分类归档 zudao

Xinxiang Zhiji LS6 drastically reduced the price! The discount is 10 thousand, and the discount waits for no one

[car home Xinxiang Promotion Channel] Good news! There are preferential activities going on in Xinxiang area, with a maximum discount of 10,000 yuan! The minimum starting price of this car is 219,900 yuan. If you want to know more about the discount, please click "Check the car price" in the quotation form to get a higher discount.


Zhiji LS6 is a stylish and dynamic SUV. The front face is decorated with a large area of chrome, and the air intake grille adopts a unique starlight design, and the overall style is very recognizable. The body lines are smooth and strong, which shows the sense of strength and movement of the vehicle. The design style of Zhiji LS6 is in line with the aesthetic needs of modern young people, and people can be attracted by its unique appearance at a glance. The side of the car body adopts a suspended roof design, the roof line is smooth, and the door handle adopts a hidden design, which makes the overall shape more concise and smooth. The exterior design of Zhiji LS6 is excellent, which is a highlight of the car system. Whether driving on city streets or highways, it can attract the attention of passers-by.


Zhiji LS6 is a medium-sized SUV with a body size of 4904*1988*1669, a wheelbase of 2950mm, a front track of 1698mm and a rear track of 1707mm. The car has a 235/50 R20 front tyre size and a 255/45 R20 rear tyre size, and the tire width is larger, providing better grip and handling performance. The side lines of the car are smooth, showing a dynamic and steady design style, and the rim style is fashionable and atmospheric, highlighting the sporty atmosphere of the car.


The interior design of Zhiji LS6 is full of modernity and technology. The 26.3-inch central control screen is a highlight of the car system, which can realize voice recognition control of multimedia system, navigation, telephone and air conditioning. The leather steering wheel provides a comfortable grip and supports manual up and down+front and rear adjustment. The front row is equipped with two Type-Cs and one USB/Type-C interface in the back row, which is convenient for users to charge. The front row is also equipped with a mobile phone wireless charging function. The seat is made of imitation leather and genuine leather. The main seat supports four-way adjustment of front and rear, backrest, height, leg rest and lumbar support, while the auxiliary seat supports two-way adjustment of front and rear, backrest and height. The front seats are also equipped with heating and ventilation functions, and support the driver’s seat memory function. The second row of seats supports backrest adjustment, and the rear seats support proportional reclining, providing passengers with a more comfortable riding experience.


Zhiji LS6 is a powerful car, and its engine has a maximum power of 231 kW and a maximum torque of 450 N m.. This means that it can provide enough power for drivers to feel excellent acceleration and speed while driving. Whether on urban roads or highways, Zhiji LS6 can bring excellent driving experience.

In the word-of-mouth evaluation of car home car owners, we saw that the appearance of Zhiji LS6 was highly praised. He mentioned that the appearance of the vehicle is fashionable, with the shadow of the Porsche Cayenne, but it also incorporates unique design elements, such as hollow air holes in the front and flaming red-lipped headlights in the back. In addition, he mentioned that it can be changed to through taillights for free at present, which gives consumers more choices. The innovation and flexibility of Zhiji LS6 in design undoubtedly add more attraction to it. Judging from the word-of-mouth evaluation of car home owner @ Yitisga, the exterior design of Zhiji LS6 is undoubtedly a highlight of this model. In the future, with the participation of more owners, we believe that the exterior design of Zhiji LS6 will be recognized and loved more and more.

Haval Xiaolong series will be officially launched soon, and they are all in two gears, each with its own differences.

In this era of high oil prices, fuel consumption must be one of the most concerned factors for everyone to buy a car. After all, saving fuel means saving money, which means reducing the burden on wallets. Therefore, a hybrid car with both performance and fuel consumption has become a good choice for everyone to buy a car. However, the "water" in the hybrid car market is relatively deep, and it is easy to step on the pit if it is slightly less. If you want to meet the diversified travel needs, you must choose carefully. Today, I recommend two high-quality hybrid cars that Haval will soon launch-Haval Xiaolong MAX and Haval Xiaolong.

Smart electric four-wheel drive blessing, Haval Xiaolong MAX can be more exciting in the city.

Although they belong to the same series, the positioning and value points of these two cars are not the same.

Haval Xiaolong MAX is positioned as an all-round electric four-wheel drive new energy SUV, which adopts the exterior design that subverts the traditional Haval model, breaks through the enterprising aesthetic trend of new energy in integration of language, and creates a brand-new product image with more technology.

Haval Xiaolong MAX has a length, width and height of 4758*1895*1725mm and a wheelbase of 2800mm. Typical medium-sized SUV size ensures ample riding and loading space and meets the practical needs of users for vehicle size and large space. After the rear seats are put down, the car directly becomes a big bed room, which is very suitable for camping and taking a short nap in go on road trip.

Haval Xiaolong MAX is the first to take the brand-new intelligent four-wheel drive electric hybrid technology Hi4. With the world’s first intelligent four-wheel drive electric hybrid technology, it brings the practical effect of "the best efficiency in all working conditions and worry-free driving in all scenes", allowing users to enjoy the performance of four-wheel drive with the energy consumption of two-wheel drive, making more people "affordable, driving smoothly, using economically and running far" and leading new energy SUVs into a new era of all-people four-wheel drive.

Haval Xiaolong MAX car can enjoy the unique 12.3-inch full-color LCD instrument +12.3-inch full-color LCD central control panel +12.3-inch full-color LCD auxiliary driving screen. The three screens don’t interfere with each other. Among them, the 12.3-inch full-color LCD co-pilot screen is equipped with the exclusive entertainment system of the co-pilot, which is transformed into a "travel audio-visual room", making it a pleasure for the beloved family to sit in the co-pilot.

Haval Xiaolong MAX is equipped with a new generation of Coffee OS intelligent cockpit system, with super voice interaction and more convenient communication between people and vehicles; The coffee intelligent driving system supports L2+ intelligent driving assistance, making driving easier and safer. Super-technology configuration is full with one button, and the happiness and safety of the family are protected with intelligent strength.

Tide-interesting inductor firepower is fully open, and Haval Xiaolong takes both dynamic and simple beauty into account.

If you are a young man who pursues fresh excitement and yearns for freedom of personality, then the following Haval Xiaolong is obviously suitable for you.

Haval Xiaolong is positioned as an all-round inductive tide-fun SUV, which is mainly aimed at young family users who are pursuing fashion trends. It adopts a brand-new exclusive design language of new energy, which is simple and dynamic; Black models can be selected for white/blue body, and the contrast design brings a fashionable suspended roof to cater to the aesthetics of the new era.

Haval Xiaolong has a length, width and height of 4600*1877*1675mm and a wheelbase of 2710mm. The super-large body length and wheelbase ratio at the same level bring wide legroom to the front and rear rows. It also has 29 storage spaces in the car, including the exclusive storage area for mobile phones and the exclusive storage compartment for umbrellas, which makes it easier to access small objects and bring users a more comfortable travel experience.

Haval Xiaolong uses DHT intelligent hybrid to bring a light and convenient car experience. 110km NEDC has a pure battery life, with a comprehensive battery life of 1000km+ with full oil and full electricity. At the same time, a version with a pure battery life of 52km is available to meet the different needs of users. A variety of driving modes can achieve the balance between power and energy consumption in the whole scene. There is also a minimalist driving control mode in the electric age, which automatically unlocks when approaching the vehicle. After stepping on the brakes, you can directly shift gears and bid farewell to cumbersome operations.

In terms of intelligence, Haval Xiaolong has zero-pressure extrasensory central control, removes complicated physical buttons, and widely uses touch interaction. At the same time, intelligent voice interaction and car entertainment fully satisfy the cool travel experience.

Listing is just around the corner. Book and enjoy the gift.

There is also good news to share with you. On May 15th, the Haval Xiaolong series will be officially launched.

The pre-emptive booking of Haval Xiaolong series is now open, and 99 yuan can enjoy the four premium benefits, especially the first car owner (non-operating, non-Gong Hu) who has the free basic maintenance for life. The thoughtful after-sales service allows you to use the car without worry and enjoy high-quality travel easily.

It can not only adapt to urban travel, but also handle the outer suburbs. Choosing Haval Xiaolong series not only has a powerful all-round car, but also chooses a multi-faceted life with many interests. If you want to start a good car, these two treasure models should not be missed!

Difference between Mercedes E260 and E300


As a professional expert in automotive content, I am very familiar with the knowledge in the automotive field. When writing an article about "Differences between Mercedes-Benz E260 and E300", I will ensure that the content is close to the potential needs of users, avoid literal translation, and use professional and fluent language to express it. At the same time, I will use Baidu SEO rules to improve the collection rate of articles in Baidu. `



Mercedes-Benz E260 and E300 are two classic Mercedes-Benz E-Class models, which are different in appearance, interior and performance. Next, I will introduce the differences between the two models in detail. `



1. Differences in design


Mercedes-Benz E260 and E300 are basically the same in appearance design, and both adopt the classic design elements of Mercedes-Benz E-Class models, such as streamlined body and large air intake grille. However, the E300 model has been improved in details, such as a more luxurious wheel design and a more exquisite chrome decoration. `



2. Differences in interior design


` In terms of interior decoration, the difference between E260 and E300 is mainly reflected in the materials and configuration. The E300 model is made of higher-grade leather, and the seat is more comfortable. In addition, E300 is equipped with some high-end configurations, such as panoramic sunroof and seat heating, to provide drivers and passengers with a more comfortable driving experience. `



3. Difference of dynamic performance


In terms of power performance, the difference between E260 and E300 is mainly reflected in the engine and driving mode. E260 is equipped with a 2.0-liter turbocharged engine, while E300 is equipped with a 3.0-liter turbocharged engine, which has stronger power performance. In addition, the E300 is equipped with a four-wheel drive system, which provides better driving stability and safety. `



4. Differences in safety performance


In terms of safety performance, E260 and E300 are equipped with the standard safety configuration of Mercedes-Benz E-Class vehicles, such as ABS, EBD and ESP. However, E300 is also equipped with some high-end safety features, such as blind spot monitoring and lane departure warning, to provide drivers with more comprehensive and safe driving protection. `



5. Price difference


In terms of price, the price of E260 is usually lower than that of E300, but the specific price will be different due to factors such as regions, distributors and promotional activities. When purchasing, you can consult your local Mercedes-Benz dealer for the latest price information. `



In order to show the differences between the two models more intuitively, I made a table for comparison:


From the above comparison, we can see that Mercedes-Benz E260 and E300 are different in appearance design, interior configuration, power performance and safety performance. However, the specific choice of which model needs to be comprehensively considered according to personal needs and budget. `


To make friends? Xiaomi SU7 suspected price exposure

  [car home Information] On January 30th, some netizens exposed a price of some models suspected (|) in the insurance policy on domestic social platforms, or it was 361,400 yuan. However, Wang Hua, general manager of Xiaomi Group’s public relations department, released Weibo that the price was only used as a test. Lei Jun, the founder chairman of Xiaomi Group, once said: "The overall configuration of Xiaomi SU7 is rich enough, so the cost is very high, like 99,000 yuan, 149,000 yuan or even 199,000 yuan shouted by netizens. I think it’s all a joke, and the pricing of Xiaomi SU7 may indeed be a bit expensive." At the same time, Xiaomi SU7 is expected to be listed in the first half of the year, and now it is undergoing small-scale mass production.

Home of the car

Home of the car

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

  Looking back at the appearance, as the first model of a brand-new brand, the appearance design must be impressive. We can see that the front face of Xiaomi SU7 adopts a very sporty design, the headlights adopt a rounded polygon shape, and the interior adopts a light cavity structure similar to a rice shape to enhance the recognition. In addition, there is a real air duct under the headlights to help the brake system dissipate heat, and the lower enclosure and the hood highlight the sense of movement, which is quite sporty.

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

Home of the car

   Coming to the side of the car body, Xiaomi SU7 has a very smooth body line, showing a feeling similar to a coupe. The slip-back tail design and the extended wheel eyebrow design are easy to remind people of the elements of a German sports car brand. In terms of the rear of the vehicle, the new car adopts the popular through taillight design, and the xiaomi logo is above it to enhance the recognition. The upturned duckling tail is beautifully designed, and it will also be equipped with an electric spoiler function. It is worth mentioning that the official timely adjusted and completed the declaration in response to the problem that the font of XIAOMI brand LOGO at the tail of the official map vehicle was too large.

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

Xiaomi automobile Xiaomi SU7 2023 800km four-wheel drive Max version

   In terms of car system, Xiaomi 澎湃 OS will be installed in the car system of SU7. Xiaomi SU7 is equipped with Snapdragon 8295 chip, and the Xiaomi tablet can be seamlessly mounted on the car, which is used as the rear expansion screen. Xiaomi SU7 supports five-screen linkage, and its application ecology covers mainstream in-vehicle applications, tablet applications and mobile phone applications, supports CarPlay and airplay, and supports Apple iPad to get on the bus.

   In terms of body size, its length, width and height are 4997/1963 /1440mm and its wheelbase is 3000mm. In terms of power, the maximum power of Xiaomi SU7 dual-motor version is 673 horsepower, the acceleration time from 0 to 100 km/h is 2.78 seconds, and it is equipped with Contemporary Amperex Technology Co., Limited ternary lithium battery with a capacity of 101kWh, and the CLTC cruising range is 800km. The single-motor version has a maximum power of 299 HP, an acceleration time of 5.28 seconds from 0 to 100 km/h, and a capacity of 73.6kWh. The CLTC cruising range is 668km. (Some sources: CCTV Finance; Text/car home Zhouyi)

How to Tell the "China Story" in China Musical?

  China musicals have been developed for 20 years since they created and performed "Yangko Romance" and "Legend of White Snake". In these 20 years, China musicals have experienced ups and downs, however, there is still a long way to go from the developed countries in Europe and America in the presentation of their works, and even there are many gaps with the development of Japanese and Korean musicals. Last weekend, on the occasion of the 2nd Beijing Tianqiao Musical Performance Season, the "2016 Asian Musical Development Trend Forum" was held at the same time. How to develop China musicals became the focus of the forum.

  There are many grand theaters that are idle.

  In recent years, the hardware facilities of cultural construction have developed rapidly, and the grand theater has been rising all over China, which is gratifying. However, after the completion of the new theater, how to develop musical as one of the software has become an urgent problem.

  Li Dun, a producer of musicals, believes that "musicals have developed rapidly in China. In 2014, there were 1,518 musical performances, an increase of 12.4% over the same period in 2013. Among them, 930 original musicals were performed, accounting for 60% of the total musical performances for the first time, and its development activity is close to the data of South Korea, a developed Asian musical country. On the other hand, the investment in national theater construction is too fast, but the supply of theater performance content is insufficient. Nearly one-third of the performance venues are idle or used for other purposes. Most local group performances are difficult to support local theaters, and more excellent performance groups and original plays are urgently needed. "

  Experts attending the meeting thought that the hardware of Tianqiao Art Center, Shanghai Cultural Square and theaters in many places is already very good. In contrast, the original software of China musicals is still difficult to match the hardware, and there is no representative classic of China original musicals. The basic talent pool of musicals is not enough, and the market of musicals is not strong enough to support the perennial performances of theaters everywhere. These are the problems that need to be solved in the development of China musicals.

  There is self-promotion but no good story.

  There is no classic musical in China. This judgment comes from the fact that the original musical did not get good feedback after it was put into the market, and it can only be performed in one place for two or three times. The judgment of its standard comes more from self-promotion. In addition to the market operation problem, poor storytelling is one reason.

  Lv Yisheng, former president of Beijing Dance Academy and founder of musical teaching major, said: "In the past two years, I have participated in large-scale competitions of mainstream groups, including musicals, operas and dance dramas, all of which are non-verbal arts, but there is also a drama problem. The foundation of drama cannot be laid, and it is useless to sing musicals and dance well. " Lv Yisheng compares the stage art that needs to tell stories with Hollywood and Broadway musicals. "We all choose real materials, but we make the real ones fake, and Hollywood makes the fake ones real."

  In Lu Yisheng’s view, the poor storytelling of the script is mainly due to the writer’s cultivation: "Not only the cultivation of the bank, but also the cultivation of cross-border. You must have all aspects of cultivation to tell the story of the musical well."

  There is a musical major, but no outstanding talents can be cultivated.

  In the developed countries of musicals, a city has more than ten musicals every day, but no city in China can do it. In addition to the problem of original musical writers, finding musical actors is also a big problem.

  Yin Haozhen, director of Korean musical, said: "One of the problems encountered in the development of musical in China is the cultivation of talents. In Seoul, South Korea, many musicals are staged every day. When recruiting actors for musicals, there will be about 1,500 actors for each role, and the professional education of musicals has become very popular. With this foundation, there will be great development of musicals. "

  In China, although many art colleges now have musical majors, the talents trained are flawed, the actors from drama colleges lack singing and dancing skills, the dance and acting skills from music colleges are insufficient, and the singing skills from dance colleges are flawed, so it is difficult to find comprehensive high-level musical actors.

  In musical teaching, some teachers have misunderstandings about students’ material selection and teaching, thinking that they can sing musicals if they can sing pop songs. Therefore, it is really hard to find an actor with a real dramatic voice. The weakness of talents is also a reason for the slow development of China’s original musicals.

  Many musicals have no box office.

  In addition, the operation mode did not form an effective scale of development, which also limited the development of China musicals. In original musical dramas, some are created as brands of regional cultural construction, and many of them have not really entered the market operation mode; Some musicals are produced and run by musicians themselves, and there is not much financial support. However, in developed countries in Europe and America, as well as South Korea and Japan, the main reason why musicals can form a climate is to enter the real market operation.

  In the past two years, there have been seven-act musical production companies in the market, which have produced One Step to Heaven, Avenue Q, I, Don Quixote and The Sound of Music. Sha Qing, director of the application of Seven Acts Life, said: "Seven Acts thinks that musicals are more important in terms of operation, and we use a stupid method to make them — — The more money you spend, the better the product. We still take this very seriously. There is no shortcut to this. "

  In terms of operation, the "Seven Acts" also adopted a "stupid" approach. Sha Qing said: "We expect to support ourselves at the box office. Perhaps it is smarter to burn investors’ money or rely on subsidies. However, we believe that if we want to develop healthily for a long time, we must rely on the box office. "

  In this regard, some predecessors in the musical industry think that the idea of "Seven Acts" is a bit "idealistic". Because in the current market environment, although the annual box office income is constantly improving, on the whole, the pressure to rely solely on the box office to support themselves is still great.

  However, in Sha Qing’s view, a company with no college background like "Seven Acts" has to earn enough money at the box office if it wants to survive for a long time, and every drama has to make money. Only in this way can we survive.

  Fan Chong, a screenwriter and producer of musicals, said: "The biggest problem in China musicals is learning. Why study? Learn what? How to learn? First of all, producers and producers need to learn how to control the volume and scale of a play, how to evaluate the cost of a play, how to radiate values, and whether there is any soil for this play to perform in China. Drama needs rationality and data, cost control, and attracting the most audience with the least money. Creators should be rigorous and responsible to the audience, investors and theaters. Only by focusing on one thing can we witness the arrival of a musical era in China. "

  Text/reporter Lun Bing

Actively explore the Hunan path of high-quality development of general aviation in the new era

  Xu Dazhe, Secretary of the Provincial Party Committee and Director of the Standing Committee of the Provincial People’s Congress

  Mao Weiming, Deputy Secretary of the Provincial Party Committee and Governor of the Provincial People’s Government.

  As a national strategic industry, general aviation plays a great role in serving economic and social development and national security. The effective development and utilization of low-altitude airspace and the construction of low-altitude flight service guarantee system are the fundamental guarantee for the high-quality development of general aviation. Since Hunan was approved as the first pilot province of global low-altitude airspace management reform in September, 2020, the provincial party committee and the provincial government attached great importance to it, quickly set up a pilot reform organization, set up a provincial-level development platform for navigation, and strengthened coordination between the central and local governments, military and civilian cooperation, provincial and municipal cooperation, government-enterprise cooperation, and vigorously promoted the mode of "one window for acceptance, one network for operation, and global service". The province has built 12 general airports and opened five low-altitude tourist routes. More than 30 central enterprises and superior enterprises from other provinces have planned industrial layout in Hunan, and the development of general aviation, low-altitude tourism, flight training, aviation sports and other industries is gratifying, laying a solid foundation for promoting the high-quality development of general aviation.





  Cultivate new kinetic energy for the high-quality development of Hunan. Focus on giving full play to the advantages of general aviation’s derivative formats, large development space, wide service range and sufficient supporting kinetic energy, implement major development strategies of general aviation in depth, accelerate the upgrading of aerospace, advanced materials, machinery manufacturing, automatic control, electronic information and other industries, strive to seize the commanding heights of navigation industry development, break new paths for high-quality development of general aviation, and inject new impetus and provide strong support for high-quality economic and social development of the province.

  Broaden new space for the people’s high-quality life. Promoting the popularization of civil aviation is an important measure to conform to the people’s yearning for a better life in the new era. Based on Hunan’s comparative advantages, we should identify the entry point for general aviation to create a high-quality life, speed up the improvement of general aviation supply chain and consumption chain, and constantly improve people’s participation and gain a sense of happiness and security. Accelerate the development of social public aviation services such as emergency rescue, medical treatment, urban security, traffic command and rescue, and build new security for people’s lives and property. Vigorously develop general aviation consumption services such as short-distance transportation, air travel, air sports, aviation science popularization and tourism research, and create new supplies to meet the needs of people’s better life.

  Strive to promote the high-quality development of general aviation

  Adhere to the unity of goal orientation, problem orientation and result orientation, and promote the reform pilot work with high standards and high efficiency. By 2022, we will ensure that the pilot of low-altitude airspace management reform reaches the national expected goal, initially build a "1+13+N" general airport skeleton network, realize the comprehensive application of Beidou third-generation satellite navigation technology in low-altitude surveillance, and the province’s general aviation industry will develop its comprehensive competitiveness and industry output value into the upper-middle ranks of the country. By 2025, the full coverage of general airports will be achieved, a fully functional general aviation system in the province will basically take shape, and the comprehensive development competitiveness and industry output value will enter the top three in the country, forming a new pattern of navigation development with perfect system and mechanism, good industrial ecology, large-scale agglomeration development, perfect service functions and active participation of the people.

  Focus on "one center". Around the center of the global low-altitude airspace management reform pilot, the six goals and eight tasks put forward in the reform pilot implementation plan were fully completed. According to the pilot requirements and time nodes, we will optimize the classified planning, management and use of low-altitude airspace, and steadily achieve the effective use goal of "default opening, announcement closing, dynamic use and flexible conversion".

  Strengthen the "two supports". Focusing on the two supports of general airports and navigable pilots, we will do a good job in the layout planning of general airports in the province, strengthen the approval of projects and land use, and guarantee funds and policies, and accelerate the construction of navigation bases in accordance with the construction layout of "1+13+N" general airport skeleton network. We will carry out the training of general aviation business license, private license and sports driver license, and train a group of high-quality and skilled navigation pilots as soon as possible.

  Grasp the "three keys". Focusing on the three key areas of R&D, production and consumption of the navigation industry, we will take the lead in making efforts on shortcomings and gaps in breakpoints, intensify the research on key core technologies and key components in advanced materials, automatic control and electronic information, and implement the "breaking zero and multiplying" plan to build Hunan into an innovative highland of aviation science and technology with core competitiveness. Give full play to the leading role of a new generation of technology in industrial optimization and upgrading, and fully integrate new generation technologies such as Beidou satellite navigation, cloud computing, Internet of Things, artificial intelligence, blockchain, and 5G/6G communication. Promote the autonomous control of the power system and airborne system of the whole navigation machine in the province, focus on building a number of national key navigation manufacturing enterprises, and attract upstream and downstream enterprises in the industrial chain to gather in Hunan. Incorporate general aviation public services and equipment products into the scope of government procurement, develop short-distance transportation, logistics and express delivery industries, carry out aviation culture science popularization, emergency experience and aviation driving experience, fully cultivate leading enterprises of general aviation in Hunan, support leading enterprises to merge and extend the chain, strengthen the position of supply chain and the right to speak in market competition, promote the industrial chain to extend to both ends and climb to the high end, and form a number of leading enterprises of navigation industry chain with national core competitiveness. Give full play to the policy superposition and attraction capacity of the free trade zone and the airport area, increase the intensity of attracting investment and attracting talents, accelerate the construction of a national general aviation development demonstration park, and promote the professional and large-scale development of the whole industry chain.

  Leading the "four major trends". "Green, wisdom, inclusiveness and innovation" is the new trend of general aviation development. With the application of new Beidou satellite navigation technology and the implementation of collaborative and efficient management system, Hunan will take the lead in realizing centimeter-level fine division and precise management of airspace. Hunan will further follow the trend, deeply study the three-dimensional release, intelligent management and efficient use of urban low-altitude airspace, take the lead in developing "urban navigation", and first try the wide application of unmanned aerial vehicles in urban logistics express delivery, public transportation, social public management, medical assistance, urban fire protection, traffic command, emergency relief and other areas of people’s livelihood security, mass and universal, so as to enhance people’s sense of happiness in navigation flight.

  Collaborative promotion of reform pilots has achieved results.

  The pilot reform of low-altitude airspace management has a tight time, heavy tasks and high requirements. It requires the "military, land, people and enterprises" to think in one place and make efforts in one place to promote the detailed implementation of all work.

  Strengthen coordination and cooperation. Give full play to the role of general dispatch, general lead and general coordination of the Collaborative Management Committee Office, strengthen overall dispatch and comprehensive coordination, and regularly supervise the implementation of provincial units. Adhere to a game of chess, deepen the coordination between the central and local governments, the military and civilians, the provinces and cities, and the government and enterprises, jointly study and promote the implementation of major decisions, reform measures and major projects in the reform pilot, and jointly solve the difficulties, blocking points and pain points encountered in the reform pilot.

  Strengthen institutional guarantee. Learn from the experience of brother provinces extensively and speed up the local legislation of general aviation. Strengthen the top-level design guidance, pay attention to the full connection with the provincial "14 th Five-Year Plan", and compile and implement the general aviation industry development plan, navigation equipment manufacturing development plan and general airport development plan with high starting point and high quality.

  Strengthen policy guidance. Detailed implementation of various policies and measures to support the development of the general aviation industry, and fully release the policy dividend. Intensify publicity to attract domestic and foreign general aviation enterprises or groups with abundant funds and excellent qualifications to settle in Hunan. Stimulate market vitality, actively guide and encourage people to participate in navigation consumption such as navigation pilot training and low-altitude tourism, so that the general aviation industry can play a greater role in expanding domestic demand and promoting consumption upgrading.

Apple’s first folding screen is here! Not iPhone

Source: Lei Technology AI Hardware Group | Editor: Chongjia | Typesetting: Autumn

Nowadays, folding screens have long been an important segment of smart phones. This new form of product, which is different from the traditional straight board computer, is becoming a key weapon for major mobile phone manufacturers to seize the brand highland and impact the high-end market. In addition to mobile phones, the concepts and products of folding screen notebooks and folding screen tablets are gradually emerging.

Recently, Guo Ming, a well-known Apple whistleblower, revealed that the only Apple foldable product with clear development progress is the MacBook, which will be equipped with a 20.3-inch large screen.

Notebooks are naturally foldable, but the "folding" here means "closing the lid" to make the host fit the screen. What the "foldable notebook" says is that the screen of the notebook itself can be folded.

In fact, this is not a particularly novel concept. For example, ASUS launched Lingyao X Fold, which focuses on folding screen selling points.Specifically, this notebook is still the design idea of two-in-one product (notebook and tablet in one), and its physical keyboard part and screen are separated. At the same time, the screen part of Lingyao X Fold can be folded.

(Source: ASUS)

Lingyao X Fold uses a 17.3-inch OLED screen, which is the same as a normal notebook when unfolded. In the folded state, the screen size will become 12.5 inches, which can be used either as a tablet or as a 12.5-inch notebook with half for screen display and the other half as a virtual keyboard on the screen.

Lenovo, another PC giant, has also launched a folding screen notebook, and its representative product is ThinkPad X1 Fold. Its product form and design ideas are very similar to Lingyao X Fold, and it is also a variant of two-in-one products. ThinkPad X1 Fold uses a 16.3-inch OLED screen with a 12-inch display area when folded.

(Source: Lenovo)

Judging from the folding screen notebooks of these two brands, the corresponding technologies they adopted are actually relatively mature, basically upgrading the original 2-in-1 PC, and the screen part is an OLED+ hinge solution.

In the view of Lei Technology (ID: Leitech), the folding screen MacBook will adopt similar hardware design ideas. Compared with the folding screen mobile phone, a big problem on the folding screen notebook is the handling of the physical keyboard. In order to ensure the input efficiency, it is difficult to remove the physical keyboard directly from the folding screen notebook, so it can only be designed separately.

In fact, just like the folding screen mobile phone, the core problem solved by the folding screen notebook computer is the unity of "portability and large screen". Users want to go out with a big screen, but they don’t want it to occupy too much space, so "foldable" has become an ideal solution.

Compared with the Windows camp, Apple’s situation is somewhat special. At present, Apple has not launched a two-in-one MacBook product.If Apple wants to launch a 2-in-1 folding screen notebook, then the first estimation to be solved is the system and software problems.

Apple has always been resistant to notebook touch screens. Although iPadOS has been in macOS, and they are getting closer and closer, they are still two completely different operating systems, and the underlying interactive logic and software ecology are not the same thing.

Of course, in theory, Apple can insist on not providing touch interaction function for the screen of the folding screen MacBook. But in this way, the use of folding screen notebooks will be greatly limited. Originally, the detachable screen can be used independently in the form of a flat panel, which greatly increases the selling point of the folding screen notebook. If there is no touch function, then the selling point of the folding screen MacBook may only be the large screen, which will have limited appeal to users.

It is worth mentioning that Lei recently saw an interesting "invention" of Federico Viticci in an Apple community.He used the "decapitated" MacBook with no screen with the iPad, and turned the iPad into a wireless screen of the MacBook with Sidecar function. In this way, he got a DIY version of the two-in-one MacBook. The fly in the ointment is that the Sidecar function requires two devices to access the same LAN, so it is not convenient to use it when going out.

(Source: MacStories)

In Xiao Lei’s view, Apple can learn from this idea. Nowadays, all Macs have completed the migration to the ARM self-developed chip platform, and it is not difficult to get through macOS and iPadOS. After all, we can now use a large number of iPad and iPhone applications on the MacBook. Moreover, compared with the Windows camp, Apple has stronger control over its own M-series chips, and it also has advantages in heating and power consumption control, which is very suitable for products that require more space, such as folding notebooks.

Once Apple makes macOS support touch function, the playability of folding screen MacBook will be greatly increased.

Xiao Lei believes that the order of Apple’s folding products will be folding screen MacBook, folding screen iPad and folding screen iPhone. As we all know, Apple has always been more inclined to launch mature commercial products, and is not keen to release pioneering products with cutting-edge technologies but low maturity. Mobile phones are still Apple’s pillar business, and Apple will naturally have many concerns about using the iPhone to test water folding screen devices. On MacBook products, this concern will be much less.

Unlike mobile phones, the PC market itself has a small capacity. Moreover, in the PC industry, Apple’s shipment ranking is not high. In recent years, the operation of Mac business is not particularly ideal. In terms of Q1 financial report in fiscal year 2024, Apple’s Mac revenue was $7.78 billion, accounting for about 6.5% of the total revenue. In this way, Apple has more incentive to test the water folding screen technology on the MacBook.

We can find that the current mainstream folding screen notebook solution is essentially the same as the folding screen tablet. However, the folding screen notebook has an external physical keyboard than the folding screen tablet. Similarly, since Apple intends to release a folding screen MacBook, it is also a matter of course to launch a folding screen iPad.

Previously, there has been news in the supply chain that Apple’s MacBook and iPad product lines will gradually be OLED, which is naturally conducive to the subsequent emergence of corresponding folding screen devices. Apple’s current top-end flat-panel product, iPad Pro, has a maximum size of 12.9 inches. If the screen display area is to be further broken, it is an inevitable trend to move towards a folding screen form.

(Source: Apple)

As for the folding screen iPhone that everyone pays more attention to, there are also some news. At the end of last year, Korean media AlphaBiz reported that Apple executives revealed that the folding screen iPhone is expected to be released in 2026. However, this news has not been confirmed by other sources.

One of the two most critical technologies of folding screen mobile phone is the screen, and the other is the hinge. The former is not difficult for Apple, while the latter may need to accumulate experience through folding screen MacBook and folding screen iPad. At present, the proportion of shipments of folding screen mobile phones is still low, and there is still a long way to go before it is widely popularized. There are still certain opportunities for folding screen iPhone in the future.

(Source: CNET)

Of course, Xiao Lei also believes that Apple’s perennial smashing of iPhone products will affect the competitiveness of the folding screen iPhone. Now, all major manufacturers are competing for beauty in folding screen mobile phones, but the common product evolution direction is to continuously improve the basic skills on the basis of maintaining the special advantages of folding screens.

In other words, the advantage of the early folding screen is that it can be folded, but it lags behind the traditional straight flagship in terms of image, battery life, reliability and price.Now, Huawei, Xiaomi, OPPO and other head brands are constantly enhancing the image ability of folding screens and enhancing reliability through better hinge technology. Folding screen mobile phones are gradually changing from "tent-type" products to "bucket-type" products.

As a conventional flagship, iPhone has lagged behind Android models in terms of heat dissipation, signal, image and charging. For example, the problem of fever and poor battery life of the iPhone 15 Pro is largely due to the lack of progress in Apple’s heat dissipation design. If Apple Trade rashly launches a folding screen iPhone now, it will perform poorly in terms of image, signal and performance stability. Apple still has a lot of lessons to make up before making a good enough folding screen phone.

The basic form of smart phones has not changed since the release of the iPhone in early 2007. After the mobile phone manufacturers have exhausted the conventional means to increase the screen size, the new form of folding screen has become the evolution trend of the next generation of mobile phones.

For notebook products, it is much less necessary for them to evolve into folding screen form. After all, the screen size of the notebook itself is much larger than that of the mobile phone, and its requirements for portability are lower than that of the mobile phone. Therefore, Xiao Lei believes that folding screen notebooks will not become the mainstream form.

Of course, the PC industry behind the notebook itself is already facing the problem of saturated market capacity and lack of room for growth. The application of cutting-edge technologies such as folding screen and AI may inject some new hopes into this ancient product.

As for the folding screen MacBook, Xiao Lei thinks it may not be too innovative in product form. However, in terms of system and software, the integration of iPadOS and macOS is more worth looking forward to. Xiao Lei is looking forward to it. Apple can bring refreshing solutions to the industry in its own way on the system software of folding screen products. Apple is late in folding screen products, and Xiaolei will keep a close track of its products, so stay tuned.


The case of the second creation of characters in Jin Yong’s novels was delayed for 7 years: the final judgment was changed to infringement, and the works of the same person could be reprinted with com

  Recently, Guangzhou Intellectual Property Court made a second-instance judgment on the case of Jin Yong v. Juvenile here, and found that the defendant constituted copyright infringement and unfair competition. This intellectual property case, which lasted for seven years, was amended in the second instance because it did not constitute infringement, which caused widespread concern and controversy in the academic and industrial circles about the creative boundary of the works of the same person.

  The so-called fan works generally refer to new works created by using the same or similar characters in existing works. Teenagers here (hereinafter referred to as "Here") is an online literature created by dozens of people of the same name in Jin Yong’s works, such as Guo Jing, Huang Rong and Ling Huchong, and the plot is the story of youth on modern campus. When it was published in 2002, the book was promoted with the subtitle "The University Life of the Condor Heroes". In 2016, the Tianhe District Court of Guangzhou accepted Jin Yong’s lawsuit, which was considered as "the first case of a fan’s work".

  The judgment of the second instance is the first in China to confirm that Jin Yong’s novel "Portrait of People" is protected by copyright, which breaks through many people’s understanding of the boundary of copyright protection. Some people even think that this may "subvert the whole fan culture industry".

  Fan fiction’s Teenagers Here, 2002 edition.

  Cold case of works twenty years ago: Jin Yong sued fan fiction for plagiarism.

  Back in 2000, Richard, who graduated from Peking University, decided to create a novel featuring characters in many works, such as Legend of the Condor Heroes, Eight Dragons, the legendary swordsman and The Condor Heroes, when he was abroad. This novel, called Here, takes the virtual Bianjing University in the Jiayou period of the Song Dynasty as the time and space background, and tells the youth campus stories of Guo Jing, Ling Huchong, Qiao Feng, Yang Kang and Duan Yu. The characters in the book are similar to those in Jin Yong’s novels, with some similarities and some differences, and the story content is modern narrative. For example, Guo Jing, a freshman in chemistry department, ran into Huang Rong, a freshman in physics department, by bike, and then fetched water, cooked rice and took out the garbage for him every day, and finally got married. Duan Yu launched a series of pursuits for Wang Yuyan from a single-parent family without success.

  Originally published on the Internet, "Here" won the favor of the publishing house, was first published in 2002, and was promoted with the subtitle "The College Life of the Condor Heroes". In 2009, under the guidance of the Chinese Writers Association, China Writers Publishing Group, Novel Selection Magazine and Chinese Online jointly held the "Ten Years Inventory of Network Literature", and Here won the top ten outstanding works. Yang Zhi, whose pen name is "Jiangnan", was famous all over the world for a time. By the time of prosecution, Here had been published in several editions and distributed in millions of copies.

  In 2016, Jin Yong sued the Tianhe District Court in Guangzhou, claiming that the names of the characters described in Here are all derived from the above four works, and the relationship between the characters, their personality characteristics and story lines are substantially similar to those of his works, which is plagiarism, infringing on his rights of adaptation, authorship, protection of the integrity of works, commercialization of characters, etc., and based on the high popularity of his works, Richard’s misappropriation of the original elements of the above works has made great profits and hindered.

  The case of Jin Yong (real name: Cha Liangyong) v. Jiangnan attracted attention in the intellectual property field in that year. Many scholars wrote articles to express their views on whether the elements in Jin Yong’s novels used in Here were copied from Jin Yong’s works.

  The recognized formula for identifying infringing works is "contact+substantial similarity". As a fan of Jin Yong, there is no doubt that Richard came into contact with his works. Then, the identification of "substantial similarity" of works becomes the key.

  As for what constitutes "substantial similarity", the courts of first and second instance all analyze the "overall character image composed of characters’ names, personality characteristics, relationships and other elements, and related storylines" prosecuted by Jin Yong.

  First of all, in terms of the plot, the courts of first and second instance all think that Here does not constitute substantial similarity.

  According to the court of second instance, plot is one of the three basic elements of a novel, which is usually composed of many elements, such as the setting of characters, the relationship between characters, scenes, clues to the development of stories and so on. The plot can be either a relatively abstract story summary or a more specific detail presentation. If the specific plot is original and fully described, it can become the object of copyright law protection. The abstract plot may be an unprotected "thought" or a protected "expression".

  The court of second instance held that, compared with Cha Liangyong’s four works involved in the case, the plot of Here is different in time and space, and the clues and events that promote the development of the story, the design and arrangement of specific story scenes, the internal logic and causality of the story are all different, so the expression of the two does not constitute substantial similarity. Therefore, the copyright of the corresponding storylines in Cha Liangyong’s four works involved in the case was not infringed.

  The differences in the first and second trials are as follows: Is the "overall character image composed of characters’ names, personality characteristics, relationships and other elements divorced from the story" an expression protected by copyright? That is, if the three are not protected, even if they are the same or similar in the works involved, will they constitute infringement?

  A follow-up version of "The Boys Here"

  First instance: abstract formal similarity will not lead readers to have similar appreciation experience.

  According to the dichotomy of thought and expression, copyright law has a basic theory: "not protecting thought, only protecting original expression of thought". "That is to say, for the names, personality characteristics and relationships of characters in literary works, it is either thought or expression. If it is brought into the plot, it is part of expression. If it is not brought into the plot at all, it is thought." Wang Qian, a famous intellectual property scholar and professor of East China University of Political Science and Law, introduced.

  In relevant judicial precedents, names and titles of works do not constitute original expressions, works and are not protected by copyright law. Wang Qian wrote in the Course of Intellectual Property Law that "the simple combination of words, words and vocabulary that exist alone should remain in the public domain and become the basic materials for creation". A typical case is that CCTV produced a documentary with the same name as the book China on the Tip of the Tongue and was sued for infringement. The court held that the title itself did not contain any ideological content, did not meet the requirements of the originality of the work, and was not a special expression of the author’s thoughts, so it was not protected by copyright law.

  An industry consensus is that people’s names are not copyrightable. The same is true of the relationship between characters. In the previous case of "Zhuang Yu v. Jing M.Guo", the judgment held that "simple character characteristics, such as the appearance, personality and quality of the characters, or simple character relationships, such as the relationship between lovers and mother and daughter, all belong to the public domain, and do not belong to the object of copyright law protection."

  The court of first instance of Here held that "in the field of literary creation, the articles and works take novels as an example, and their contents are mainly composed of three elements … … It is often difficult to form a specific expression without the simple elements of the name, relationship and personality characteristics of the specific story. "

  The judgment of the first instance quoted Professor Wang Qian’s opinion in the article "A Preliminary Study on Copyright Infringement of Fan Works" (published in China Copyright, No.3, 2017). "Only using the role names, simple gender characteristics and simple relationships between roles extracted from specific plots is more to identify symbols, and it is difficult to form a substantive similarity with the original works."

  In an interview with The Paper, Wang Qian further explained, "Just pick a passage from Here and rename it one by one. Huang Rong changed to Zhang San, Guo Jing changed to Li Si, Qiao Feng changed to Wang Wu, etc. After the role name was changed, I don’t believe that any reader will think of Jin Yong’s novels after reading it. This shows that the only connection between Here and Jin Yong’s works is the name of the characters, with some generalized characters and relationships, which should be regarded as unprotected thoughts. "

  In order to explain the typical performance of copyright infringement, Wang Qian also cited the previous "Qiong Yao v. Zheng Zheng case" as an example. "Yu Zheng’s script uses a completely different character name from Qiong Yao’s novel, but the main plot is the same. Anyone who has seen Plum Blossom Branding and then goes to Palace Lock Together knows that this plot comes from Plum Blossom Branding. This situation is infringement. "Here" is just the opposite. As long as the name of the character is changed, all its connections with Jin Yong’s novels are completely cut off, so it does not constitute infringement. "

  The court of first instance held that "Here" and Cha Liangyong’s works only have abstract formal similarities in the names, relationships, personality characteristics and story plots, which will not lead to the same or similar appreciation experience for readers, and they do not constitute substantial similarities.

  This is in line with the views of many experts: the characters, personalities, relationships and other elements belong to the category of public materials and cannot be monopolized. Only when these elements are fully, clearly, concretely and uniquely described in a series of stories, can they be protected by copyright law.

  The court of first instance, while finding that Here does not constitute copyright infringement, held that it violated the Anti-Unfair Competition Law, and sentenced Richard and the sued publishing house to pay Jin Yong 1.68 million yuan and 200,000 yuan in legal fees according to 30% of the publishing royalties of Here over the years.

  Brief introduction of Taobao about the book.

  Subversive judgment: the overall character image is recognized as a protected "expression"

  After the judgment of the first instance, both Jin Yong and Yang Zhi refused to accept the appeal. During the second trial, on October 30, 2018, Mr. Jin Yong died in Hong Kong, and his heir Lin Leyi participated in the lawsuit. Five years later, on April 23, 2023, Guangzhou Intellectual Property Court ruled in the second instance that Here constituted copyright infringement and unfair competition, and maintained the total amount of compensation of 1.88 million yuan.

  The court of second instance held that "in this case, most of the characters’ names in" Teenagers Here "came from Cha Liangyong’s four novels involved in the case, and there are many similarities in the characters, relationships and backgrounds of the main characters. Although it is difficult to say that a single character image has been fully and uniquely described, on the whole, the group image composed of more than 60 characters, such as Guo Jing, Huang Rong, Qiao Feng and Ling Huchong, reflects Cha Liangyong’s choice and arrangement in the name, personality characteristics, relationship and background of the characters, and can be considered as fully described and concrete enough to form a structure with strong logical connection among internal elements, which is protected by copyright law & Expression ’ 。” Furthermore, it is concluded that the plagiarism of the characters’ names, personality characteristics and relationships in Jin Yong’s four works in Here belongs to the plagiarism prohibited by the copyright law.

  In fact, after the first-instance non-infringement judgment was issued, there were different voices. For example, three lawyers of Beijing King & Wood Law Firm, Sun Mingfei, Gui Hongxia and Tao Tao, wrote in the media "Intellectual Property" that the characters in literary works are original expressions protected by copyright law. "As far as characters are concerned, a single character name or a character with simple personality and interpersonal relationship obviously cannot constitute the protection object of copyright law. However, when people mention a character’s name, what they really want to convey is the plump character … … Copyright law protects not monotonous characters’ names, but three-dimensional and plump characters. As mentioned above, these characters are an important part of the original expression of the plaintiff’s novels. The later citation, no matter whether the words used are Guo Jing, jing elder brother or Guo Daxia, as long as the details including the relationship between characters and the plot are enough to make the audience’s mind emerge with rich original expressions of specific characters in the original work, they will enter the prohibited scope of the copyright of the original work. "

  However, in the opinion of some experts, copyright protection of "group portraits" and "character images" is a kind of "subversion" and "breakthrough".

  Tao Gan, director of the Intellectual Property Innovation and Competition Research Center of China University of Political Science and Law, thought that if the roles in literary works were protected separately, it would violate the basic jurisprudence of the Copyright Law. Characters in literary works are different from cartoon characters and movie characters, and their shaping needs to be mapped in readers’ minds through the author’s literal description, which is difficult to separate from thoughts. Therefore, the role divorced from words, plots and scenes cannot exist independently of the work.

  Zhang Hongbo, Director-General of the Literary and Art Association, believes that if the characters and relationships in the works of the same person are identified as the objects of separate protection by copyright law, many works of the same person and new works created by rational use of existing works will easily be accused of infringement, which will have a very terrible social effect.

  "This is the first China court to recognize literary works ‘ Group portraits ’ In response to the judgment of the second instance, Jin Shui, an intellectual property legal worker, published an article in the Economic Observer, saying that the judgment of this case may subvert the entire cultural industry of the same people. "After the names of characters in literary works are protected by copyright law, how much space is left for the public to use freely?

  In the above seminar, Zheng Xiqing, an assistant researcher at the Institute of Literature of China Academy of Social Sciences, said, "It is common in the history of world literature to use pre-existing characters and storylines like fan fiction and re-imagine stories on the basis of them. If fan writing is characterized as plagiarism, then the history of literature is full of plagiarism. "

  Zheng Xiqing introduced that there are spontaneously established "re-creation organizations" abroad. They use the term "transformational writing" to refer to fan literature, emphasizing that fan’s re-creation of plots and characters in existing literary works belongs to adding new content or adaptation on the basis of the original work, rather than copying and repeating without innovation, that is, rational use, which does not belong to infringement of intellectual property rights.

  He Hong, director of the Network Literature Center of the Chinese Writers Association, said that fan writing is an important phenomenon in the whole literary creation. Jin Ping Mei can be regarded as the fan fiction of Water Margin, and online works such as Tales of Charm, The Story of Wukong and The Diary of Friar Sand can all be classified into the category of fan writing. The interactive characteristics of online literature promote the development of fan writing. Even in an extreme sense, the future literature may no longer be a single text, but an infinitely extended text network.

  Balance of interests: prosperity of cultural undertakings and "non-stop infringement"

  It is worth mentioning that the controversial judgment of the second instance has also given full consideration to the development of fan literature industry.

  While finding that Richard and others constituted copyright infringement and unfair competition, the court of second instance did not decide to stop the infringement and apologize in accordance with the statutory tort liability, nor did it decide to stop publishing Here and destroy the inventory as in the first instance. It also supported that Here could be reprinted by paying financial compensation to Jin Yong’s heirs. According to the proportion of the elements used in Here in Jin Yong’s complete works, the specific compensation standard is determined as 30% of the reprint royalty income as appropriate.

  In this regard, the court of second instance explained that "protecting the interests of creators and disseminators of works is the direct purpose of copyright law, but promoting the development and prosperity of scientific and cultural undertakings is the ultimate purpose of copyright law. When the direct purpose conflicts with the ultimate goal, the emphasis on the direct purpose should give way to the realization of the ultimate goal. Knowledge has historical inheritance, and any knowledge is both the final product and the intermediate input. For literary creation, imitation and reference have always been common means, no matter ancient or modern, Chinese or foreign. Therefore, the way of civil liability for literary works cannot be generalized to stop infringement, and it is necessary to carefully consider the case and fully balance the interests of all parties. "

  The Paper noted that in the appeal of the second instance, Jin Yong mentioned that Here violated his right to commercialize the characters of famous works. "Cha Liangyong created Guo Jing, Huang Rong and other classic characters with original character setting, story and language. With the wide spread of the works, these characters are deeply rooted in people’s hearts and have formed a solidified image in readers’ minds, which can exist to some extent without the specific story of the original. Because of this, they are reproducible and deductive, and also have high commercial use value. "Here" uses these famous characters for publishing without permission, which is a typical commercial use. " However, the court of first instance held that the copyright law does not have the protection of "the commercialization right of characters" and did not support this request.

  The courts at both levels recognized that when The Here was first published in 2002, it was subtitled "The University Life of the Condor Heroes", and its own works were directed at Cha Liangyong’s works, with the obvious intention of attracting readers to gain benefits through the influence of Cha Liangyong’s works. Therefore, Richard’s behavior is unfair, which deviates from the business ethics recognized by the cultural industry and should be prohibited by the anti-unfair competition law.

  Wang Qian still reserves his opinion on the judgment of the court of second instance that the infringement does not stop, which balances the interests of all parties.

  "Here does make use of the popularity of the characters in Jin Yong’s novels, but using popularity and using works are two different things, not a concept. Due to the use of popularity ‘ Hitchhiking ’ The problem can be solved through the anti-unfair competition law, not the issue to be discussed in the copyright law. "

  At the seminar of the China Literature and Art Association mentioned above, the Chairman of the Copyright Committee of the China Branch of the International Intellectual Property Protection Association (AIPPI) introduced that in the United States and Canada, the principle of judicial treatment of the role of a fan’s work in local laws and regulations is usually regarded as "Fair Use" or "Fair Dealing", that is, "fair use" or "fair use". However, there are corresponding restrictions under certain circumstances. For example, the name of a persona has been registered as a trademark, which can be protected by the Trademark Law, but it is still outside the scope of copyright regulation.

  Li Yang, a professor at the School of Civil and Commercial Economics of China University of Political Science and Law, also believes that the really controversial issue in this case is — — If the content of Jin Yong’s lawsuit is not protected by the Copyright Law, can it be protected by the Anti-Unfair Competition Law as a commercialized right? In this regard, he advocated the "policy theory of intellectual property law" and advocated that many factors should be considered comprehensively, such as whether the commercialization elements that the plaintiff advocated to protect paid corresponding labor and investment; Whether allowing the defendant to "hitchhike" will seriously harm the interests of the plaintiff; Prohibiting the defendant’s "hitchhiking" behavior will seriously damage the defendant’s freedom of expression and economic activities. In short, "we should not oversimplify it, but take into account the relationship between monopoly and competition, and reasonably balance the interests of the obligee and the public." Li Yang said.

  The Paper noted that the court of second instance also rejected the appellant’s request for apology. "There is no evidence that his behavior has had a bad influence on the reputation of the copyright owner of the above works. As far as unfair competition is concerned, Richard’s unfair competition will indeed lead to public confusion, but the infringement is not serious enough to make an apology, and publishing a statement is enough to eliminate the adverse effects. " The judgment is written.

New era, new expression, new attitude, new revision of CCTV TV drama channel

  Focusing on the core requirements of "two improvements" in artistic level and mass satisfaction, and aiming at creating more excellent products with ideological, artistic and ornamental unity, CCTV TV drama channel will launch a brand-new revision on October 24. It is understood that this revision cuts through the management mechanism, visual image, programming and other levels and angles, and strives to bring more pleasing audio-visual experience and unprecedented content presentation to the majority of TV viewers.

  More professional, more focused, "produced by the front desk" and a strong attack.

  As the only national TV professional channel that broadcasts TV series 24 hours a day, CCTV TV series channel has presented countless classic plays to the audience since its launch, and has met the spiritual and cultural needs of the audience with endless masterpieces. In the brand-new revision of this launch, "produced by the reception desk" has become the most eye-catching brand logo.

  On October 24th, the night of the revision, the TV series "Passionate Years", produced by the Central Radio and Television General Station and co-starring Li Guangjie and Gao Lu, will be broadcast on the golden channel of TV series. As the first TV series produced by Headquarters, Passionate Years tells a touching story of Chinese researchers who took root in the Gobi and devoted their youth in the early days of the founding of New China. The unique theme, solid and beautiful storyline, accurately restored historical atmosphere and touching feelings of home and country made this masterpiece of main melody attract much attention and expectation, which triggered a warm response.

  It is understood that after "Years of Passion", many dramas produced by CCTV, such as "The Land of Hope" and "The Melody of Endeavour", will be broadcast in the prime time of CCTV. Taking the successful practice of this series of dramas as an opportunity, the TV drama channel will also launch more excellent masterpieces with good ideological, artistic and ornamental qualities.

  More youthful and fashionable, new packaging is stunning and blooming.

  Visual image design is very important for the establishment of channel brand image, which directly affects the competitiveness and recognition of channel brand communication. The brand new channel packaging of CCTV-8, which has won many heavyweight awards such as "Oscar Award in Packaging Industry" and PromaxBDA Asia Gold Award, and will be launched on October 24th, will promote the overall upgrade of brand visual system, with atmospheric style and distinctive features, which is more in line with the image positioning of world-class new mainstream media.

  The revised channel logo is based on a calm crimson background, which strengthens the color of CCTV-8 brand and brings positive energy to the audience. The concise and lively number "8" leaps to the top, and the organic integration of color and geometric numbers has a great aesthetic impression and makes people shine. It is understood that the design of the new LOGO of the channel is inspired by movie screens and home theaters. It has a three-dimensional sense and a sense of space, which will bring the audience a unique feeling of "sitting at home and watching movies".

  In addition to the stunning launch of the channel LOGO, multiple versions of ID deductive image propaganda films with different styles will further vividly explain the brand connotation of CCTV-8. Among them, it not only focuses on the communication of grand and heavy temperament, but also reflects the magnificent feeling of sunrise in the east; There is also a concise and lively expression of Chinese style, which brings a sense of elegance of flowers. It is both holistic and personalized, bringing refreshing visual experience and aesthetic enjoyment.

  More meticulous and accurate, new arrangement leads expectations.

  The TV series "National Children", which tells the touching story of the national children, recently ended in the top eight golden files of the Central Committee. According to the data of CSM National Network, the average audience rating of the drama is 1.22%, the average audience rating is 4.99%, the highest audience rating of an episode is 1.51%, and the highest audience rating of an episode is 6.48%, ranking first among the hit dramas in the same period. The Douban score of 7.6 fully shows the recognition and love of the audience and netizens for this work.

  After "National Children", the TV channel will also launch more masterpieces of realistic themes that show truth, goodness and beauty and highlight "small cost, great feelings and positive energy". Among them, Gina, a popular flower, starred in the war drama "The Unveiled Sunshine", which will be broadcast as "The Years of Passion".

  The family drama "I’m afraid it’s too late" led by Tang Zeng, the 2018 national viewing champion "Mother’s Uncle", is also gaining momentum, which makes people full of expectations.

  At the same time, the all-day arrangement scheme launched in this revision is more meticulous and accurate. In the morning, it focuses on fresh country dramas, echoing the people’s deep and sincere local complex with good stories full of life breath; In the morning, we will push the war hero drama, watch the story of Jin Ge Tie Ma Shan River, and strengthen the feelings of the country and the country. In the afternoon, the youth fashion drama will be broadcast continuously, and the touching song of youth will be sung; In the evening, it focuses on emotional hit dramas, ironing the life folds of every ordinary person with delicate and warm family emotional stories; Focus on high-quality premiere dramas in prime time, and build a top domestic premiere drama platform suitable for all ages; In the second yellow period, classic plays were launched to reproduce classic stories and reminisce about last romance; Then broadcast high-quality overseas dramas, bringing a global film and television feast with high quality, high value and high reputation; Relaxed and pleasant life dramas are broadcast continuously in the middle of the night.

  It is reported that this revision will not only highlight the fashionable and youthful channel characteristics on the basis of the original positioning, but also make full use of scientific methods such as big data analysis and research on communication laws to further adapt to the competitive situation in the national TV drama market, and continue to release the professional advantages of TV drama channels in repertoire creation, arrangement and broadcasting, and continue to maintain the "leader" position of China TV drama professional channels, with high quality, high taste and Kaku Takashina’s "masterpiece".

Two rare records of our army marching on foot

In the long and arduous revolutionary struggle in China, the officers and men of our army fought a series of beautiful victories and created countless classic examples in the history of our army with the spirit of selfless sacrifice and the high morale of overwhelming all enemies. Coincidentally, during the Red Army’s Long March, the 4th Regiment of the 2nd Division of the Red Army Corps captured the Luding Bridge, and during the Qingfengdian Campaign of the Shanxi-Chahar-Hebei Field Army in the Liberation War, our army once created a rare record of the world army marching on foot for 120 kilometers day and night.Please pay attention to the report in today’s Liberation Army Daily-

Fly away from Luding Bridge and Feibing Qingfeng Store, and attack 120 kilometers on foot day and night-

Two rare records of our army marching on foot

■ Han Jinqiang

In the Battle of Qingfengdian, officers and men of the Shanxi-Chahar-Hebei Field Army ran into the position. Information photo

Schematic diagram of the red army’s flight to Luding bridge and the enemy’s deployment. Information photo

In the long and arduous revolutionary struggle in China, the officers and men of our army fought a series of beautiful victories and created countless classic examples in the history of our army with the spirit of selfless sacrifice and the high morale of overwhelming all enemies. Coincidentally, during the Red Army’s Long March, the 4th Regiment of the 2nd Division of the Red Army Corps captured the Luding Bridge, and during the Qingfengdian Campaign of the Shanxi-Chahar-Hebei Field Army in the Liberation War, our army once created a rare record of the world army marching on foot for 120 kilometers day and night. The indomitable spirit of the revolutionary predecessors is enough for future generations to remember and encourage.

Flying over the Luding Bridge, the Red 4 regiment flew 120 kilometers day and night.

At 5 o’clock in the morning of May 28, 1935, the 4th Regiment of the 2nd Division of the Red 1 Army Corps was on its way to Luding Bridge. Yang Chengwu, the political commissar, and Huang Kaixiang, the head of the regiment, received an urgent order from the Military Commission. When they opened it, they saw that it read: Huang and Yang, the Military Commission called the left-wing army to seize Luding Bridge tomorrow. You should use the highest speed marching force and resolute maneuvering means to complete this glorious and great task.

Yang Chengwu, a political commissar, said: "From the mileage marked on the map, there are still 120 kilometers from here to Luding Bridge!" This means that the troops must walk 120 kilometers in one day and night, and capture and completely control the Luding Bridge on the 29th. No one expected that the task would become so urgent. On the first day, the telegram of the Central Military Commission was marked as "urgent", but now it has become "urgent", which must be a major change in the enemy’s situation. At that time, due to the tight time, the order could only be conveyed while marching, "Walk 120 and get to Luding Bridge!" This resolute and vigorous mobilization slogan has become the belief and goal of the whole group.

At this time, the troops are racing against time and the enemy across the river. In order to ensure the resolute completion of the task, the troops marched all the way and held a "flying rally" all the way. Clusters of people gathered together temporarily, and after only a few minutes of mobilization, they dispersed; This group of people just dispersed, and then more people appeared. As they ran, they held a tense meeting to mobilize. The mobilization of emergency tasks has just been completed, and the troops are close to Tiger Hill. In the thick fog, the troops defeated an enemy regiment and a battalion with an avalanche and occupied Moses. At this time, the wooden bridge on the east river of the village has been blown up by the enemy, which has added trouble to the March of the troops. It took the troops two hours-a tense and precious 120 minutes-to build the bridge. After that, the whole group ran another 25 kilometers in one breath. At 7 o’clock in the evening, when we looked at the map, it was 55 kilometers from here to Luding Bridge, and it was all mountain roads.

One difficulty after another. Just as the troops continued to advance, it suddenly began to rain heavily. It’s dark as the bottom of an upside-down pot, and I can’t see my fingers. Only when lightning strikes can I tell which is the mountain and which is the road. The army didn’t eat for a day, and the road was very muddy, so it was really difficult to move. At this time, the enemy has caught up and is advancing parallel to us on the other side. In order to get to Luding Bridge before the enemy, Yang Chengwu mobilized all Communist party member, Communist Youth League members and activists through various party branches, asking them to try their best to overcome all difficulties and make sure to get to Luding Bridge before 6 o’clock tomorrow morning. During the March, the comrades of the Red 4 regiment carried forward the spirit of unity and friendship, pulling each other with ropes, helping each other with their hands, and then leaning on crutches; If you are hungry, chew raw rice; When you are thirsty, drink the rain … The team is rolling like a fire in the deep valley.

However, after all, it is touching the dark, and the speed of progress is obviously much slower than during the day. Yang Chengwu and Huang Kaixiang were worried when they suddenly found that the enemy on the other side was on their way with torches. It’s really "be bold when things are difficult!" Yang Chengwu asked Huang Kaixiang to discuss: "We can also light a fire!" The troops immediately bought all the bamboo fences of the villagers’ homes in nearby small villages, and each person tied a torch and lit one in each class. In order to gain time, it is required that the marching speed after the torch is lit must be kept above 5 kilometers per hour. At the same time, the trumpeter should be familiar with the contact sound and signal of the enemy, and be prepared to "contact" with the enemy when necessary.

In this way, the torches of the enemy and ourselves burn in the night sky, facing each other across the water, just like two fire dragons moving in the valley, reflecting the water of the Dadu River a few meters away. After a while, through the howling wind and rain and the waves of the Dadu River, suddenly there was a clear bugle on the other side.

"The enemy is asking us questions!" The bugler reported that.

"What troops?" Before Red 4 could answer, there was a faint voice of questioning from the opposite side.

"Blow the trumpet to answer!" Yang Chengwu told the bugler.

The bugler sounded the prepared answer according to the enemy’s number spectrum. The enemy believed it and regarded the Red Army as one of their own. In this way, the enemy and the Red Army walked 15 kilometers across the bank. Suddenly, the fire dragon on the other side disappeared. Red 4 regiment boldly blew the trumpet and asked what the enemy was doing. The enemy blew the camping horn.

Hearing this bugle, the Red 4 Regiment quickened its pace again. Everyone is moving forward in a three-step, one-fall, five-step, one-fall roll. In order to prevent falling into the river, Yang Chengwu told everyone to untie the straps on their legs and connect them one by one, each pulling the straps forward. In this way, the troops marched at a speed of 120 kilometers day and night, and arrived at the west bank of Luding Bridge at 6 o’clock the next morning, occupying all the coastal positions in the west bank, and immediately mobilized nervously, and selected 22 Communist party member and activists to form a commando team, with Liao Dazhu, the second company commander, as the commando captain.

At 4 o’clock on the 29 th, the general attack began. At the same time, the division team composed of dozens of trumpeters sounded the charge, and all our weapons fired at the other side together, and the bullets blew to the enemy positions like a whirlwind. All 22 commandos, armed with submachine guns, sabres in their backs and 10 grenades wrapped around their waists, led by captain Liao Dazhu, braved gunfire and bullets from the other side and rushed to Luding Bridge, where the bridge deck had been removed by the enemy. They climbed the bridge fence, stepped on the chain and crawled across the river. Desperately resist the defeated enemy and ignite the bridge slabs piled at the west bridge head in an attempt to prevent our army from entering the city. Commandos burned themselves regardless of the fire, climbed the bridge, rushed into the sea of fire, and threw grenades at the enemy one after another; Then rushed into the city, together with the follow-up troops, and launched a desperate street battle with the enemy. After two hours of fierce fighting, all the enemy troops on the defensive were defeated. Only 22 commandos were shot on the bridge and three people were killed, which created a miracle of capturing Luding Bridge.

Feibing Qingfeng Store, 120km and 45km competition.

In the autumn of 1947, under the continuous attack of the Shanxi-Chahar-Hebei Field Army of the People’s Liberation Army of China, the Kuomintang army was forced to shrink its main seven armies, totaling 33 divisions (brigades), into the triangle of Peiping, Tianjin and Baoding, and stationed one army in Shijiazhuang, in an attempt to rely on the railway line and take a defensive position to ensure the protection of Peiping, Tianjin and other strategic places. In mid-September, the Northeast Democratic Allied Forces launched an autumn offensive. In order to save the Northeast crisis, Chiang Kai-shek sent five divisions from Beiping to the Beining Line or to go through the customs to reinforce. In this case, the leaders of the Shanxi-Chahar-Hebei Field Army, such as Yang Dezhi, Yang Chengwu and Geng Biao, were determined to seize this favorable opportunity and attack the area north of Baoding, adopting the tactics of siege and Dayuan, and besieged Xu Shui with the 4th and 5th brigades of the 2nd column and the 3rd column to attract reinforcements from the Kuomintang troops in Peiping and Baoding. With the 3rd and 4th columns and the 7th independent brigade assembled in the northeast of Xu Shui, looking for opportunities to annihilate the enemy who came to reinforce.

On the evening of October 11th, the fighting started. By the night of 13th, my 2nd column even passed through the north and south of Xu Shui, approaching the city wall, which was likely to be conquered in one fell swoop. If we want to mobilize the reinforcements of the Kuomintang army, we must hurt it and make it feel that the war situation is urgent. But to our surprise, five enemy divisions, ten infantry regiments and one chariot regiment came from the north. The main force of our army confronted the enemy in the northeast of Xu Shui. After several days of fierce fighting, although many enemies were killed and injured, because more than 10 enemy regiments gathered together, our army failed to divide and annihilate the enemy and the campaign plan was not realized.

In this regard, Yang Dezhi, Yang Chengwu and other researchers decided to level the troops east of Hanlu to move to Luxi Suicheng and Yaocun, luring the enemy to the west, preparing to wipe out the enemy in the movement after the enemy dispersed, and immediately reported this decision to Nie Rongzhen.

On the evening of October 17th, Yang Dezhi and Yang Chengwu left the headquarters of Shanxi-Chahar-Hebei Field Army and headed west of Pinghan Road. Suddenly, a sudden pounding of hooves broke the silence of the marching team. It turned out to be a cavalry correspondent. He handed a telegram to the leaders of the field army and reported: "The enemy’s situation report just taken by Commander Nie Rongzhen".

The telegram reads: "Luo Lirong, commander of the enemy’s 3rd Army in Shijiazhuang, led the 3rd Army Headquarters, 7th Division and the 66th Regiment of 16th Army to cross the Hutuo River on 16th, and they are committing crimes in the north. On 17th, they can enter Xinle area. It is estimated that they can reach Dingxian on 18th and Fangshunqiao on 19th. Liu Hua, the enemy of Baoding, is preparing to meet Luo Lirong in the south. "

The battlefield situation is really changing rapidly. After receiving the telegram, Yang Dezhi, Yang Chengwu, Geng Biao and others decided to go south to annihilate Luo Lirong with the main force of the field army. The main force no longer went west, but went south and wiped out the enemy in the form of encounter. With some troops in the north of Xu Shui to block the enemy from going south, cooperate with the main force in the action of Baonan.

Determined, where is the battle? That is, the question of battlefield choice. This problem is extremely important, which is related to whether our army can eat this enemy. Finally, the leaders of the field army chose the battlefield of the encounter in Qingfengdian area. I chose this place because Qingfeng Store is in the south of Baoding, and there is still a considerable distance from Baoding. In any case, the battlefield cannot be chosen near Baoding, which will cause the enemy to attack our army in an unfavorable situation.

The battlefield of the encounter has been decided, but time is extremely urgent for our army. Luo Lirong’s 3rd Army has crossed the Hutuo River, only 45 kilometers away from Qingfengdian, while our army is still in Xu Shui, 120 kilometers away from Qingfengdian. This means that our troops must travel nearly three times as much as the enemy at the same time. The key to victory or defeat lies in whether our army can get to Qingfengdian area south of Fangshunqiao first. If our army can’t catch up, let the enemy’s third army and the two divisions of Baoding’s new second army get close together, it will be difficult for our army to eat the enemy.

Time was pressing, and it was urgent. Yang Dezhi and Yang Chengwu had no time to report to the military commander and ask for instructions. First, they issued an action order to the troops. On the way of hammering, they sent a telegram to the military region.

Yang Chengwu and Yang Dezhi discussed that in this case, it is urgent to draft an emergency mobilization order. Because this battle is of great importance, it must be fought well. Yang Chengwu said that when he flew over Luding Bridge, he marched 120 kilometers day and night. Today, he marched 120 kilometers day and night to catch Fangshun Bridge. At that time, it was a regiment, and now it is a field army, with thousands of troops and horses. There must be a few slogans, which are imprinted on the hearts of commanders and soldiers like hammers knocking on the anvil. Yang Dezhi expressed full support for this proposal.

So, Yang Chengwu dictated, the propaganda minister Qiu Gang recorded, and an emergency battle mobilization order was quickly written.

A ticking sound of the transmitter sent out the emergency mobilization order.

At dawn, the troops rushed forward desperately in several ways. As the troops walked, they held a "flight meeting". Commanders at all levels conveyed emergency mobilization orders to the soldiers while walking. The agitation turned into an invisible force, and the troops were still full of energy and high spirits after a night of forced marching. Yang Chengwu saw the leading cadres passing by and said, "Let’s go! Carry forward the spirit of the Red Army marching 120 kilometers a day! "

On the afternoon of the 18th, most of my troops went south four to six hours in advance, and completed the long-distance marching task of more than 120 kilometers, reaching the designated position. But this time, Luo Lirong, commander of the 3rd Kuomintang Army, led his main force of more than 14,000 people and more than 200 carts, and just passed Dingxian County.

At dawn on the 20th, our army began to attack. Once in contact, the enemy’s main force quickly shrank to several villages in the southwest, such as Hehe, and rushed to Peiping to ask for reinforcements. At 3: 40 on the 22nd, the main force of the Shanxi-Chahar-Hebei Field Army launched a general attack on villages such as Southwest Hehe, and the battle ended at 11: 30.

In the Battle of Qingfengdian, a total of more than 11,000 officers and men including Luo Lirong, commander of the third army, were captured, and more than 2,000 people were killed and wounded. Together with the northern defense war, a total of more than 17,000 people were wiped out. 72 guns of all kinds, 489 light and heavy machine guns, more than 4,500 long and short guns and 8 radio stations were seized, and one enemy plane was shot down and injured, which set a new record in the annihilation war in Shanxi-Chahar-Hebei, played an important role in reversing the war situation in North China, and effectively cooperated with the autumn offensive of the Northeast Democratic Allied Forces.