 18th centuries.

Zhao Wuji: Silent Space

Exhibition period: June 1, 2018-January 6, 2019.

Venue: Museum of Modern Art, Paris

On display are 40 large-scale oil paintings and ink paintings by Zhao Wuji, a French Chinese painter, from the mid-1950s to the early 21st century. This is the first time that Paris has held a solo exhibition for him since 2003, and some of the exhibits are on public display for the first time.

Berlin

Portrait of Artists: From Picasso to andy warhol

Exhibition period: June 29-October 7, 2018

Venue: Berlin National Museum

160 portraits collected by German photographer Angelika Platen were exhibited, which recorded the images of the most influential artists in the 20th century and explored their personalities, work and life.

现代建筑师的速写本

展期：2018年6月30日—10月7日

地点：建筑绘图博物馆（Museum für Architekturzeichnung）

展出10位现代建筑师的手稿，包括80张素描和140本写生簿，辅以音频和视频访谈、照片、建筑模型等资料，通过手工绘图呈现他们的设计思路与过程。

柏林工艺美术博物馆150周年纪念展

展期：2018年5月19日—9月23日

地点：克佩尼克宫（Schloss K?penick）

为纪念柏林工艺美术博物馆创建150周年，展览展出重要藏品、照片和展板，回顾博物馆150年的发展历程，并追溯柏林市在此期间发生的重要历史事件。

讲座指南

上海博物馆

框架中的景致：从临摹自然到探索心灵的历史脉络

时间：2018年7月29日 周日 09:30-11:30

地点：五里桥社区文化活动中心三层影剧院（龙华东路600号）

主讲人：吴雅凤

英国风景画的传承与创新是泰特美术馆创立的宗旨之一，此次展出于上博的画作，足以呈现出英国风景画从临摹自然到心理剖析的历史大脉络。

The itinerary of newly infected people in Xuanhua District, Zhangjiakou, Hebei Province was announced! Delineate these high school risk areas

　　Cctv newsAccording to the news released by Zhangjiakou, on October 9, 2022, 6 cases of asymptomatic infected persons in COVID-19 were newly added in the Economic Development Zone of Zhangjiakou City, all of which were detected at isolation points. Asymptomatic infected persons 1, 2, 3 and 4 are close contacts of asymptomatic infected person 3 announced on October 7. Asymptomatic infected persons 5 and 6 are close contacts of asymptomatic infected persons announced on October 6.

　　Asymptomatic infection 1:

　　October 3rd — On the 5th, I didn’t go out in Qujiazhuang Village.

　　On October 3, at around 10:00, I went to the bungalow from my own building to make lunch and have dinner with my husband. Return to the building home around 13:00.

　　On October 4, at around 11:00, I went from my own building to the bungalow to make lunch and have dinner with my husband and son. Go to the field to collect crops around 13:00; Return to the building home around 18:00.

　　On October 5, harvest crops in the field at 7:00; At 12:40, I went to Huangshan Bun Shop at the entrance of the village to buy steamed buns, and then returned to the bungalow to have dinner with my husband. Go to the field to collect crops around 14:00; 18:13 Go shopping in the supermarket opposite the village committee; Return to the building at 18:25.

　　On October 6, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Asymptomatic infection 2:

　　October 3rd — On the 5th, I went to my own barber shop with my wife at around 8:30 every day. At around 15:00, go to Qujiazhuang Village Committee to do nucleic acid and return to the barber shop; Go home after closing the shop at night. 19: 40 on the 4th & mdash; At 22:30, the goods were transported back and forth twice between Xujiazhuang Power Plant and Yuantong Mixing Station of Tongtai Courtyard in Xishan Industrial Zone, and returned home around 23:20.

　　On October 6, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Asymptomatic infection 3:

　　October 3rd — On the 5th, I didn’t go out in Qujiazhuang Village. Go to your own barber shop around 9:30 every day; Go to the village Committee to do nucleic acid around 15:00 and return to the store. Go to the supermarket in the village to buy food at 9:35 on the 3 rd; After closing the store at around 18:45 on the 4 th, visit the neighbor’s house; On the 5th, I went to the village vegetable shop to buy fruit around 16:20, and went to the village butcher shop to shop around 18:00.

　　On October 6, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Asymptomatic infection 4:

　　October 3rd — On the 5th, I didn’t go out in Qujiazhuang Village. Go to your own store around 9:00 every day; Go home around 11:30; Go to the village Committee to do nucleic acid and go home around 16:00. At around 13:00 on the 4th, I went to Store 3 of Asymptomatic Infected Persons to help me get a perm.

　　On October 6, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Asymptomatic infection 5:

　　On October 3rd, at 8:30, I went to the Fuqiang Road Store of Huatuo Pharmacy to buy Boat-fruited Sterculia and went home. Go to the East Campus of North University at 12:00 to do nucleic acid and go home.

　　On October 4, I didn’t go out at home in the morning; At 14:00, walk to the East Campus of North University to do nucleic acid and then go to the office; Go to the classroom at 14:40; At 16:20, I went to the university to get something from alcohol and tobacco and went home.

　　On October 5, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Asymptomatic infection 6:

　　On October 3, go to the teaching building at 6:50; Buy food in the canteen at 12:00; At 12:40, after picking up the courier, do nucleic acid on campus; Go to the teaching building for self-study at 14:40; Go to the canteen for dinner at 17:50; Go back to the dormitory to rest at 18:20.

　　On October 4 th, go to the canteen at 7:30 and then go to the teaching building for class; At 11:40, go to the canteen to buy food and go back to the dormitory to make nucleic acids on campus; Go to the teaching building for self-study at 14:50; Go to the canteen for dinner at 17:10; Go to the teaching building for self-study around 18:00; Go back to the dormitory to rest at 20:50.

　　On October 5, as asymptomatic infected persons, they were intensively isolated.

　　On October 9th, the nucleic acid test was positive at the centralized isolation point, and was transferred to the designated hospital by negative pressure ambulance, and was diagnosed as asymptomatic infected person in COVID-19.

　　Here, the residents are reminded not to panic, not to believe rumors, not to spread rumors, not to spread rumors, to continue to fulfill their personal responsibility for prevention and control, and to actively cooperate with the implementation of various epidemic prevention and control measures. Please take the initiative to report to the district epidemic prevention office if there are people with overlapping flights at the same time.

　　Zhangjiakou Economic Development Zone Response to novel coronavirus Epidemic Work Leading Team Office

　　October 9, 2022

　　The latest bulletin of Xuanhua District of Zhangjiakou City

　　The Travel Trajectory of 3 Cases with Positive Nucleic Acid Test in Isolation Point in Xuanhua District of Zhangjiakou City was announced.

　　On October 9, 2022, 3 cases of Covid-19 nucleic acid were detected in the isolation point of Xuanhua District, Zhangjiakou City. The action trajectory is now announced as follows:

　　Case 3 is the same unit as case 1.

　　On October 1st, collect nucleic acid at the nucleic acid collection point of Nandajie Pedestrian Street Stadium at 7: 00, go to the Golden Triangle Commercial Building of Nandajie Pedestrian Street at 8: 00 and return home at 13:00.

　　On October 2nd, at 12: 45, I went to the Golden Triangle Commercial Building of Nandajie Pedestrian Street, and at 18: 30, I went to the nucleic acid collection point of Nandajie Pedestrian Street Stadium to collect nucleic acid, and then I returned home.

　　At 7: 40 on October 3rd, the nucleic acid was collected at the nucleic acid detection point of Nandajie Pedestrian Street Stadium. At 8:00, the nucleic acid was collected at the Golden Triangle Commercial Building on Nandajie Pedestrian Street and returned home at 13:00.

　　On October 4th, at 12: 45, I went to the Golden Triangle Commercial Building in Nandajie Pedestrian Street, and at 18: 30, I went to the nucleic acid detection point of Wanzihui Community in Zhazishi Street to collect nucleic acid, and then I returned home.

　　At 8: 00 on October 5, go to the Golden Triangle Commercial Building on Nandajie Pedestrian Street, go to the supermarket (commercial building store) at 13: 00, and then return home. At 17: 00, I went to the community detection point of Wanzihui in Zhazishi Street to collect nucleic acid, and then returned home.

　　Case 4 is case 2′ s simultaneous empty close connection.

　　Arrive at KFC (Tongsheng Building Store) at 10:25, Hua Kai Vitality City at 11:20 and Houfu Street Market at 12:10 on October 1st.

　　On October 2, I arrived at Jiangnan Community in Jingxi at 15:40, arrived at Jiajiayue (Xicheng Store) at 17:20 and returned home at 18:50.

　　On October 3, I went to Chengpinjia Community at 15:20, Gangxin Community at 16:10, Jianguo Street Community at 17:20, and then returned home.

　　On October 4, I went to the district hospital to collect nucleic acid at 15:20, went to Jiajiayue (Dadongmen) at 16: 15 and returned home at 17:20.

　　On October 5th, we will go to Shengfa Vegetable Wholesale Market at 12:15, go to No.75 Lizeyuan in Gulou Qianjie at 15:00, go to Hongxing Erke (Nandajie Store) and Anta (Fucheng South Street Store) at 16:00, collect nucleic acids at Dongmadao nucleic acid detection point in Dongcaoshi Street at 17:30, and go to Yuxian Hotel in Huangchengqiao Road at 17: 50, at 20: 00.

　　On October 6, I went to Jindun Community at 15:30, went to Shanggu Modern City to raise a car at 16:00, collected nucleic acid at the stadium gate at 17:00, and returned home at 17:20.

　　Case 5: Case 4: Simultaneous Empty Close Connection

　　At 15:25 on October 3rd, nucleic acid was collected at the nucleic acid sampling point in Chengpinjia Community, Jianguo Street.

　　At 15:40 on October 4th, nucleic acid was collected at the nucleic acid sampling point in Chengpinjia Community, Jianguo Street.

　　At 16:30 on October 5th, I went to Europa Salon, No.75, Deshang, Lizeyuan Community, Qianjie, Gulou for a haircut. At 18:50, I went to the 5th floor next to Anta Store, 50 meters away from Liuzhongxi, and returned home at 21:30.

　　At 16:30 on October 6th, I went to the nucleic acid sampling point of Chengpinjia Community in Jianguo Street to collect nucleic acid, at 21:00, I went to the bottom business zero reasoning agency in No.2 Jingyuan No.3 Hospital and returned home at 23: 20.

　　At 15:30 on October 7, nucleic acid was collected at the nucleic acid sampling point in Chengpinjia Community, Jianguo Street.

　　At 15:35 on October 8, nucleic acid was collected at the nucleic acid sampling point of Chengpinjia Community in Jianguo Street.

　　Here, the residents are reminded not to panic, not to believe in rumors, not to spread rumors, to wear masks correctly, to do personal protection, and to take the initiative to carry out nucleic acid testing. Anyone who has an intersection of flights at the same time should take the initiative to report to the District Epidemic Prevention Office.

　　Advocate the public not to leave the publicity unless necessary. If it is really necessary to leave the publicity, they need to hold a 24-hour negative nucleic acid certificate and a certificate for collecting nucleic acid on the same day. In case of special circumstances, if there is no certificate of nucleic acid collection on the same day, you can leave after completing nucleic acid sampling at the traffic checkpoint, and report to the destination community. When you return to your place, you must obey the local epidemic prevention and control policy.

　　Xuanhua District Epidemic Prevention and Control Hotline:

　　0313-3238711、0313-3239652

　　0313-3239650、0313-3239619

　　0313-3239606、0313-3238703

　　Zhangjiakou Xuanhua District Response to novel coronavirus Epidemic Work Leading Team Office

　　October 9, 2022

　　Notice of Xuanhua District of Zhangjiakou City on Delineating High School Risk Areas

　　According to the current needs of epidemic prevention and control, in order to quickly and effectively block the epidemic chain and prevent the spread of the epidemic, according to the relevant provisions of the novel coronavirus Epidemic Prevention and Control Plan (Ninth Edition), the expert group decided to designate some areas of Xuanhua District as high school risk areas from 19: 00 on October 9, 2022.

　　I. High-risk areas (2)

　　The No.5 Courtyard of Guanyin Back Street and Chengpinjia Community of Jianguo Street in Xuanhua District were designated as high-risk areas, and the control measures of "staying at home and providing on-site services" were implemented.

　　II. Medium-risk areas (5)

　　Will Tiantai Temple Street (Pailou West Street Community, Dadong Street Community, Xicheng Community and Yiyuanjie Community) area, Nandajie Street (Lvzumiao Community, Wanzihui Community and Xicaoshi Community) area, Jianguo Street (Environmental Protection Community, Nanlu Community, Jianbei Community and Jianxuan Road Community) area, Huangcheng Street (Huangcheng Qiaobei Community, Houfu Community and Daxi Street Community)

　　The above areas and control requirements will be adjusted according to the changes in the epidemic situation.

　　Zhangjiakou Xuanhua District Response to novel coronavirus Epidemic Work Leading Team Office

　　October 9, 2022

In 2025, the comprehensive mechanization rate of crop cultivation and harvest in China will reach 75%

　　The Ministry of Agriculture and Rural Affairs reported on January 5th that the "14th Five-Year Plan for the Development of Agricultural Mechanization in China" was recently issued. It is planned that by 2025, the total power of agricultural machinery in China will be stabilized at around 1.1 billion kilowatts, and the comprehensive mechanization rate of crop cultivation and harvest will reach 75%.

　　According to reports, during the "Thirteenth Five-Year Plan" period, China’s agricultural mechanization entered a development period of comprehensive, high-quality and efficient transformation and upgrading, and agricultural production shifted from relying mainly on human and animal power to relying mainly on mechanical power. The total power of agricultural machinery in China reached 1.056 billion kilowatts, an increase of 17% compared with the end of the Twelfth Five-Year Plan, and the comprehensive mechanization rate of crop cultivation and harvest reached 71.25%, an increase of 7.4 percentage points compared with the end of the Twelfth Five-Year Plan.

　　At the same time, however, the contradiction of insufficient unbalanced development of agricultural mechanization in regions, industries, varieties and links is prominent. Some key core technologies, important parts and materials are controlled by people, and the R&D ability and product performance can not meet the needs of farmers well. Most domestic machines and tools are low-end products, with overcapacity and serious homogenization. The problem of "inorganic availability" and "no good machine use" in some fields or links is still obvious. Some industrial varieties, breeding methods and post-harvest processing are not in harmony with mechanized production, and problems such as "difficult to farm", "difficult to operate" and "difficult to store" are still outstanding.

　　At present, the mechanization in the northern plain of China is developing rapidly, and the development in the southern region, especially in the hilly and mountainous areas of southwest China, is slow. The comprehensive mechanization rate of crop cultivation and harvest in typical hilly and mountainous counties is less than 50%. The mechanization level of main grain crops production is relatively high, while the mechanization level of key links of cash crops production such as cotton, oil, candy, vegetables and tea, as well as animal husbandry, fishery, primary processing of agricultural products, facility agriculture and other fields is relatively low.

　　In this regard, the Ministry of Agriculture and Rural Affairs said that during the "Fourteenth Five-Year Plan" period, efforts will be made to improve the mechanization level of grain crop production, vigorously develop the mechanization of cash crop production, accelerate the development of livestock and poultry aquaculture mechanization, actively promote the mechanization of primary processing of agricultural products, and accelerate the filling of shortcomings in agricultural mechanization in hilly areas, accelerate the promotion of intelligent and green agricultural mechanization, and enlarge and strengthen the industrial chain of agricultural mechanization industrial clusters.

　　In order to promote the realization of these goals, the Ministry of Agriculture and Rural Affairs will continue to strengthen the policy of supporting development. Including the stable implementation of the subsidy policy for the purchase and application of agricultural machinery, the pilot of comprehensive subsidies for the purchase of agricultural machinery, the increase of subsidies for the scrapping and renewal of agricultural machinery, and the active promotion of local government bonds and related funds to support the mechanized transformation of farmland in hilly and mountainous areas.

　　According to the plan, by 2025, the main counties (cities, districts) producing grain, cotton, oil and sugar will basically realize agricultural mechanization, and the comprehensive mechanization rate of crop cultivation and harvest in hilly counties (cities, districts) will reach 55%, and the mechanization rate of facility agriculture, animal husbandry, aquaculture and primary processing of agricultural products will reach more than 50% as a whole. In 2035, the main crop production will be mechanized in the whole process, and agricultural production will basically be fully mechanized, and the pattern of mechanization supporting agricultural and rural modernization in an all-round way and with high quality will basically take shape.

Ministry of Industry and Information Technology： Vigorously promote the digital, networked and intelligent development of manufacturing industry

　　On April 18th, the State Council Press Office held a press conference to introduce the development of industry and informatization in the first quarter of 2024. Shan Zhongde, vice minister of the Ministry of Industry and Information Technology, said that the work of intelligent manufacturing application exploration, scientific and technological research and infrastructure construction will be systematically promoted, and the digitalization, networking and intelligent development of manufacturing industry will be vigorously promoted to provide strong support for the construction of a manufacturing power.

　　Editor: Wu Yimeng

　　Produced by Audio and Video Department of Xinhua News Agency

Thanks to these three points, ＂Tea No.2 Middle School＂ has become a dark horse at the summer box office!


Special feature of 1905 film network In the recent summer movie files of "Fairy Fight" and "Stars Gathering", an animated film broke into the audience’s field of vision as a "dark horse", which has so far earned 300 million box office.



It is!A comedy animated film about the hilarious campus story in Northeast China.


Although Tea No.2 Middle School is a "new guest" on the big screen, it has been nine years since it moved from an animated series to a big screen. Many animated dramas have a high reputation and are rated as the first IP on campus by the audience!



It is such an animated film that takes place on the northeast campus and tells the campus story of a group of junior high school students and teachers fighting wits and bravely. How did it win the praise of the audience and win the highest score of domestic comedies in the past eight years?


Funny is the core of comedy.


Among the fans’ comments on the film, the word with the highest frequency is "funny".



First of all, from the story itself, the hilarious story of Tea No.2 Middle School revolves around "identity exchange".


In this seemingly lackluster shell, "Tea No.2 Middle School" takes a different approach, instead of focusing on the common "gender exchange" in previous film and television works, it prefers "career exchange" and tells a novel story of a teacher and a student exchanging identities.



Imagine, who didn’t have a dream of being a teacher when he was a child, and who didn’t suddenly have the idea of "if only I were a teacher" in junior high school and high school?



Following this idea, Tea No.2 Middle School keeps turning over stalks in the process of "identity exchange", which brings a story that teachers and students understand each other and deeply thank each other for their irony.


Terrier-making in Native Northeast Dialect


"Tea No.2 Middle School" was produced by a local team in Jilin, and the Northeast dialect treatment of life stream is definitely one of the biggest highlights of the whole film.


However, "Tea No.2 Middle School" did not forcibly use Northeast dialect as a film burden, but completely integrated Northeast dialect into the film in a very daily context.



It is worth mentioning that there is no professional voice actor in the whole film, and all the voices heard by the audience are basically from the late teacher, special effects teacher and service teacher … … It is these "voice actors" who really live in and are familiar with the Northeast that make Tea No.2 Middle School full of the most authentic and pure colors in the Northeast.


Enough to satisfy your youth "memory killing"


Tea No.2 Middle School is labeled as "Campus Youth" besides "comedy" and "Northeast".



Looking back on the campus youth works on the big screen in the past, the core of the works is always inseparable from the "youth pain." But in the opinion of the director of Tea No.2 Middle School, whether it is on campus or going to school, why must it be bitter or hateful?


Therefore, two directors, Xia Mingze and Yan Kai, have positioned their works at — — Laughing impudently and reading easily the story of youth campus.



Many netizens commented that this work was "a clear stream in the campus youth film", but in fact, in order to achieve this effect, the creative team made a lot of efforts in the early stage.


The creative team conducted a three-month tour on campus, and captured many delicate and sincere campus stories into the film. During the years when the opera was suspended, they upgraded the film structure in all directions, from pictures to special effects to plot polishing, hoping to contribute the funniest campus film to fans and friends.



Not only that, many young viewers, even parents who take their children to the cinema, can also see the cartoons they once loved and their core skills, such as Tianma Meteor Boxing, Blood Wheel Eye, Saint saint seiya, and many games they played as children, which make many viewers feast their eyes and interact with the characters in the movie.


Therefore, after the film was released, when "Tea No.2 Middle School" won the single-day box office championship in the three northeastern provinces for several days in a row, the director of the film was also excited and said, "Life is very bitter, and we will insist on creating a paradise with animation."



Tea No.2 Middle School tells us with sincere stories that teachers will be really sad if they score 0 on the grading table, and they will also be sad if they take away physical education class, the children … But campus memories are not all sad and melancholy, and there are bright sunshine.


When the teacher wrote a brand-new chapter on the blackboard of the open class, when the teacher turned around, he met dozens of pairs of fiery eyes behind him, and the light leaked into the classroom from the window, illuminating all the lovely faces on and off the stage, but it made me feel sour again when I watched this hilarious story in the cinema.



This also allows us to see what comedy movies really need, in addition to the buried stalks and routines of comedy creation itself, but also the purity and sincerity of comedy creators.


How to downgrade the key？ How to downgrade and reprogram vehicle keys？

Vehicle key degradation and reprogramming: in-depth analysis and operation guide

In the process of automobile use, it may sometimes be necessary to downgrade and reprogram the vehicle keys. This operation is not arbitrary, but requires specific steps and precautions.

How to downgrade the key? How to downgrade and reprogram vehicle keys?

First of all, we need to know under what circumstances it may be necessary to downgrade the key. Common reasons include: the new key is not compatible with the vehicle system, the key function is abnormal or wrong, and the key function is affected after the vehicle system is upgraded.

Before the key is downgraded and reprogrammed, preparation is very important. You need to ensure that you have the legal ownership certificate of the vehicle, the relevant information of the vehicle (such as model, frame number, etc.) and the appropriate programming tools.

The next step is the specific operation steps. Generally speaking, the operation process is roughly as follows:

1. Connect the diagnostic equipment: connect the professional automobile diagnostic equipment with the diagnostic interface of the vehicle.

2. Enter the programming mode: select the key programming mode through the operation interface of the diagnostic equipment.

3. Select the downgrade option: in programming mode, find and select the related options for key downgrade.

4. Input vehicle information: accurately input key information such as vehicle model and frame number to ensure the accuracy of programming.

5. Perform the demotion operation: after confirmation, start the demotion procedure and wait for the operation to be completed.

It should be noted that the key downgrade and reprogramming process of different models may be different. The following is a comparison of key degradation characteristics of some common models:

In addition, in the whole operation process, the vehicle power supply must be kept stable to avoid system failure caused by operation interruption. If you are not familiar with the operation, it is recommended to seek the help of professional automobile maintenance personnel or 4S shop to ensure the safety and effectiveness of the operation.

In a word, the demotion and reprogramming of vehicle keys is a complicated and delicate operation, which needs to be treated with caution and followed the correct steps and methods before it can be successfully completed.

Full solution HPV vaccine ｜ Why is a nine-valent HPV vaccine hard to find？ When will the tight supply situation ease？ Expert interpretation

Cctv news(Reporter Kan Chunyu, Lu Yuanyuan): Nine-valent HPV vaccine has been in the public eye for more than three years, but the situation that one vaccine is hard to find is still frequently reported in newspapers, and the vaccine reservation system launched in various places has also received a lot of spit. Why is a nine-valent HPV vaccine hard to find? When will the tight supply situation ease? Qiao Youlin, a professor at the School of Medicine and Public Health of Peking Union Medical College and a member of the expert group on cancer prevention and treatment of WHO Director-General, was interviewed by CCTV reporters.

Qiao Youlin said that at present, the reason why HPV vaccine is hard to find is the imbalance between supply and demand.

Previously, overseas vaccines had to undergo clinical trials in China before entering China, and imported bivalent and tetravalent HPV vaccines had been waiting for 8 years. In 2016, GlaxoSmithKline’s bivalent HPV vaccine sirrah was approved by the State Food and Drug Administration, becoming the first approved HPV vaccine to prevent cervical cancer in China. It was listed overseas in 2006. In 2017, Merck’s tetravalent HPV vaccine was also approved for domestic marketing after 8 years of clinical trials.

However, in 2018, after receiving the application for registration of nine-valent HPV vaccine import, National Medical Products Administration conditionally approved the marketing of Merck’s nine-valent HPV vaccine in just nine days. "Vaccine manufacturers didn’t expect China’s nine-valent vaccine to go on the market within nine days, so its production plan was not arranged at all, and it was suddenly approved. In order to meet the needs of Chinese mainland, they reduced the quotas of other countries to ensure the supply of China, but it was still not enough."

And "the market has accumulated consumer demand for 10 years." In overseas markets, people have gone through a long waiting process from two or four prices to nine prices, but in China, "two or four prices are not popular yet, and nine prices are coming soon, and people want to fight for nine prices, and nine prices are scarce".

Qiao Youlin revealed, "Merck, a nine-valent seedling production company, is also increasing its production capacity and will greatly increase its supply to China next year. There are more than 10 pharmaceutical companies in our country that are making HPV vaccines, so in the next few years, vaccines will continue to be introduced to the market. By that time, vaccines can really cover the whole process, which is not a big problem. "

Qiao Youlin stressed that in the case that there is still a shortage of vaccine supply, it is still necessary to vaccinate the most protected girls under the age of 15 with the best immune effect.

A visit to the stellar gravity of 7 explosive online drama companies ｜ Special planning

Stellar gravity: development of the whole industrial chain and refined operation

Established two years ago, he has seven works, including film and television drama "Morning Sun", "Chasing the Ball", "Once upon a time there was a mountain with a sword" and "Blame you for being too beautiful", online animated film "The Legend of the Sword and the Chivalrous Man", participated in the cinema movie "A Cloud Made of Rain in the Wind" and "Get My Brother Away", and Douban has been appraised by over 730,000 people, and his works frequently topped the list of major industries.

Behind such achievements is the construction and continuous upgrading of the industrial production system of Stellar Gravity Media. This IP operating company, which focuses on high-quality online content, adheres to the Internet product model with IP development as the source and user demand as the creation orientation, with point radiation and multi-party linkage, so as to achieve the development of the whole industry chain and maximize IP value. In July, Stellar Gravity released the latest film list of 2020, and more than ten projects are ready to go.

Meet diverse needs and make content that young users like.　

"We are good at making IP and content that young users like, so we should start from our own fields and screen and create innovative and high-quality content for young users." Wang Yizhen, founder and CEO of stellar gravity, said. Stellar Gravity insists on facing the audience in the end market and approaching users to dig deep into the first-hand demand. Although "Stellar Gravity has established a good cooperative relationship with several head video platforms, it can get feedback in time and understand what topics the platforms are interested in." However, Wang Yizhen also stressed that he will pay attention to the platform requirements, but will not take the content preference of the platform as a single creative orientation. "The main thing is to start from the needs of users and incubate suitable projects (scripts) in a targeted manner."

Due to the advantages accumulated by the company’s early fan research and data analysis, Stellar Gravity is very familiar with the current situation and needs of users. Based on user observation and market analysis, it "chooses and customizes the content that they like and are willing to experience deeply." In the latest film list released by stellar gravity, a number of key projects have been released, including many well-known IP with extensive fan base and influence. The Fox Demon Little Matchmaker, which is known as "the first IP of the country’s female frequency", is the first live-action film and television, and it is named "Tu Shan Little Matchmaker". Stellar Gravity will choose the most popular chapters of the original, Moon Red and Royal Power, to make two film and television dramas; "I want to go against the wind" is adapted from the novel of the same name by the best-selling author Wuzai, focusing on the changes of the times, telling the story of starting a business with the background of the transformation of traditional enterprises under the wave of Internet e-commerce, and reflecting the passionate features of young people under the wave of the new era, their pursuit of career ideals and a better life. In addition, there are many projects, such as "Canglan Tactics", "Si Ming" and "Talk to Your World", which have entered the preparatory period.

Stellar gravity has its own screenwriter, production team and content research and development system, which can undertake the preparation and development of multiple projects at the same time. At present, it has five unique film and television studios, focusing on different types of film and television dramas and IP development. Among them, Xingyue Studio focuses on the creation of realistic themes and dramas; Green Prince Studio focuses on the positive energy works of youth idols; Small universe studio is responsible for the development of new types of fantasy brain holes; Moonlight Night Studio is dedicated to the new theme of new women in the workplace, and Blame You for Being Too Beautiful is its successfully hatched work. Jiuye Studio focuses on well-produced high-quality film and television works. Hit the real pain point and dig deep into the market potential of female themes　

In recent years, with the rise of "she" culture, more and more plays focusing on urban women in the workplace came into being. In this regard, Wang Yizhen analyzed that with the progress of the times and the diversified development of society, contemporary urban women not only meet material needs, but also pursue emotions, and the consumption demand for film and television works is even stronger. "The emergence of more and more female-themed works shows the huge market potential in this field."

Blame You for Being Too Beautiful is adapted from the novel of the same name by the best-selling author Wuzai. The team has added a lot of career lines for Mo Xiangwan (Qin Lan), a gold medal agent who is a female host, so as to strengthen the theme core of "new women+workplace" and restore the "struggle between trapped animals" of urban women in the workplace and emotions. As a workplace drama, "Blame You for Being Too Beautiful" does not stay on the surface of the event, but deeply reveals the survival mode of the entertainment industry, such as the complex relationship between brokers and actors, how brokerage companies talk about projects for artists, and how brokerage companies compete with each other. The novel ideas and ideas, coupled with the real and sharp content, made the play attract people’s attention as soon as it started broadcasting.

Wang Yixu introduced that it has been some time since the original novel was published. During this period, the entertainment industry has undergone earth-shaking changes, such as technological innovation, media change, and reshaping of human resources structure, which makes it difficult for the content in the novel to integrate into the current creative context. In addition, although the original work has a workplace background, the story is more romantic. Therefore, the original author did not make drastic changes on the basis of the novel, strengthening the content of the workplace and compressing the emotional line, and the amount of adaptation was 70%. "Let the workplace events land, avoid suspension, and present a sense of reality in the industry." In Wang Yixu’s view, it is the joint efforts of the original author and chief planner Wei Zai, director Wang Zhi, music producer Huang Yi, producer Shen Jingjing, and actors such as Qin Lan, Godfrey Tsao, David Wang, Kara Wai, Boogie and Guo Xiaoting. The tacit cooperation between the whole team in front of the stage and behind the scenes helped Blame You for Being Too Beautiful to finally achieve gratifying results. "It has reached our expectations and is a successful attempt in this field."

Pay attention to talent training "Star Plan" to help creators　

Dreaming with light and shadow needs the support of industrialized production standards, and more needs people who can tell stories. Stellar Gravity launched the talent plan "S.Pro", aiming at serving and cultivating high-quality creative talents such as writers, screenwriters, directors and musicians, exploring, evaluating and creating their greater value, and conveying talents for the development of the industry. Wang Yizhen said that the original intention of launching this talent support program is to hope that young creators can better understand the platform demands, so as to gain more opportunities and development space in the film and television market.

Stellar gravity has used potential, talented and enthusiastic directors, writers and screenwriters in many film and television projects. According to reports, Wang Zhi, the director of Blame You for Being Too Beautiful, is the signing director of "Star Project", and his use of lens language and control of the quality of the series have a high standard; Signing director Yi Zheng once directed "The Tale of Young People in the Great Song Dynasty", which scored 8.2 in Douban and was selected as "TOP10”； with the highest score in Chinese drama series" in Douban’s 2019 film list; Signing director Ying Ying Lu, a post-90 s young female directors, has a unique aesthetic style, and the Lonely Beast directed by her is being filmed; Zhao Yilong, the signing director, directed the TV series The Founding of the People’s Republic of China and The Long River Sunset, and served as the executive director of Parents’ Love and nirvana in fire. The original author and chief planner of Blame You for Being Too Beautiful, as well as the popular writers Jiu Lu Fei Xiang, Taotao Yilun, Sheng Li, Jian Yan, Gu Qingyi, etc., are also contract writers and screenwriters of "Star Project", and many novels created by them have started to be filmed. Wang Yixu said that Stellar Gravity will continue to use more talented, potential and enthusiastic creators in the future to continuously produce high-quality content for thousands of users.

Dialogue with Wang Yixu, founder and CEO of stellar gravity:

Let every creator and IP become stars.

Audio-visual Radio and Television: What impact does this COVID-19 epidemic have on film and television companies this year?

Wang Yizhen:During the epidemic, more people put their time on TV and online platforms, which expanded the market in disguise and increased the audience. People who didn’t watch the drama before were also "forced" to join this camp. The audience is not only changing in number, but also changing in age, demand and class. On the whole, the audience’s demand for dramas has increased, and the requirements have also increased. Television platforms and video platforms need more new drama reserves, so there are more opportunities for production companies. During the epidemic period, the implementation of support policies throughout the country and a series of fee reductions and exemptions have also consolidated the foundation of the film and television industry to a certain extent, helping the development of production companies.

Audio-visual broadcasting:How to define stellar gravity and what kind of company do you want it to be?　

Wang Yizhen:Stellar gravity is currently an IP operation company with high-quality online content as its core. I hope Stellar Gravity can become a great IP operation company that provides users with high-quality entertainment products, creates value for the entertainment industry, and spreads positive energy and correct value orientation. Since its establishment, stellar gravity has been growing all the way, constantly innovating and changing, and we will strive to bring you more good works and quality experiences.

Audio-visual broadcasting:How many projects does the company run every year on average? How to increase the output rate of fine products?

Wang Yizhen:The operation cycle still varies according to the project type, which is no different from the common cycle in the whole industry. Every year, projects in the incubation period, shooting period and broadcasting period are operating simultaneously. Every project of stellar gravity is built with high-quality products, and every project is treated with 100% care and all-out efforts. From script polishing, shooting to post-production, every link is strictly controlled. All these are helpful to improve the output rate of fine products.

Audio-visual broadcasting:What is the general operating mode of the company?

Wang Yizhen:The company’s operation mode is roughly the middle platform mode. Front-end, constantly research and develop high-quality content and incubate quality projects; On-line, overall planning on-line operation, control the main marketing direction; On the production side, the company not only produces its own products, but also cooperates with good production teams and producers for joint development.

Audio-visual broadcasting:Future planning of the company?　

Wang Yizhen:In the future, the cooperation between Stellar Gravity and the platform will not only be limited to providing IP and producing drama series, but also cover the whole industrial chain, helping the platform to maximize IP development, including the authorization of drama series, animation, music, games, surroundings and even theme parks. I hope to operate each IP more completely and productively, so that every creator and IP can become a star.

Shanghai Hengxing Gravitation Film and Television Media Co., Ltd., established in 2018, is an IP operation company with high-quality online content as its core, focusing on the creation of high-quality online content, with IP development as the source and user demand as the creative orientation, and constantly creating industry quality products, covering the whole industry chain. The types of works cover a wide range, and its five film and television studios focus on female themes, fantasy themes and realistic themes.

Representative works:The movie "A Cloud Made of a Rain in the Wind" and "Take my brother away quickly". The TV series Patriot, Morning Sun, Chasing the Ball, Once upon a time there was a mountain with a sword, Blame you for being too beautiful, and The Legend of the Fairy Sword and the Chivalrous Man.

Works to be broadcast and in preparation:Thank you, Doctor, Lonely Beast, I’m going against the wind, Freesia Strategy, Unlucky VII on impulse, Si Ming, Tu Shan Little Matchmaker, Talk to your world.

The first appearance of online drama is magnificent.

Interview with 7 small and beautiful film and television companies

Five-element culture: the quality control system behind the production of fine dramas

Xinshengtang Film Industry: the trader of the top and second place in the box office of the sub-account drama

White Film and Television: The operational efficiency of content companies is the key to competition.

"Little Sugar Man": Paint the brand of "Youth" with colorful colors

Linghe Culture: Pluralistic Innovation, Steady and Steady

Stellar gravity: development of the whole industrial chain and refined operation

Brilliance Meichuang: The "Sweet Pet Industry" Behind the "Alternative" Series

—

Take root in China and cultivate modern talents with ideals, responsibility and international vision in the new era.

　　The 2020 CCTV annual education festival "Cloud Ecology Talking about the Future" was held in Beijing this afternoon. Many guests came to the event site to explore the new ecology of education and take the pulse of the new trend of future education development. Wu Xiaoqiu, Chairman of Higher Education Professional Committee of China Education Development Strategy Society, Dean of China Capital Market Research Institute, First-class Professor of Finance and former Vice President of China Renmin University, attended the ceremony and delivered a keynote speech entitled "Rooting in China and Cultivating Modern Talents with Ideality, Responsibility and International Vision in the New Era".

　　The full text of the speech is as follows:

　　Education is the foundation of a strong country. Education is also the cornerstone of the rejuvenation of the Chinese nation. "Education makes the country strong and education makes the country prosperous" is not a slogan, but it is real.

　　Looking back over the past 40 years of reform and opening up, we will find the importance of education and talents. In 1978, the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China was successfully convened, which started the process of modernization in China. The historic speeches of the Third Plenary Session of the Eleventh Central Committee of the Party and Comrade Deng Xiaoping’s "Emancipate the Mind, Seek Truth from Facts, Look Forward with Unity" have promoted the social changes in China. Over the past 40 years, China has gone from a poor and backward country to a well-off society as a whole.

　　In 1978, China’s per capita GDP was just over $100, and it will obviously exceed $10,000 by 2020. From the per capita GDP of more than 100 US dollars to more than 10,000 US dollars today, this is a miracle of human society and a great contribution made by China to human society.

　　The most important reason is that we persist in the reform and opening up and the socialist market economy. Among them, the great contribution of higher education in China to the realization of a well-off society in China cannot be ignored.

　　Many people judge a country’s higher education by whether it wins the Nobel Prize or not. I don’t think this is comprehensive, accurate and correct. China’s higher education has trained tens of millions of talents, including scientists, engineers, entrepreneurs, civil servants and builders of every industry in the past 40 years, which has made great contributions.

　　The talents trained over the past 40 years have several characteristics: the first is that they have an international perspective. Focusing on the future, it knows where China will go in the future and can grasp the future trend. The second is the spirit of responsibility. The spirit of responsibility was particularly evident in the last three sessions in the late 1970s and those in the early 1980s. In 1980s, China society was an era of great ideological emancipation, which gave birth to a group of elites in today’s society. They knew their responsibilities. The most important thing in ideological emancipation was to grasp their responsibilities, put their own interests at a very low level, and put social responsibilities at a very high level. Therefore, there was a heartfelt slogan at that time, called rejuvenating China. This is not organized, it is heartfelt and spontaneous. Today, this generation has become the mainstay of this society.

　　Our future, from 2020 to 2035, the Fifth Plenary Session of the 19th CPC Central Committee described the vision and goal of 2035, which is to build our country into a moderately developed country, from a well-off society in an all-round way to a moderately developed country. This is an extremely grand goal. As a teacher who studies economics and finance, I have carefully read the communiqué of the Fifth Plenary Session of the 19th Central Committee, as well as the suggestions on the 14th Five-Year Plan and the long-term goals for 2035. What excites me most is that the per capita GDP will reach the level of moderately developed countries by 2035. Judging from the economic indicators, developed countries have a single indicator, that is, the per capita GDP reaches 12,400 US dollars, which is the lowest threshold of OECD. Of course, it is only a threshold. If you want to become a developed country, you obviously have to meet various cultural, social, legal, regular and spiritual requirements.

　　There are 31 developed countries in the world, of course, many of them exceed $12,400, but they are not listed as developed countries because they are not good in other aspects. Environmental conditions, whether men and women are equal, if men and women are not equal, you can hardly say that this is a developed country. If the environment is very bad, the public security is very bad and the order is very chaotic, it is not a country ruled by law, and no matter how high the per capita GDP is, it is not a developed country. Based on culture, society and the rule of law, the requirements are very high, with a total of only 31. Moreover, we have to reach the level of moderately developed countries, which is now more than 10 thousand dollars. According to such a requirement, I calculate that by 2035, we should reach the level of per capita GDP close to 25 thousand dollars, which may be called the economic index of moderately developed countries by current standards. At the same time, in the humanities, society, environment, the rule of law and other aspects, we should comprehensively promote the modernization of China society, including the modernization of state governance, which are among the connotations of moderately developed countries.

　　There are still 15 years from today to 2035, and the complexity of the difficulties we may face in these 15 years may exceed that in the past 40 years. Because today’s international environment has become very complicated, how can we deal with it? It is necessary not only to promote economic development, but also to cope with the changes in the complex international environment. Therefore, in this process, new requirements are put forward for the talent training of higher education in China.

　　In the process of moving from a well-off level to a moderately developed country, we have to overcome a major trap, which is called the "middle income" trap. The so-called "middle income" trap is that it is difficult for some emerging economies and some countries to cross the threshold of $12,400 in the process of economic development. Or even if it is crossed, it is difficult to stay in the ranks of developed countries for a long time because of various factors, such as talent, science and technology, currency devaluation and insufficient innovation ability, and it is a common phenomenon.

　　How did China overcome the "middle income" trap during the Tenth Five-Year Plan period? To lay a solid foundation for us to rush to moderately developed countries is what we must think during the "14 th Five-Year Plan" period. Of course, the most important thing here is that we must adhere to the general direction of reform and opening up. Only by adhering to reform and opening up can China have the opportunity to rush to moderately developed countries; Second, we must take the road of market economy; Third, we should adjust some economic development strategies according to the changes at home and abroad, such as the dual-cycle development strategy. We should promote domestic demand, promote economic development, and promote economic development through the growth of domestic demand, then the income level of China residents will be improved.

　　At the same time, China’s higher education shoulders the responsibility of cultivating talents with high quality that match those of developed countries. What is very important here is its scientific and technological innovation ability, innovation ability and scientific and technological level, and its thinking must not be bound. Once bound, its innovation ability will drop greatly. In many countries, the core of the "middle income" trap is the decline of innovation ability. Higher education cannot provide high-quality talent support for developed countries, so it declined, so it came back. Higher education in our country shoulders the responsibility of the times and the historical mission. They should have a strong sense of innovation, scientific and technological ability to keep pace with the times, and a sense of responsibility to keep pace with the times. These are all great responsibilities that higher education will face in the future.

　　A series of reforms we are doing now are moving in this direction. Thank you all.

9.7 points! Interpretation of YiBo and Bo Huang’s Enthusiasm： Where does the confidence come from？


Special feature of 1905 film network When the film was first shown to the audience in Shanghai, the director said more than once, "This film is the best one since I directed it."It can be seen that Dapeng is full of confidence.



Nowadays, "Enthusiasm" has experienced many days of screening in the past, and the box office has accumulated more than 100 million, and it has won a high reputation of 9.7 points on both ticketing platforms. The feedback from the audience is enough to demonstrate Dapeng’s previous argument.


This is the spirit of "Enthusiasm", and I dare to meet the audience at the key node of the summer file.



"Enthusiasm" is very special. It is the first work without starring since Dapeng transformed into a director, and it has completely become an audience’s examination of "director Dapeng", even though he just won the title of Best Actor at the Shanghai Film Festival.


Its story is pure, youthful, passionate and inspirational. When these elements are put together, it seems to have a fixed framework, so the story is simple but difficult to shoot. Just fortunately, Dapeng once again makes people shine, and it is enough to use the film to mobilize all the emotions of the audience!It’s just that it’s not easy to burn.



01.


For Dapeng’s directorial works, each one shows obvious progress.fromPancake manarriveSewing machine band"Peng-style comedy" found its direction and proved its directing ability with two films. When the outside world questioned the "cinematic feeling" of his works, he responded with his works.


In the past, it was always said that the success of the new director depended on the first three works, and his third film was a literary film expanded from the short film Auspicious, which was not so funny, but especially sincere.


In almost every movie, Dapeng is steady and steady, and the fourth work returns to "Peng-style comedy", with a heavier thickness, and both word-of-mouth and box office have been double-certified.



It’s just that the script creation of the four films has more or less Dapeng’s own shadow.Pancake Man is the overlap of his personal image and screen image. Sewing Machine Band is his emotion of forming a band in the past.; 《luckyNeedless to say, Ruyi is a private story of Dapeng family. Protect yousafe and sound"in"The manipulation of public opinion is also his feelings about the internet as an artist and as a mass.


But in these four films, Dapeng can always open the public’s mood with a small incision.



The same is true of Enthusiasm, except that Enthusiasm is jumping out of Dapeng itself.


The film "Enthusiasm" is more like a propositional composition of Dapeng, a completely original expression. This is not an easy task. The actors find the supporting point of the role in the script, and before the script, the creators need to dig the story with their lives and selves. What’s more, the street dance theme covered in Passionate is very rare in China market. It is a challenge and courage for the creator to dare to present such a minority theme in the form of a mainstream commercial film.



This seems to be a proof that Dapeng is a director. From Sewing Machine Band to Enthusiasm, from rock music to street dance, he is doing pioneering attempts and expressions. Isn’t this kind of action that dares to be the first, exactly the filmmaker’s passion for creation?


In "Enthusiasm", Dapeng jumped out of himself and returned to himself.Dapeng’s growth story is almost presented to the audience in all directions, from entertainment to actors to directors. Every step he made was so profound. He was not chicken soup, but experience. Therefore, in Dapeng’s films, we can always see the charm of the little people, and in Warm, the feelings of the little people have been further deepened.



Looking back at the movies directed by Dapeng, starting from Pancake Man, he often strengthens a group of people to do one thing in his works, and so does Passion. This group of people has always represented a pure ideal, whether it is Ding Lei (ornaments) or Chen Shuo (ornaments), they are all pure lovers of dancing.


As Ding Lei said: "You can lose the game, but you can’t lose the exclamation point." They never win or lose themselves, or more realistic fame and fortune, but that love.



Therefore, we can see that Dapeng has played many special roles in character design, such as Biao Biao (ornaments) who finally bowed to reality, such as the brothers who once danced with him and now choose to drive for their lives, and Ding Lei’s ex-wife (ornaments), the other party will still cry because he dances again.


These characters seem to have few scenes, but to a great extent, they portray the human touch of the characters and the strength and life of the bottom people very vividly.



In the characterization of Enthusiasm, there is no waste of pen.Even Chen Shuo’s mother (Liu Mintao The role of a loving mother is not a simple image. The interaction between her and Chen Shuo, as well as her sacrifice and persistence for her family, all reflect the temperature of Chen Shuo’s role. Just like the song she finally re-entered the stage and sang.Zhang SanSong ",is to ignite the vitality of a group of little people, she also gave a powerful answer with her son’s tacit gesture."


The mother here is always an ordinary person and then a mother. Just like the title of the song, "Zhang San" is never a specific person, but a synonym for ordinary people in the world.



This is "Enthusiasm" and the place where Dapeng’s director is the highest. Even though he is a minority, he did not evade and give up, but found the best way to get close to the audience.


Just as in Warm, Ding Lei and Chen Shuo said, "Do you know why the local dog was injured and recovered in those two days? It was because he was touched by the earth. The stage is our local atmosphere. "


Dapeng just brought the audience closer and received the atmosphere. And the atmosphere may be the bottom spirit.



02.


If Dapeng brought "Enthusiasm" close to the ground, then the actors further brought the film closer.It is undeniable that Bo Huang andkingoneBo is close enough to the face with the same role, just as Dapeng talked about the only criterion for casting, which is appropriateness.



Ding Lei and Mileage Palace of Sewing Machine Band are similar, both of which were linked to success, but people have regrets in middle age, and this regret is not a simple crisis. However, Ding Lei will go further than Cheng Gong, more pure and more like ordinary people. His original intention is not pure winning or losing, but "exclamation point" itself. Only when he faces the reality, there will be more contradictions and entanglements.



And what’s Bo Huang’s impression on the audience? Before good acting, there is an ordinary one. There are too many stories about his dream-chasing, and how he became a respected film emperor from ordinary people. On his dream-chasing road, those experiences of working in dance halls are more in line with Ding Lei’s role background.


Especially in the scene of Ding Lei and Chen Shuo in the barbecue shop, Bo Huang almost brought the entanglement of this role gently, which is a bow in reality and a pure insistence on dreams. Bo Huang is no longer just performing this role, but holding up "Ding Lei".



At the same time, Ding Lei was the king of dancing when he was young, but when he reached middle age, his commonness covered up his past. This is almost a portrayal of Bo Huang’s "dancing skills". For a long time, the outside world could not understand his dancing skills. It was not until his past experiences were archaeological and he showed them on variety shows that his dancing skills were really discovered.


Chen Shuo’s casting is even more demanding. Obviously, he needs to be a person with extremely high talent for dancing. At the same time, he was not born to shine.


This is similar to YiBo’s acting experience. He is the actor who is gradually recognized and sought after because of his efforts to pursue his dreams. From being questioned to just half a year this year, I used three movies to prove my rising star. It’s like in the movie, when Chen Shuo shows off all kinds of skills of the league members in a personal battle, it turns out that he is the infinite container and can put down all the possibilities.



Most importantly, as a senior, Bo Huang will take the initiative to give way to the other side, just like the mentoring relationship in the movie. Their complementary performances make the story even more fascinating.


The charm of these two roles has a "1+1>2" effect on both roles. Ding Lei and Chen Shuo have the same purity in their pursuit of dreams, but also amplify the emotions of ordinary people, which has also become the key to making "Enthusiasm" still have stamina after this established ending.



Ding Lei has a line, "I feel very enthusiastic about this time in street dance." Perhaps this is the purest expression of Enthusiasm and the most essential place of the film.


As mentioned repeatedly above, Enthusiasm is simple, but simple enthusiasm is what everyone wants most in their present life.


"Enthusiasm" did it, and this is Dapeng’s confidence.


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