标签归档 上海龙凤419后花园

Recently, as an important participant in the aggregation and ride-hailing model, Autonavi launched its self-operated online ride-hailing business "Rocket Travel" to attract a lot of attention. In response, Autonavi responded that Autonavi hailing adheres to the aggregation platform positioning, and Rocket Travel’s goal is to explore the next-generation online ride-hailing model. There are no other new city plans.

Autonavi pushes self-employment model online car-hailing "rocket travel", can it make money?

Recently, Autonavi’s self-operated online ride-hailing business has triggered discussions. On October 26, Autonavi’s self-operated capacity platform "Rocket Travel" appeared on the Autonavi map Beijing taxi platform.

The Beijing News shell financial reporter noticed that in the Autonavi map taxi section, "Rocket Travel" provides economical, premium, six-seat business, luxury and other car services.

According to Qichacha’s industrial and commercial information, the operating body of "Rocket Travel" is Beijing Litong Travel Technology Co., Ltd., which was registered in September 2021, and Autonavi Software Co., Ltd. is the sole shareholder.

Autonavi Map has personally gone off the market to do self-operated online car-hailing business or has also seen changes in the industry landscape. Since July 2021, the online car-hailing industry has undergone profound changes, and Meituan’s self-operated online car-hailing project "Meituan Taxi" has re-emerged.

At the same time, the online car industry capital competition once again up the ante, Cao Cao travel completed 3.80 billion yuan B round of financing, T3 travel completed 7.70 billion yuan A round of financing, easy to use the car plan "comeback".

However, it is not easy for the online car-hailing industry to make money. For a long time, the issue of the proportion of online car-hailing has attracted much attention. Since 2021, relevant ministries and commissions have repeatedly asked online car-hailing platforms to reduce the excessive proportion of the commission, set the upper limit of the commission, and announce it to the public.

In July this year, Wang Xiuchun, deputy director of the transportation service department of the Ministry of Transport, said that local transportation departments continue to promote the implementation of "Sunshine Action" by platform companies operating services in the local area. At present, the upper limit of the proportion announced by major platform companies is between 18% and 30%.

The net profit at this level is not high either. In May 2021, Didi Chuxing announced its revenue. In 2020, Didi’s online ride-hailing driver income accounted for 79.1% of the total amount payable by passengers. Of the remaining 20.9%, 10.9% were passenger subsidies, 6.9% were business operating costs (technology research and development, servers, security, customer service, manpower, offline operations, etc.) and taxes and payment fees, etc. 3.1% were net profits for the online ride-hailing business.

The net profit of most small and medium-sized ride-hailing platforms may not reach 3.1%. However, loss-making operations or low net profits are the product of a period of disorderly competition in ride-hailing.

Ding Daoshi, a veteran Internet observer, believes that the business model of online car-hailing is the same as that of shared bicycles. Autonavi’s self-operated online car-hailing will not aim to make profits in the early stage. It will strengthen investment and support, cultivate user habits, and gain market share. The right way is; there are trillions of market opportunities in the industry.

Giants enter the industry, and the aggregation model is highly competitive

In fact, before the launch of "Rocket Travel", Autonavi Maps was already a typical enterprise for aggregating taxi models. On October 28, a shell financial reporter from the Beijing News found that in addition to rocket travel, Autonavi Maps Beijing taxi service also links to platforms such as Feidi Taxi, Xinghui Travel, Beijing Taxi, Journey Easy, AA Travel, Sunshine Travel, Shenzhou Special Car, Cao Cao Travel, and Shouqi Car-hailing.

The aggregation model emerged and emerged around 2018. In September 2018, Hello announced its access to TikTok’s travel service and partnered with Shouqi’s ride-hailing business. In April 2019, Meituan Dache announced the launch of the "aggregation model". Subsequently, Didi Chuxing and navigation platforms such as Autonavi Maps also launched the aggregation model.

The aggregation platform has given new life to many traditional enterprises in the transportation industry with the advantages of traffic entry and complete ecological closed-loop. Since the beginning of this year, the "asset-light" aggregation model has also attracted more giants to join. In July this year, Huawei launched the aggregation taxi platform Petal Travel, and WeChat tested Tencent Travel.

The "aggregation model" has also attracted the attention of relevant ministries and commissions. In August this year, the Office of the Inter-Ministerial Joint Conference on the Coordinated Supervision of New Formats of Transportation conducted reminder interviews with 11 platform companies including Didi Chuxing and Autonavi, pointing out that some platforms have violated the legitimate rights and interests of employees and passengers, prominent illegal operations, and hidden safety and stability risks.

It mentioned that "the aggregation platform should ensure that the connected online car-hailing platform complies with relevant regulations, and urge the connected online car-hailing platform company to strengthen the management of vehicles and personnel. In the event of a safety incident, the aggregation platform company should fulfill its liability for advance compensation according to law, and work with the involved online car-hailing platform company to handle the accident."

How to balance aggregation business and self-operated business? Autonavi responded to the media by saying that Autonavi ride-hailing and Rocket Travel are two completely independent and different platforms, and Autonavi ride-hailing adheres to the aggregation platform positioning. Rocket Travel’s goal is to explore the next generation of online ride-hailing models and conduct technological innovation and trials in limited cities. At present, Rocket Travel has no other new city plans.

Chen Weicheng, Shell Financial Reporter, Beijing News

Editor, Song Yuting

School against spring

　　China musicals have been developed for 20 years since they created and performed "Yangko Romance" and "Legend of White Snake". In these 20 years, China musicals have experienced ups and downs, however, there is still a long way to go from the developed countries in Europe and America in the presentation of their works, and even there are many gaps with the development of Japanese and Korean musicals. Last weekend, on the occasion of the 2nd Beijing Tianqiao Musical Performance Season, the "2016 Asian Musical Development Trend Forum" was held at the same time. How to develop China musicals became the focus of the forum.

　　There are many grand theaters that are idle.

　　In recent years, the hardware facilities of cultural construction have developed rapidly, and the grand theater has been rising all over China, which is gratifying. However, after the completion of the new theater, how to develop musical as one of the software has become an urgent problem.

　　Li Dun, a producer of musicals, believes that "musicals have developed rapidly in China. In 2014, there were 1,518 musical performances, an increase of 12.4% over the same period in 2013. Among them, 930 original musicals were performed, accounting for 60% of the total musical performances for the first time, and its development activity is close to the data of South Korea, a developed Asian musical country. On the other hand, the investment in national theater construction is too fast, but the supply of theater performance content is insufficient. Nearly one-third of the performance venues are idle or used for other purposes. Most local group performances are difficult to support local theaters, and more excellent performance groups and original plays are urgently needed. "

　　Experts attending the meeting thought that the hardware of Tianqiao Art Center, Shanghai Cultural Square and theaters in many places is already very good. In contrast, the original software of China musicals is still difficult to match the hardware, and there is no representative classic of China original musicals. The basic talent pool of musicals is not enough, and the market of musicals is not strong enough to support the perennial performances of theaters everywhere. These are the problems that need to be solved in the development of China musicals.

　　There is self-promotion but no good story.

　　There is no classic musical in China. This judgment comes from the fact that the original musical did not get good feedback after it was put into the market, and it can only be performed in one place for two or three times. The judgment of its standard comes more from self-promotion. In addition to the market operation problem, poor storytelling is one reason.

　　Lv Yisheng, former president of Beijing Dance Academy and founder of musical teaching major, said: "In the past two years, I have participated in large-scale competitions of mainstream groups, including musicals, operas and dance dramas, all of which are non-verbal arts, but there is also a drama problem. The foundation of drama cannot be laid, and it is useless to sing musicals and dance well. " Lv Yisheng compares the stage art that needs to tell stories with Hollywood and Broadway musicals. "We all choose real materials, but we make the real ones fake, and Hollywood makes the fake ones real."

　　In Lu Yisheng’s view, the poor storytelling of the script is mainly due to the writer’s cultivation: "Not only the cultivation of the bank, but also the cultivation of cross-border. You must have all aspects of cultivation to tell the story of the musical well."

　　There is a musical major, but no outstanding talents can be cultivated.

　　In the developed countries of musicals, a city has more than ten musicals every day, but no city in China can do it. In addition to the problem of original musical writers, finding musical actors is also a big problem.

　　Yin Haozhen, director of Korean musical, said: "One of the problems encountered in the development of musical in China is the cultivation of talents. In Seoul, South Korea, many musicals are staged every day. When recruiting actors for musicals, there will be about 1,500 actors for each role, and the professional education of musicals has become very popular. With this foundation, there will be great development of musicals. "

　　In China, although many art colleges now have musical majors, the talents trained are flawed, the actors from drama colleges lack singing and dancing skills, the dance and acting skills from music colleges are insufficient, and the singing skills from dance colleges are flawed, so it is difficult to find comprehensive high-level musical actors.

　　In musical teaching, some teachers have misunderstandings about students’ material selection and teaching, thinking that they can sing musicals if they can sing pop songs. Therefore, it is really hard to find an actor with a real dramatic voice. The weakness of talents is also a reason for the slow development of China’s original musicals.

　　Many musicals have no box office.

　　In addition, the operation mode did not form an effective scale of development, which also limited the development of China musicals. In original musical dramas, some are created as brands of regional cultural construction, and many of them have not really entered the market operation mode; Some musicals are produced and run by musicians themselves, and there is not much financial support. However, in developed countries in Europe and America, as well as South Korea and Japan, the main reason why musicals can form a climate is to enter the real market operation.

　　In the past two years, there have been seven-act musical production companies in the market, which have produced One Step to Heaven, Avenue Q, I, Don Quixote and The Sound of Music. Sha Qing, director of the application of Seven Acts Life, said: "Seven Acts thinks that musicals are more important in terms of operation, and we use a stupid method to make them — — The more money you spend, the better the product. We still take this very seriously. There is no shortcut to this. "

　　In terms of operation, the "Seven Acts" also adopted a "stupid" approach. Sha Qing said: "We expect to support ourselves at the box office. Perhaps it is smarter to burn investors’ money or rely on subsidies. However, we believe that if we want to develop healthily for a long time, we must rely on the box office. "

　　In this regard, some predecessors in the musical industry think that the idea of "Seven Acts" is a bit "idealistic". Because in the current market environment, although the annual box office income is constantly improving, on the whole, the pressure to rely solely on the box office to support themselves is still great.

　　However, in Sha Qing’s view, a company with no college background like "Seven Acts" has to earn enough money at the box office if it wants to survive for a long time, and every drama has to make money. Only in this way can we survive.

　　Fan Chong, a screenwriter and producer of musicals, said: "The biggest problem in China musicals is learning. Why study? Learn what? How to learn? First of all, producers and producers need to learn how to control the volume and scale of a play, how to evaluate the cost of a play, how to radiate values, and whether there is any soil for this play to perform in China. Drama needs rationality and data, cost control, and attracting the most audience with the least money. Creators should be rigorous and responsible to the audience, investors and theaters. Only by focusing on one thing can we witness the arrival of a musical era in China. "

　　Text/reporter Lun Bing

Last night and this morning, the 37th round of the Premier League was in full swing. Avonii won the goal, Nottingham Forest beat Arsenal 1-0, Nottingham Forest won the relegation task ahead of schedule, and Arsenal lost and sent Manchester City to win three consecutive championships ahead of schedule. Casemiro barbed the door, and Manchester United’s 1-0 Bournemouth Champions League seat next season is close at hand; Watkins missed the goal, firmino scored a goal, and Liverpool scored 1-1 at Aston Villa. Although the Red Army has a glimmer of hope to enter the top four, it is already slim.

Nottingham Forest 1-0 Arsenal’s game, after being overtaken by Manchester City for more than half a season, young Arsenal obviously couldn’t bear it psychologically and lost points in successive games. In the 19th minute, Odegard made a mistake in passing the ball, Nottingham Forest made a quick counterattack, and White assisted Avonii to score the only goal in the game. Since then, although Arsenal tried to launch a counterattack, they did not get a good chance to break the door.

After the game, Arteta admitted that losing was his responsibility. He also said that the team had been leading for a long time but did not win the championship. On the one hand, it was a little regrettable, on the other hand, it also showed that it was still not in place. In 248 days, Arsenal became the longest leading team in the five major leagues but failed to win the championship. Manchester City won the league title for the fifth time in six years, and it is also the second team in the Premier League to win three consecutive championships.

Manchester United’s 1-0 match in Bournemouth, before the game, Manchester United goalkeeper Degea won this season’s Der goldene Handschuh Prize with 160 games. In the 8th minute of the game, Eriksson passed the ball to the restricted area, which was first tackled by the defender, and casemiro followed up with a barb to help Manchester United get a dream start of 1-0. Since then, the two teams have been attacking and defending each other, and Degea has once again devoted himself to the game. After winning this game, Manchester United basically locked in the qualification for next season’s Champions League.

Liverpool’s 1-1 Aston Villa game was the home curtain call performance of firmino, a meritorious player of the Red Army. In the 22nd minute, konate sent a spot in the penalty area, but unfortunately Watkins missed the penalty kick and Aston Villa missed the lead. In the 27th minute, Liverpool was the first to concede the goal. Ramsey scored a header after receiving a pass from his teammates in the restricted area, and Villa led 1-0. In the 89th minute, Salah assisted firmino to score a goal in front of the goal, helping the Liverpool draw 1-1. This goal is also the last swan song of the Red Army Erxia at home. How can the Red Army fans not burst into tears?

Other match results: Wolves 1-1 Everton, Fulham 2-2 Crystal Palace, Tottenham 1-3 brentford. The relegation teams will be in Everton, Leeds United and Leicester City, and two of the three teams will be relegated, which is a bit cruel.