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Exclusive ｜ ＂Rebellious Girl＂ Ancy： I really want to play a sweet youth film


Special feature of 1905 film network　Ancy was only 12 years old when she was invited to play three years ago. Although she was similar in age to Li Jiahe, it was not easy for her to fully understand this complicated character at that time. On the set, Ancy often finds the director Zhou Sun with his own questions, asking what is the relationship between Jiahe and Radium, whether this line also expresses a deeper meaning, and so on.

　

The process of approaching the role gradually put a lot of pressure on Ancy, but it didn’t affect her love for Jiahe at all. In "Girl Jiahe", Ancy likes the scene of shooting with the cow in the slaughterhouse best. The stubborn Jiahe is like the calf in her eyes — — Full of power and clear about what you really want.

　

Counting Jiahe, Ancy has shown many different types of rebellious girl images on the big screen. She laughed and said that behind these characters was her own "rebellious heart" that had been suppressed for many years. When I was a child, Ancy had "rebelled" against adults’ decisions many times in my heart, and didn’t want to learn to dance or go to cram school. "I was a little unconvinced at that time, but I had to listen. So when I played a rebellious role later, it was like opening a new continent. "

　

Of course, the "rebellious girl" professional households also have their own "troubles": from, and then to this "Girl Jiahe" starring herself, Ancy bluntly said that her role was "too bitter", either losing her father or her mother, or even playing an orphan. "So I want to experience a particularly sweet role next."

　

Although Ancy, a post-2005 generation, has just started her high school life, the happiness and sense of accomplishment given by her career as an actress through the shooting of several films have convinced her that she really loves acting and will definitely stick to it.

　

When she first entered this industry, Ancy, who was still young, was still very concerned about the outside world’s views, always thinking about how to be perfect. Now, slowly growing up, she finds that she has finally learned to "reconcile" at this point: "I feel very happy as an actor, and I enjoy the process of acting myself, no matter what the result will be."

　

Interview record

　

1905 Movie Network: When did you receive the invitation of "Girl Jiahe"? What’s your mood now as a starring role?

　

Ancy: This is my third film, which was made after Nobody. Three years later, the film finally met with you, but it will be a little nervous, because it was made three years ago. At that time, when I knew that I could participate in this film, I was also under great pressure, because it was also my first starring film, and the story was centered around this girl.

　

1905 Movie Network: You have played many girls with personality. How can you grasp the difference between them?

　

Ancy: There may be some eyes that feel different. Including Jiahe, she actually has a pre-stage and a post-stage. She may belong to that kind of warmth in the early stage, because she has a mother, and she may feel a little bit cruel and withdrawn in the later stage.

　

1905 Movie Network: Three years ago, you should be about the same age as Jiahe at that time, right?

　

Ancy: Almost. Jiahe was 13, and then I was 12. I think her personality is very powerful. She is a very powerful girl and stubborn, and she knows what she wants. My favorite scene of hers is actually a scene with a cow. She saw her father talking to the boss at the slaughterhouse and went up to ask questions. I think that scene is very powerful and shows her personality.

　

1905 Movie Network: Having played so many "rebellious girls", do you have a rebellious side in your life?

　

Ancy: I think I may have a rebellious heart! When I was young, adults asked me to learn something. In fact, I didn’t want to, but I would listen. Including when I used to learn to dance, I didn’t really want to go to class. At that time, in fact, my parents and I were not in communication. They may sign up for my class without asking me what I think, so you have to finish it. Even if you have already reported it for you and paid the money, you must finish this class. At that time, you will be a little unconvinced, but I will listen to them again. So when I played the rebellious role later, I felt as if I had opened a new continent.

　

1905 Movie Network: Do you think it’s cool to have your own career now?

　

Ancy: Actually, I think I’m really happy. Although sometimes I feel homesick after working for a long time, more often I enjoy being alone. On the contrary, sometimes it will be a little unaccustomed for my parents to follow me now. I think I am quite independent, because I have always been alone since I was a child.

　

1905 Movie Network: "Girl Jiahe" is a collaboration with newcomer Leon. Will it be different from the previous filming experience?

　

Ancy: It was the first time for us to cooperate with Leon. At that time, he gave me the feeling of being a big brother. In the early stage, we sometimes encountered a shot and we would grind it many times. We would both discuss it with the director and work together to make the shot and the play better.

　

1905 Movie Network: In the end, you two should also be impressed by the heavy scenes?

　

Ancy: Yes, I was also quite stressed in that scene, because I was particularly afraid that he would be choked by me in the water. Finally, we lay on the shore and looked at the sky in a really comfortable state, because we finally finished filming the water play.

　

1905 Movie Network: From the performer’s point of view, how do you understand the changes before and after Jiahe?

　

Ancy: Actually, I think it’s just the growth process of a girl. She suddenly reconciled with herself and her father at that stage, including reconciliation with radium. This is a growing process. One thing that you don’t understand in our daily life, after you grow up slowly, you may suddenly understand one day. My mother always tells me that you are still young, and you don’t understand these things. You will understand them when you grow up. I think Jiahe is the same. She persisted in this matter for a long time. But when she was 13, she finally understood.

　　

1905 Movie Network: Is there anything that you "grew up" and began to understand or reconcile with?

　

Ancy: I used to care about what others thought of me, and I felt that I wanted to be perfect in everything, but in fact it would be very tiring, and you can’t make everyone like you. So I may not care so much about some ideas now, that is, at least I feel that I have worked hard, and I feel enough.

　

1905 Movie Network: Many people say that you bring your own "literary sense". What do you think?

　

Ancy: I feel that the sense of literature and art defined by everyone at present belongs to that kind of feeling of being quiet and relatively silent. Before, there were more literary works and some criminal types. This year, I may try to be more suitable for my age, a lively and cheerful role on the youth campus. Maybe I will meet you next year.

　

1905 Movie Network: Are there any youth films that are more like challenges?

　

Ancy: Because the previous roles are too bitter, I want to experience a particularly sweet role! It’s not that it’s sweet, it’s that the family is happy and everyone around is kind to themselves. Because before, the role was either that the father was gone, or that the mother was gone, or that she was an orphan, which was terrible.

　

1905 Movie Network: Will you persist in studying acting major and follow the path of actor in the future?

　

Ancy: Love is the majority! It is true that the older you grow up, the more you may know that you really like performing this thing, and you will always stick to it. I think this is a very happy thing. Being an actor is very happy. I enjoy the process of acting, no matter what the result is, but I enjoy the process the most.

　


Slow East and Fast West： GDP growth rate of 21 provinces is higher than the national average.

　　According to the interim report cards of economic operation published by various provinces, cities and districts in China, in the first half of this year, the GDP growth rate of 21 provinces in China was significantly faster than that of the whole country. It can be said that with the continuous deepening of supply-side structural reform, new kinetic energy has accelerated its growth, and the economic development of various places has shown a development trend of high quality and high quality — —

　　Recently, 31 provinces across the country have successively announced the interim transcripts of economic operations in the first half of 2017. Among them, Tibet continued to lead with a GDP growth rate of 10.8%, followed by Chongqing and Guizhou. Gansu’s GDP growth rate obviously fell behind in the western sector, and Liaoning’s GDP growth rate continued to rank at the bottom.

　　The reporter found in combing the transcripts that in the first half of this year, the economic growth rate of most provinces in China was the same as that in the first quarter or rebounded, and the economic operation was generally stable and good. What is even more gratifying is that with the continuous deepening of supply-side structural reforms, new kinetic energy has accelerated its growth, and economic development in various places is not only full of color, but also of high quality. However, it is worth noting that the economic operation in some areas has been obviously divided, and the investment operation in some provinces is weak, and the economic growth momentum is obviously insufficient.

　　Economic operation is generally stable.

　　In the first half of this year, China’s GDP growth rate was 6.9%, of which the growth rate in the first and second quarters was 6.9%. Judging from the GDP data released by various provinces, the GDP growth rate of 21 provinces is obviously faster than the national growth rate; The GDP growth rate of Tianjin, Shanghai and Shanxi is equal to the national growth rate; The GDP growth rate of seven provinces, autonomous regions and municipalities including Beijing, Hebei, Inner Mongolia, Jilin, Heilongjiang, Gansu and Liaoning is slower than 6.9%.

　　In recent years, China’s GDP growth rate has generally shown a pattern of "slow in the east and fast in the west", that is, the GDP growth rate in the western provinces is faster, followed by the central provinces, and the eastern provinces are slower, while the northeast region is facing the heavy responsibility of revitalization.

　　From the first half of this year, this pattern has not changed in general. Among the 10 provinces in the eastern region, the GDP growth rate is between 6.8% and 8.3%. Compared with the first quarter, the GDP growth rate of Beijing, Tianjin, Fujian and Hainan has slowed down, while the growth rate of Zhejiang, Shandong and Guangdong provinces is flat, while the growth rate of Hebei, Shanghai and Jiangsu provinces has slightly accelerated.

　　The GDP growth rate of six provinces in the central region is between 6.9% and 9%. Among them, Jiangxi’s growth rate is 9%, which is the same as that in the first quarter, and it is in the leading position among the six central provinces, and the growth rate of the other five provinces is faster than that in the first quarter.

　　It is noteworthy that after 13 quarters of sluggish performance, Shanxi’s GDP growth rate was 6.9%, which finally caught up with the national pace, and the economic growth gradually entered a reasonable range, showing a development trend from "fatigue" to "prosperity". Previously, Shanxi’s economy once suffered a cliff-like decline, ranking in the bottom position of the country, with an economic growth rate of only 3.1%.

　　Among the western provinces, the GDP growth rate of 10 provinces is above 7%, which is obviously faster than the national average growth rate; Tibet, Chongqing and Guizhou provinces continued to maintain double-digit growth, ranking the top three in terms of growth rate and leading other provinces in China for several quarters.

　　Gansu’s GDP growth rate is worrying. In the first quarter of this year, Gansu’s GDP growth rate was 6.1%. Although it was at the bottom in the western region, it was still faster than the three northeastern provinces. From the first half of the year, Gansu’s economic growth rate was only 5%, which was 1.9 percentage points slower than the national growth rate, 1.6 percentage points slower than Inner Mongolia, which is in the penultimate position in the western region, and 5.8 percentage points slower than Tibet, the leader of the western provinces. This performance may mean that Gansu’s economic development is in danger of "taking the lead and falling behind" in the western provinces.

　　The GDP growth rate of the three northeastern provinces is still slower than the national growth rate. Among them, the GDP growth rate of Heilongjiang and Jilin is 0.2 and 0.6 percentage points faster than that of the first quarter, and Jilin also surpassed Heilongjiang with an increase of 0.6, and the economic growth rate is in the leading position among the three northeastern provinces. Liaoning’s GDP growth rate is only 2.1%, 0.3 percentage points slower than the first quarter, and the growth rate is at the bottom of the country.

　　Improve quality and increase efficiency steadily.

　　In the first half of this year, while maintaining a stable economic growth rate, China’s economic structure continued to be optimized, and economic growth improved quality and efficiency steadily.

　　Combing the economic performance of the provinces in the first half of the year, the provinces adhere to the main line of promoting supply-side structural reform, constantly optimize the economic structure and strive to improve the quality and efficiency of development while maintaining a stable overall economic operation.

　　In the first half of this year, the growth rate of total consumption in the whole social market was 3.1 percentage points higher than that of fixed assets investment in the whole society, and the dominant position of consumption was more prominent.

　　The growth rate of 6.8% in Hebei Province in the first half of the year is the highest level since 2014. Tian Yan, deputy inspector and spokesperson of Hebei Provincial Bureau of Statistics, said that the "three to one, one reduction and one supplement" in Hebei Province has achieved remarkable results, of which the reduction in steelmaking capacity was 15.72 million tons and ironmaking capacity was 14.08 million tons. At the same time, the growth rate of added value of high-tech industries is 4.4 percentage points faster than that of industries above designated size, and the proportion of added value of industries above designated size is further increased; Strategic emerging industries have developed rapidly, and the growth rate is faster than that of traditional industries. In terms of new formats, e-commerce, online shopping, express delivery, sharing economy and other fields have developed rapidly.

　　"The service industry has become the main driving force for Chongqing’s economic growth." Qin Yao, deputy director and spokesperson of Chongqing Municipal Bureau of Statistics, pointed out that in the first half of this year, Chongqing’s economy was in a good state of operation, and the supply-side structural reforms showed results. The new economy gradually grew and new kinetic energy gradually accumulated. The growth rate of tertiary industry in Chongqing is higher than that of primary and secondary industries, which is one of the effects of local economic restructuring and one of the reasons why Chongqing’s economy remains stable and rapid.

　　Han Zuhai, chief statistician of the Statistics Bureau of Guangxi Zhuang Autonomous Region, said that in the first half of the year, the endogenous driving force of Guangxi’s economic growth continued to be released, the total retail sales of social consumer goods increased by 10.6%, and the sales of products with consumption upgrades were relatively good. The new economy represented by new industries, new formats and new business models continued to maintain rapid growth, and the quality and efficiency of economic operation were significantly improved.

　　"Whether it is the operation situation, economic structure, the growth of new power, the quality of operation and the improvement of people’s livelihood, it can be seen that Guangxi’s economic operation in the first half of the year was steady and rising, and it laid a more solid foundation for achieving the annual development goals and striving for better results in practical work." Han Zuhai said.

　　Investment differentiation deserves attention.

　　In the first half of the year, the national investment in fixed assets (excluding farmers) increased by 8.6% year-on-year, and the growth rate was the same as that from January to May. The investment structure continued to be optimized, the growth rate of manufacturing investment and private investment rebounded, and positive factors in investment operation gradually accumulated.

　　From the perspective of provinces, while increasing investment in fixed assets, all localities pay more attention to the function of investment to make up for shortcomings. Beijing’s investment in fixed assets pays more attention to social benefits. In the first half of the year, infrastructure investment contributed more than 90% to the city’s investment growth, mainly in transportation, energy, water affairs, greening and other fields.

　　In the first half of the year, the investment in people’s livelihood projects in Hunan Province increased by 23.1% year-on-year, and the growth rate was 10.7 percentage points faster than the total investment. Among them, investment in education increased by 10.5%; Investment in health and social work increased by 42.6%.

　　Ningxia’s investment in fixed assets increased by 9.5% in the first half of the year. Among them, investment in short-board areas grew well, with investment in agriculture, forestry, animal husbandry and fishery increasing by 65.4%, investment in transportation, warehousing and postal services by 24.8%, investment in information transmission, software and information technology services by 17.7%, and investment in water conservancy, environment and public facilities management by 1.0 times.

　　It is noteworthy that in the first half of the year, the investment in various provinces showed obvious differentiation. Among the 31 provinces, the investment growth rate of 19 provinces is faster than that of the whole country. Among them, the growth rate of investment in Xinjiang, Guizhou and Tibet is above 20%, which is in the leading position; The growth rate of investment in 14 provinces such as Yunnan and Guangdong is between 10% and 20%.

　　Among the 12 provinces whose investment growth rate is slower than the national growth rate, Jilin, Liaoning and Gansu provinces have the lowest investment growth rate. Among them, the growth rates of investment in Liaoning and Gansu were -31.4% and -36.3%, respectively, which were 6.5 and 5.7 percentage points higher than those in the first quarter. The sharp decline in investment in fixed assets has seriously dragged down economic growth, which is an important reason why Gansu and Liaoning rank at the bottom of GDP growth rate.

　　The investment in fixed assets still plays a key role in macroeconomic growth. At present, the differentiation of investment operation in different provinces, especially the continuous slowdown of investment growth in Liaoning and Gansu, should be highly valued.

　　Zhao Peiya, inspector of the Investment Department of the National Bureau of Statistics, wrote that at present, China should continue to unswervingly promote supply-side structural reforms and expand reasonable and effective investment; Grasp transformation and promote upgrading, and strive to revitalize the development of the real economy such as manufacturing; Strengthen support and guidance for emerging industries and vigorously cultivate new kinetic energy for development; Effectively implement various policies on private investment and better stimulate the vitality of private investment.

Midnight Ghost was adapted from paranormal, Thailand Hotel on 10.12.


1905 movie network news The thriller directed by Li Yaodong and written by Zhuang Qin, a famous horror novelist, released a finalized poster and officially announced its national release on October 12. The film is starred by Gong Zhe, a young actor who was nominated for the Golden Rooster Award for Best Supporting Actress, Lier Mei, the queen of horror movies, and Liao Juan, the female version of Wang Baoqiang. More young actors such as Zhang Nan, Jianzi and Ben Lanqi are pleasantly surprised to join in. The film is produced by Beijing Black Wolf Film Media Co., Ltd. and distributed by Beijing Jidian Film and Television Culture Media Co., Ltd.


Adapted from the event of "The Top Ten Nightmare Hotels in Thailand".　

"Ghost at Midnight" tells a story about a "paranormal" that happened in a bizarre hotel: female reporter Wei Feng accompanied her best friend Lily to a hotel for an appointment with her boyfriend, and she frequently encountered supernatural events in the hotel, which was gruesome. Suddenly, blood splashed on the ceiling, and there was a strange sound floating in the room, and a ghostly "ghost" &hellip flashed in the corridor; … All show the unique thriller of the film.

This film is adapted from the incident of "The Top Ten Ghosts Hotels in Thailand". paranormal about this hotel and "Matters needing attention in haunted hotels in Thailand" and other posts have been widely circulated on the Internet, and tourists visiting Thailand will be kindly reminded by tour guides to avoid staying. However, many curious people frequently experience the real paranormal such as "Ghost on the Body", "Ghost on the Door" and "Ghost Peeping at the Window" after checking in. Afterwards, they posted hot posts such as "Personal Experience of the Mysterious Frightening Event in Thailand Hotel" on the Internet, which added to the mysterious and horrible atmosphere of the hotel.

　

Scene Survey of Lingyi Hotel Zhuang Qin, a famous horror novelist, acted as a screenwriter.　

In the finalized poster released this time, a "female ghost" with a ferocious face and distorted body appeared on the ceiling of the hotel, and her five fingers were deformed and grabbed at the screen, which seemed to pinch the throat of the hotel guests. Behind it, there were many pairs of "ghost hands" protruding from the hotel window, forming a strange picture of "ghosts" dancing around, which was creepy! In the poster, the various parts of the female ghost’s body are constantly twisted, displaced and deformed, which is quite postmodern, and the slogan of "being buried in the grave and being reborn with resentment" also makes the story suspenseful.　

The Ghost of Midnight was co-produced by China and Thailand, and Zhuang Qin, a famous horror novelist, was the screenwriter. Zhuang Qin used to be the moderator of Lotus Tales in Tianya Community and one of the best mystery novel writers in China. He was good at combining Hitchcock suspense with the horror style of Poe’s novels. In order to create a real horror atmosphere, the film was led by director Li Yaodong and screenwriter Zhuang Qin to the prototype of the story in the preparatory stage of creation — — A hotel in online celebrity, Thailand, conducted a field survey and sought relevant materials to improve the script.


CCTV Watch Fugou County, Zhoukou, Henan Province： Hold the ＂Vegetable Basket＂ and Raise the ＂Money Bag＂

　　Core reading

　　Extend the industrial chain, actively register trademarks, and carry out technical training … Since the second batch of thematic education was launched, Fugou County, Henan Province has further promoted the upgrading of vegetable industry, injected endogenous power into the overall revitalization of rural areas, and promoted agricultural efficiency, farmers’ income and rural development.

　　Early in the morning, in Zhailou Village, Chaigang Township, Fugou County, Henan Province, on the eastern plain of Henan Province, the wind was cold, but the greenhouse was warm and harmonious. After several months of careful management, the celery planted by vegetable farmer Chen Erfei grows happily. Dozens of villagers are busy picking vegetables, packing and boxing, and their faces are filled with the joy of harvest.

　　"With such a good harvest, why go out to work?" Chen Erfei, who lives in suburban township, has contracted 21 greenhouses to grow vegetables in Zhailou Village, with a total area of over 100 mu. Last year, most of the vegetables he planted were sold outside the province, and the benefits were not bad, attracting more than 50 people to find jobs stably.

　　Chen Erfei’s experience is related to a message suggestion in the "Leadership Message Board" of People’s Daily. Some enthusiastic netizens left a message, suggesting that Fugou County extend the industrial chain of primary agricultural products, expand the scale of vegetable industry, build a brand of "Fugou Vegetables" and increase jobs.

　　Since the launch of the second batch of theme education, Fugou County has combined theme education with practical work to further promote the upgrading of vegetable industry, inject strong endogenous power into the overall revitalization of rural areas, and promote agricultural efficiency, farmers’ income and rural development.

　　Chain extension and chain supplement—

　　Cultivate deep processing enterprises

　　Increase the added value of agricultural products

　　Yangcungang Village, Lvtan Township, Fugou County is a famous "Xilanhua Village" in the local area.

　　"The fresh-keeping period of broccoli is short, and if it is not sold out, it can only be sold at a low price if it is not refrigerated in time, and even at a low price, it may be unsalable, affecting the income of the people." Liu Zhiyuan, secretary of the Party branch of Yangcungang Village, told the reporter that five cold storages were built by the village’s self-raised funds, which could not meet the needs because of the old equipment and small capacity.

　　In May last year, Fugou county launched the activity of "observing people’s feelings, listening to people’s opinions, gathering people’s hearts and solving people’s worries", and took the construction of storage and fresh-keeping facilities and the cultivation of deep-processing enterprises as concrete measures to extend the industrial chain and promote rural development.

　　Soon after, the village of Yangcungang ushered in good news: in the form of government subsidies to the village collective shares, it is planned to build three new 500-ton cold storage and an ice-making factory to ease the difficulties of vegetable refrigeration and transportation.

　　The cold storage and ice-making factory were built in the wasteland at the east end of the village. Construction started in July last year and was put into use in October. The total storage of cold storage in Yangcungang Village reached more than 3,000 tons, which can increase the collective income of the village by about 60,000 yuan every year. At the same time, supporting the logistics industry, providing more than 200 jobs for the villagers, loading and unloading and warehousing each ton of income in 120 yuan, realizing the collective income increase and farmers getting rich hand in hand.

　　"With these cold storages built in the fields, our broccoli is fresh and insured." Liu volunteered.

　　The planting area of pepper in Biangang Town is more than 50,000 mu, and the daily harvest in mature season is more than 300 tons. The development of refined and deep processing of pepper has become a breakthrough to enhance the added value of pepper and continuously increase farmers’ income.

　　Walking into the processing workshop of Biangang Town’s Red Pepper Planting Cooperative, a strong smell of "pepper" came to my face. Workers are making dried peppers into ready-to-eat Chili sauce through automated production lines and selling them to the market.

　　"At the beginning of the establishment of the cooperative, there were only two dry pepper production lines in the drying workshop. Last year, with the support of the government, a new pepper intensive processing plant and intensive processing production line were built, with a daily output of 20 tons of pickled peppers and 10 tons of bad peppers. " Yu Haijun, head of the local red pepper planting cooperative, said that after intensive processing, peppers can be stored for a longer period of time, and the profit per catty can be increased by about 1 yuan.

　　Cooperatives realized the transformation from rough processing to deep processing, and adopted the model of "cooperative+base+farmer" to develop more than 30,000 mu of planting bases, driving 16,000 households to increase their income and become rich.

　　Brand building-

　　Subsidies for registered trademarks

　　Broaden the marketing channels

　　In the early morning, in the trading market of Meiyuan Vegetable Cooperative in Meiqiao Village, Chaigang Township, vegetable farmers brought in freshly picked cucumbers, weighed them, settled them and loaded them, which was a busy scene.

　　"Since the establishment of the cooperative in the village, the Meiqiao cucumber brand has been launched. Most of our cucumbers are sold to large supermarkets and wholesale markets by booking. The price is higher than before, and the sales are not worrying." Megan Qing, secretary of the party branch of Meiqiao Village, said.

　　Meiqiao Village has developed facility vegetable cultivation and become a national "one village, one product" demonstration village. Under the guidance of the government, the village party branch led the Meiyuan Vegetable Cooperative, registered the trademark of Meiyuan, and recruited 218 vegetable farmers as members, with an annual income of 16,000 yuan per capita, driving the surrounding vegetable planting area to reach more than 30,000 mu.

　　The development of branding makes Meiqiao cucumber more and more famous. In Mei Genqing’s view, Meiqiao cucumber is not only a vegetable, but also a "rich dish" for villagers to increase their income.

　　"Great, the application has finally succeeded, and our products can also use regional trademarks in the future." Liu Shunde, the person in charge of Henan Lvjiu Agricultural Science and Technology Co., Ltd. said that in May last year, "Fugou Leek" was selected into the national list of famous and excellent new agricultural products. Relying on regional public brands, the company developed 26 varieties of leeks, bred 12,000 mu of seed bases, and promoted employment of more than 200 people.

　　Fugou County grants an average subsidy of 1 million yuan per year to encourage vegetable business entities to actively register trademarks and declare brands. At present, 76 "three products and one standard" (pollution-free agricultural products, green food, organic agricultural products and geographical indications of agricultural products) have been certified, and "Fugou vegetables" have become collective trademarks of geographical indications.

　　The benefits brought by vegetable brand construction have also been felt by vegetable farmers in Guaiwang Village, suburban township. "In the early years, due to uneven quality and low branding, the retail price of vegetables grown in the village was not high." Ding Zhenying, a vegetable farmer in Guaiwang Village, said.

　　In June last year, Fugou County Vegetable Development Service Center organized 20 vegetable planting leaders to go out to study and learn advanced experience, and introduced new varieties such as fruit tomatoes, peppers and strawberries, which not only had diverse tastes, but also had high recognition after being introduced to the market.

　　"Ordinary tomatoes cost three yuan a catty. The fruit tomatoes we grow have their own brands, and they can be sold above 10 yuan per catty, which is still in short supply. " Vegetable farmers told reporters. At present, Guaiwang Village has registered the trademark of "Yuxing", and has also built a new variety trial planting base and a 300-mu standardized sunlight greenhouse.

　　Scale development—

　　Carry out planting technology training

　　Build a platform for employment and entrepreneurship

　　In the vegetable shed of Delil Modern Agricultural Industrial Park in Fugou County, a string of new tomato varieties with bright red and plump colors ushered in a mature period and were listed in batches one after another.

　　The industrial park covers an area of 300 mu, with an investment of 35 million yuan in the first phase. The 70,000-square-meter glass greenhouse, 1,000-square-meter seedling center and 35 greenhouses have been put into use.

　　"It is more convenient to work here, not only close to home, but also to take care of the elderly and children." Ge Meiying, a villager in Meiqiao Village who is working, said, "The monthly salary is more than 2,000 yuan, and 5 mu of land at home is transferred to the base, earning 5,000 yuan a year." Like Ge Meiying, there are more than 200 stable employees in the industrial park, with an annual per capita income of more than 8,000 yuan.

　　"The park adopts the operation mode of’ government+enterprises+cooperatives+farmers’, establishes an industrial linkage and binding mechanism, and carries out vegetable planting technology training to help more farmers transform into industrial workers." Lou Hongwei, director of Fugou County Vegetable Development Service Center, said.

　　Zhang Junjie, a villager in Xiying Administrative Village of Chaigang Township, passed the technical training, and contracted three greenhouses in the industrial park last September. He carefully managed them according to the "six unifications" of planning, standards, processes, technology, brand and sales. The tomato harvest in the greenhouses is in sight, and the yield per mu is expected to be more than 5,000 kilograms.

　　Fugou County, through the operation mode of "multi-platform construction, platform gathering resources, resources serving entrepreneurship", introduced financial subsidies, special low-interest loans and entrepreneurship support subsidies to build a vegetable industry demonstration park entrepreneurship and employment base. 266 vegetable parks with an area of over 100 mu and 168 vegetable planting cooperatives have been built, which has driven nearly 130,000 vegetable employees.

　　"I have worked in food processing in Shanghai for more than 20 years, and I know the tastes and preferences of local people very well. If only the green organic vegetables in my hometown could be directly supplied to Shanghai!" Jia Qiuyue, a villager in Zhangdian Village, Liansi Town, learned that Morchella has a broad market prospect and is suitable for planting in Fugou County. He resolutely chose to return to his hometown to develop vegetable planting and founded Jincheng Miaoyue Agricultural Park in Fugou County.

　　"We hired local technicians as technical consultants for perennial production, and intensively planted Morchella, Duobao Melon and beans in a three-crop rotation mode. The green organic melons, vegetables and mushrooms produced were in short supply." Jia Qiuyue told reporters, "Last year, Morchella in 25 greenhouses in the park enjoyed a bumper harvest with a profit of 1 million yuan." Today, Jincheng Miaoyue Agricultural Park employs more than 300 people, and the supply of green organic agricultural products is in short supply.

　　Industry is the guarantee of employment. When the industry grows, the number of jobs will increase. "We will accelerate the diversified development of the agricultural economy, focus on cultivating and expanding characteristic industries, create more jobs, let the people stay in their hometowns, earn money, live well, and increase their income and get rich on the spot." Sun Hongwei, secretary of Fugou County Party Committee, said. (Reporter Bi Jingjin)

Don’t miss a single Chinese drama list of the year.

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In 2023, it will be over.

Looking at this year’s Chinese drama, it seems to be another "big year".

It is only a category in the mainland, and there are more than 20 douban scores of 8.0+.

Phenomenon-level broken circle works, repeated battles, dazzling.

Today, Uncle Fish recommended my own Chinese drama to everyone.

I don’t follow the heat, and I don’t follow the douban score. It is entirely based on my own personal preferences.

Next, the list is presented-

　Bad obsession eliminator

"The most taboo drama of the year"

The reason why Uncle Fish chose this drama is really very simple-

Taking China’s strange literature as the story base, supplemented by Chinese calligraphy as the visual style, makes people shine at the moment.

However, "ghosts" is not the only taboo that this play breaks.

Packaging regret and unwillingness into fantasy comedy also breaks through the traditional view of death in East Asia.

Moreover, as the man’s surname "Pu" pays tribute to Pu Songling.

The story of this drama, like Strange Tales from a Lonely Studio, seems to be about ghosts, but in fact it is about people’s hearts.

Just like the woman in the play who was transformed from the tattoo on the back of the deceased.

Through her entrustment, we saw the lonely life of the deceased.

It is thought-provoking to lift weights easily and tell the current social issues.

Many people have seen the influence of the Japanese-style story structure in the play, such as The Account of Friends in Natsume.

However, Uncle Fish saw the past of Chinese from "telling people by ghosts".

From Ching-Ying Lam’s zombie movies to Lonely Ghost in a Dark Room and The Mystery of Saint Paul Hospital.

Or laugh and curse in a funny way, or shoot people directly with thriller elements.

It makes people once again see what is the real China culture of strange things.

　Yao-Chinese Folktales

"The most hopeful story of the year"

The slogan of the rise of the country is almost equal to "the wolf is coming."

If you make a slightly good work, you will be crowned with this title.

But when you look down, you always feel the same.

The theme is clustered together, which is visually eye-popping.

Fortunately, this year, there is such a "China Qitan" to find another way.

Instead of thinking about how to move forward, it keeps going back to the past.

Under the name of Shanghai Animation Film Studio, ink painting, sketch, paper-cutting and freeze-frame. …

Pictures full of Chinese aesthetics are displayed in front of people.

Consistent with China’s traditional artistic conception, there is also a story that it belongs to China.

Whether it is based on The Journey to the West’s Summer of the Little Monster.

Or "Goose Goose" from the strange story "Goose Cage Scholar" in the Northern and Southern Dynasties.

Including the "canteen" in the hutong of Beijing.

They all appeal to the unique feelings of Chinese by showing the fantastic imagination of genie.

Novelty and taste.

What’s more, China Qitan is not confined to pure tradition:

The difficulty of migrant workers, scientific fantasy, the impact of modernization on tradition, and environmental protection issues. …

Are the core of the current issue.

Admittedly, as a collection, not every story has reached the same level.

And many short films are tricky and cannot represent the maturity of the industry.

But "China Qitan" still shows us that there are such a group of animators in the mainland, full of vitality and creativity.

It also makes me want to believe that the country can rise.

Then, it deserves a top ten.

Love is all.

"Another possibility of romantic drama"

In recent years, domestic love dramas have frequently overturned.

It’s either toxic industrial saccharin or ridiculous greasy love.

And "Just Love" can be called a clean stream.

Although the cp in the story is still a big traffic: brother and sister love.

But it is not limited to the high-sugar label of love itself and sister-in-law love at all.

The hero and heroine in the play are no longer the "upper class" common in domestic dramas.

Instead, I fell back to ordinary wage earners with heavy pressure and ordinary athletes at the bottom of their lives.

Under this premise, this sibling love is no longer only ambiguous, provocative and sweet.

Their feelings took root in the direction of personal career and life, and they fought hand in hand.

Like the title of the article, love just stays "just".

What is higher than love is real life.

The story takes a lot of pen and ink to describe the life-work dilemma encountered by the female host in the workplace.

For example, she was repeatedly harassed by the work phone after work and decided to mute it, but in the end she couldn’t help reading the news and subconsciously called herself "what a bitch."

During this period, the moments of fatigue broke out, so that contemporary people can get empathy.

Returning love to life, a story full of lightness, is not a bad result.

It gives another possibility to domestic romantic dramas.

The Knockout

"Villains also need spring."

The first explosion of the national drama in the beginning of the year, Uncle Fish also watched it very enthusiastically.

Anti-gangster dramas are not uncommon in recent years.

But it is the first time to portray the villain as flesh and blood and make the audience empathize.

Life experience is miserable, experience is even worse, poor to timid, everyone bullied, out of self-protection, began to blacken.

Gao Qiqiang retaliated from the fishmonger to the black boss.

Every step of his transformation path can be seen in the play with a solid logical basis, which is convincing.

Moreover, the black in The Knockout can be said to be "colorful".

In addition to Gao Qiqiang, the villains are also full of highlights.

For example, Xu Jiang.

Cruel, wild and bottomless.

But because of Jia Bing’s joyful performance, the drama is more interesting.

It is clearly a villain who is full of evil, but the audience can’t hate it.

And the role itself is not only funny.

Xu Jiang’s existence is also a key driving force in The Knockout’s game. It can be said that he created Gao Qiqiang’s leap road.

It is true that many people are dissatisfied with this "whitewashing" of villains.

However, it is more valuable to create such a villain with love, hate and helplessness than to build a tool man unilaterally.

Really excellent works should not only be flat people who are black and white.

Injecting the complex side of good and evil into the gray human nature is the boundary that domestic dramas need to break through most.

Three-Body

"Seven years of expectation have not been disappointed."

Science fiction theme has always been the shortcoming of domestic film and television.

But this year, we see a possible hope.

Relying on the super popularity of the original novel, the drama version of Three-body was highly anticipated from the beginning.

But how to present this story is a huge problem.

Will the plot be magic change? Will it become a five-hair special effect visually? Will the actors break down?

Fortunately, after seven years of waiting, we are not greeted by "relying on defense."

If nothing else, it is the presentation of the game "three-body", which is worthy of praise.

The most commendable thing about this drama is that it has achieved a balance between the original fans and the ordinary audience.

For the original party, it is a carnival.

1:1 restored overall plot, supplemented by expanded original details.

Follow the familiar characters, turn all the imagination of words into reality, and deeply feel the charm of China’s science fiction.

For the general audience, it is also a drama with enough sincerity.

Intentionally increased suspense has improved visibility.

And the careful deconstruction of many difficult and obscure concepts has also lowered the viewing threshold.

In a word, "Three-body" embodies a rare attitude in current film and television creation:

Tell a story in a down-to-earth and complete manner.

Of course, Three-body is by no means perfect.

Fortunately, it took the first step towards the success of domestic sci-fi dramas.

Defender of Eight Feet Gate

"Holy Mazu! 」

Uncle Yu is willing to call this drama the most "rammed" Taiwanese drama this year, and there is no one.

Although the number of people who have seen it is not at most.

But I still want to list it in the top ten of the year out of selfishness.

Because its topic is too sharp:

Debate on human rights.

This play puts forward a question to the public through a murder case and the dispute over the abolition of the death penalty in Taiwan Province:

Where should human rights be based when the defendants are marginal groups such as aborigines, foreign workers and prisoners on death row?

The answer to this question is not good family fun.

What we can see is an eight-episode inevitable death.

Because, when the human rights representing respect for life are turned into the death penalty and become the weight in the hands of politicians, the most basic meaning of human rights no longer exists.

Just one play contains cultural conflicts, racial issues, political games and human rights disputes …

Whether it is to confront and blame the ills of the social structure or to collide with the current ideological public opinion, this Taiwanese drama is enough to break the circle.

Uncle Fish said, "Holy Mazu! ",there is nothing more to say.

Top ten, it deserves it.

In one’s lifetime

"The Truest Story of the Year"

Four years ago, "The Story of Vulgar Cultivation" was popular, so that everyone could see:

A person’s ordinary life can also become an epic.

This year, "In One’s Life", known as the male version of "The Cultivation of Vulgar Girls", once again showed us the vitality of Taiwanese drama.

Thematically, the play is not ambitious.

It does not engage in social reflection or political disclosure.

It is nothing more than a loser who wants to die and how to achieve self-reconciliation in the family.

But it is different from our common positive tone.

Everyone’s life in this play is immersed in suffering.

The man who wants to commit suicide need not say it.

The relationship between parents is full of contradictions, and the younger brother and nephew are also troubled frequently. The whole family is always in a state of chicken flying and dog jumping.

Interestingly, it didn’t expand the contradictions and dog blood like many TV dramas, but simply took it.

The core of the whole story is still hidden inside, the love and care of typical Chinese families.

Compared with those dramas under the banner of "everyday".

"Lifetime" tells us:

Everyday is just a state.

What makes Uncle Fish more happy is that, as a male-dominated group drama, this drama has not neglected the portrayal of female groups.

The role of mother is a great highlight.

At the same time, it also casts its eyes on a wider group:

Marginal groups, the elderly, social losers … are all the care goals of Lifetime.

That alone, it won.

　Moses on the Plain

"The most artistic domestic drama of the year"

This is another drama full of fish uncle’s selfishness.

It’s so unique.

As a work of the fog theater, it is not "fog" at all.

There are no large-scale scenes, and there are almost no tense and exciting drama conflicts.

But to scan the details in the most patient way.

Its story is a bit like this year’s explosion "The Long Season", which uses a murder case to lead to the trauma of the era of state-owned enterprise restructuring in the 1990 s.

But the texture of the two plays is completely different.

On the one hand, director Zhang Dalei avoided too many similar past events in Northeast China.

Naturally, I transplanted the story background to my more familiar and unique memory of Inner Mongolia.

The beauty of this play is that although it has changed the regional features of the original, it still continues the same theme and soul.

With the fate of three generations, the eternal cruel spell was revealed-

The sins of the previous generation will eventually be redeemed by the next generation.

On the other hand, Moses on the Plain is more extreme in artistic style.

With a lot of long shots and panoramic views, the director is almost completing the narrative in a naturalistic way like a documentary.

This technique, which is common in art films, is really rare in a drama series.

Looking at the whole category of Chinese drama is an extremely bold attempt.

What is even more amazing is that such a story with a calm picture and a cold background is full of the warmth of literature and art.

The girl who loves fire, the agreement of fireworks, the young man who turned the lake into a plain …

Some people call "Moses on the Plain" the "autumn trousers of domestic drama".

Not that it’s corny.

But compared with the kind of literary domestic drama that is pretentious and suspended.

This drama completes the unique romance of an era with practical actions.

The long season

"The most powerful drama of the year. 」

The best Chinese drama this year belongs to The Long Season.

Uncle Fish believes that this is not just my personal choice.

It is undoubtedly phenomenal.

From the beginning of the broadcast, the whole people followed the drama, to the criticism of "daddy taste" afterwards, all of which showed its enthusiasm.

Love it or dispute it.

We can’t deny that "The Long Season" has produced the most unique flavor at the moment when there are many suspense dramas.

It tells the coldest story in the brightest color.

Blend suspense and comedy into the coarse sense of the times in Northeast China.

Under the surface of a "dismembered corpse case", a symphony of life was written, which was broken and reorganized by a generation in the changes of the times.

In fact, describing the social problems and mental state of a special era through a murder case is not new in China.

However, the most special feature of The Long Season is that it abandons the feeling of grand narrative and expresses the impermanence of personal destiny in a poetic and romantic way.

Just like at the end of Qian Fan, Gong Biao fell into the water with joy in a song "If There Is A Tomorrow".

No one could have imagined that after this frozen smile, death was ushered in.

Say goodbye to routines and abandon the sense of coolness.

Put all the laughter and abuse in the impermanence of life.

It deserves everyone to stop and look back, taste it again and again, and then move on.

That’s all for this year’s Chinese drama.

It is not difficult to find that Uncle Fish said the most words:

Possibility.

Both the story theme and the shooting style have advantages and disadvantages.

However, in different fields, they have brought us some new shocks, and also brought us some new ideas and thoughts.

It is these freshness that make us have more expectations for future Chinese dramas.

Of course, besides this film list, there are many other good plays worth watching.

Welcome everyone to share your favorite movie with Uncle Fish in the comments section.

Next year, Uncle Fish will continue to share excellent film and television works with you.

Be there or be square

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Guangzhou Auto Show Dialogue： Kuang Xiaochan, Marketing Director of Yuebao Group

　　[汽车之家 人物对话] 　在2018广州车展上，我们有幸对话了广东粤宝集团市场总监邝晓婵女士。具体对话内容如下：

Autohome

　编辑：邝总您好，欢迎您百忙之中接受汽车之家的对话。粤宝集团在15年的发展中经历了坎坷收获了非常多的成绩及认可，今天想请邝总首先介绍一下咱们集团目前的发展历程？

　　邝晓婵：粤宝主要是2003年在广州海珠区成立的，当时是我们第一任的董事长江军江先生注册成立的第一家公司，当时我们的第一家店是宝马店，这家宝马店在中国来说是首批第五家。经过了十几年的发展，我们现在的店主要是分布在广东、广西、海南三省份，明年也会拓展到江苏、浙江等地，经营的品牌主要是宝马、英菲尼迪、林肯三个品牌，主要是宝马店比较多。

　　现在我们的集团总裁叫江思祖先生，在整个华南区来讲，粤宝都是比较重要的宝马合作经销商集团。广东粤宝应该是现在市场占有率最高的经销商，我们在广州市区的店面、网点也是属于最多的，有三家宝马4S店，有两个城市快修店还有一个城市展厅，在广州来讲也是宝马经销商店最多的品牌。

　　编辑：广州车展的到来也宣布今年已接近尾声，今年我们集团目前的销售表现是否达到了您的预期？

　　邝晓婵：其实今年大家都知道，整个宏观环境也有比较大的影响以及变化，整个行业里也有很大的冲击，包括也有很多其他的行业进驻到汽车的生产、经销行业里，这也是我从业以来整个中国市场来讲，今年都是比较困难的一年，有很多品牌今年都做了很大的调整。到目前为止，整个粤宝集团销售的情况还是在我们预期内的，基本预测是可以达到年初的计划，而且能保持在整个竞争行业里的领先位置，我们还是要感谢整个集团的员工以及领导做出的非常好的带头作用，大家都非常努力，所以完成了现在这个业绩，我觉得还是在我们的预期之内。

　　编辑：服务一直被咱们集团所倡导，2018年咱们持续竞争的核心是什么？

Autohome

　　邝晓婵：其实粤宝集团像在国内也算是比较老的经销商集团，就是在宝马这个行业里，尤其是在广州这个市场来讲，我们拥有非常庞大的老客户基盘，所以我们一直要做好这个服务，以客户为导向的核心理念。2018年，我们一直在售后及客服两方面做了非常多的工作，从去年开始我们在积极铺垫整个客服管理的系统，我们在客户的数据管理上也有自己的系统，也有比较严谨的客户分类管理，未来也加入了非常多的客户会员管理，希望在客户服务方面作出更大的努力。今年我们的售后这方面，其实售后是4S店很重要的利润来源，怎么保持客户的黏度？其实在技术能力方面需要很大的支撑。

　　值得高兴的是，今年宝马有售后的技能大赛，粤宝集团几乎所有店都在比赛中拿到了奖项，其中柳州粤宝喷漆师-万平，获颜色微调项目全国总冠军，这也是践行我们所倡导的客户服务领先，做好售后服务，保持客户黏度的理念，我们一直在践行这个理念，持续在做这些事情。

编辑：近年来经销商集团一直都在向多元化的方向发展，不知道邝总如何看待这种情况？

　　邝晓婵：刚刚也提到，汽车行业近年来，尤其是今年，大家的市场环境、竞争态势也非常严峻。在新车来讲，现在的销售利润逐步在下降，大家都需要寻求多元化的发展。经销商的经营，首先我们要看利润，利润在下滑的情况下，肯定是逼迫大家要往多元化发展。而且现在是信息化时代，数字化及新的消费理念，都要求经销商不能只做传统单一的行业。包括现在很多大的经销商集团，可能依托自己的网点优势与品牌优势，会创造自己的售后品牌，或者是成立自己的金融公司，从金融、附加服务或售后方面做非常多的尝试，我觉得这是行业发展到一定程度的良性竞争环境下让大家进行进化的过程，我觉得这是正常的。


　　Since the establishment of Yuebao Group, our goal has been to focus on luxury car brands, and we will develop in this direction in the future. So in the coming days, includingIn 2019, we will also have more luxury brands, apply for luxury brand operation rights, and open more luxury brand stores. New energy vehicles are also the general trend of future automobile development. Under the guidance of national policies and consumer demand, new energy vehicles must be a very important development direction in the future. Therefore, Yuebao Group will also make more attempts in new energy, and more brands will enter the market.

　　Another point is that in the extension business of automobile brands, more additional businesses, including accessories and financial services, will also have their own development plans. This is just a little bit of disclosure, and the specific plans will be announced later.

　　Editor: This auto show has arrived in the eagerness of many netizens. I wonder what kind of preferential benefits our group has brought to you during this auto show?


　　Kwong Xiaochan: There are definitely huge preferential benefits. In this auto show, there are mainly two brands and dealers participating. One is the entire brand of BMW, and the other is Infiniti. BMW also released three new cars on the spot on the day of the media day. First, there areThe 1 Series M Sport and the BMW i8 Convertible are both models that many car enthusiasts pay attention to, and they are very special. The most important thing is that we also ushered in the launch of the new BMW x5 in Asia. As you can see, we have launched the 4.0×5 M Sport first, and the pre-sale volume is 820,000. I believe this price is very attractive to many consumers. We also believe that this car will be welcomed by the market.


　 At the same time, we will also provide very large preferential services at the auto show, giving consumers in Guangzhou and the prospective car owners who are waiting a lot of surprises. Welcome to the store or to the scene to see the car.

Autohome

　

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The B-class car in the 20-250,000 price range has always been the world of joint venture brands, and there are still many models to choose from at this level. Among them, Japanese models rely on ultra-high value retention and economical fuel efficiency, which have always been loved by consumers. Today, let’s compare the two popular models under Toyota and the Asian Dragon to see what are the differences between these two cars?

　　Today we choose the Camry 2021 Dual Engine 2.5HS Fengshang Edition and the Asian Dragon 2019 Dual Engine 2.5 Deluxe Edition. The guide price of the two cars is also 239,800.

　　Appearance: Camry’s latest addition to the sports kit is more fashionable sports, and the Asian dragon is more aggressive and fierce

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The Camry 2021 dual-engine 2.5HS Fengshang version is a sports version of this model. The difference in appearance from the ordinary version is the addition of a sports kit, a larger middle mesh area, and the air intake grid has been changed from the original horizontal grille to a mesh grille. The car logo is wrapped in a thicker V-shaped package and the chrome-plated decorative strips on both sides are cancelled, making it sporty.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The Asian Dragon has always maintained the same appearance as overseas models, with its oversized large-mouth center net, chrome-plated horizontal air intake grille, fierce three-eye headlights, and smooth body lines, all of which make the car’s appearance highly recognizable.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The rear part of the Camry Dual Engine 2.5HS Fengshang Edition has been upgraded from two-sided exhaust to four-sided exhaust, plus a diffuser, rear spoiler, and the grille design under the taillight all reveal its sports identity.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　Asian dragon tail line water chestnut clear, there are concave design bilateral double exhaust trapezoidal shape layout is reasonable, the tail lights through the design, and the English letter logo inlaid therein.

　　Interior: The workmanship materials are good, the Camry is more luxurious, and the Asian Dragon has a fashionable design and super high texture.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The Camry interior adopts a large number of arc designs, and the intersection of lines on both sides below the floating central control screen of the center console is designed as an air conditioner out of the trend and control area. The full LCD instrument panel, the wood grain decoration used in the center console increases the area and is wrapped in soft materials, making it a luxury performance.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The Asian Dragon interior design is simple and capable, using traditional mechanical pointer and LCD instrument design, a large area of soft material wrapping and leather wrapping, plus carbon fiber decorative panels, the overall interior texture is still very good.

　　Configuration: Although the Asian Dragon configuration is sufficient for the same price, the Camry is obviously higher

Camry or Asian Dragon, comprehensive analysis tells you what to choose!
Camry or Asian Dragon, comprehensive analysis tells you what to choose!
Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　Through direct data comparison, like tire pressure monitoring, child seat interface, lane departure warning, lane keeping assist, active braking system, reversing image, 3 driving mode selection, automatic parking, uphill assist, power sunroof, keyless entry, keyless start, multi-function steering wheel. HUD head-up digital display, leather seat, automatic air conditioning, rear discharge trend, car air purifier, PM2.5 filter, negative ion generator, nanoeTM nano water ion, etc. Both are equipped.

　　The difference is that the Camry has front and rear parking radars, sports appearance kits, active closed air intake grilles, full LCD dashboard, larger central control size, vehicle to everything, OTA upgrades, road rescue calls, multi-layer soundproof glass, induction wipers, automatic anti-glare, larger tire sizes, etc. The Asian Dragon is obviously backward, giving people the feeling of a reduced version.

　　However, the Asian Dragon supports CaeLife, AUX ports, and has more USB ports and stereos, but even the lack of parking radar is a major drawback for this level.

　　Space: Camry’s performance has been good, but the Asian Dragon has a higher positioning and more space

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　Camry body size length, width and height are 4900mm/1840mm/1455mm, wheelbase is 2825mm, which is also considered fair in the same class, and the space performance has been good.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　The size of the Asian Dragon body is 4975mm/1850mm/1450mm, and the wheelbase is 2870mm, reaching the B + level, and the riding performance is even better.

Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　However, it is not difficult to see from the data that the Asian Dragon is better than the Camry in both body length and width, and the wheelbase is 45mm larger, so its space is also larger than the Camry, which is due to its higher positioning than the Camry.

　　Power: Camry and Asian Dragon use the same powertrain

Camry or Asian Dragon, comprehensive analysis tells you what to choose!
Camry or Asian Dragon, comprehensive analysis tells you what to choose!

　　Both models are equipped with a 2.5L naturally aspirated engine of model A25B, with a maximum horsepower of 178Ps, a maximum power of 131KW, a maximum torque of 211N · M and a permanent magnet synchronous motor with a maximum power of 88KW and a maximum torque of 202N · M. Because the Camry’s body size is smaller than that of the Asian Dragon, the whole vehicle is also lighter, so its fuel consumption performance is also lower, but the difference is not big.

　　Conclusion:The configuration and materials used in these two models are the same in many ways, but because the Asian Dragon has a higher positioning than the Camry, the Camry has a higher configuration at the same price, but also because of the positioning problem, the Asian Dragon has an advantage in space. Back to car selection, if you value space and class more, you can choose the Asian Dragon, and if you like cost performance and configuration, you can choose the Camry. In short, the quality of both cars is very good. How will you choose?

＂Ace to Ace＂ Huang Lei led the team against Xu Jinglei, and Mingdao exposed that the filming was at risk of ＂death＂

Video: Ace to Ace 170331 Trailer: Huang Lei and Xu Jinglei lead the team of PK "old" captain Bai Baihe arrives


"Ace to Ace" Huang Lei led the team against Xu Jinglei, and Mingdao exposed that the filming was at risk of "death"


"Ace to Ace" Huang Lei led the team against Xu Jinglei, and Mingdao exposed that the filming was at risk of "death"


"Ace to Ace" Huang Lei led the team against Xu Jinglei, and Mingdao exposed that the filming was at risk of "death"


Zhejiang TV vivo "Ace to Ace" will broadcast the eleventh episode of the second season at 20:30 on March 31st (Friday). This week, "Ace to Ace" is about to stage a "family war". Huang Lei, who temporarily replaced Wang Zulan, took Song Qian, Liu Xianhua, Wei Daxun, and Ren Rongxuan to form a "troublesome family" PK Wang Yuan, Xu Jinglei, Bai Baihe, Ming Dao, and Sha Yi to form a "kidnapper family". In the program, the two families competed fiercely. In order to win, not only Huang Lei played the "gourd baby", but Sha Yi also turned into an "emoji" in seconds. Ming Dao singled out five men, and the scene was extremely hot.


Enter the Blueberry Video to watch the latest full video of the second season of "Ace vs. Ace" > >


Huang Lei’s witty interpretation of "gourd baby" sand overflow becomes "emoji" in seconds


In the eyes of the public, Huang Lei has always maintained the image of a witty and gentle omnipotent uncle, and he is also a good player in games. In this episode, Huang Lei once again showed his super gaming strength to the audience. In the "Line Solitaire" session, the guests had to pass on a long string of lines by way of performance. In the face of Liu Xianhua’s subversive "adaptation" of "Fairy You Die" into "I Invite You to Die", Huang Lei not only guessed that the source of the lines was "Gourd Baby", but also witty reasoning. In addition to the re-interpretation of most of the lines, the performance of "Super God" amazed the guests and the audience.



As the "negative textbook" of Xu Jinglei’s game, Sha Yi claimed to be a "game black hole" like Liu Xianhua, "we are basically equally divided in IQ and understanding". Fortunately, Sha Yi has obvious advantages in the expressiveness of Chinese lines. When interpreting the segment of the collapse of the cloud in "Deep Rain", Sha Yi played the triangle alone, and at one point restored the demonic expression of "Who will save me", and at the other time knelt down and shouted "Dad, I was wrong". The passionate performance was hilarious.


Ming Dao singles out the macho man and exposes the risk of filming "death"


In the "Family Screening Hall" segment that tested everyone’s acting skills, Ming Dao’s performance was particularly eye-catching. At the scene, professional martial arts actors first starred in the "fight scene" template that included various difficult flying body kicks, and then the guests were challenged to imitate.



In the show, Ming Dao, who has a rather elegant and gentleman temperament, faced five strong men and almost perfectly reproduced the movements of the martial arts instructor, and completed the challenge handsomely. Ming Dao admitted that because he had just shot a lot of fighting scenes in the movie, it can be said that he had "practiced", and the main reason for practicing was to ensure that he did not get injured during the shooting. Xu Jinglei, who was on the side, broke the news that during the shooting of the action scene of the Weiya in the new movie, Ming Dao was hung up in advance and hit the back of his head because he did not communicate the time point of "jumping off the building". "Almost died".


Wang Yuan and Lin Junjie interact with Selina in the air to support their sister


In addition to the exciting game competition, "Ace vs. Ace" has always been a touching emotional part. In this episode, the program team arranged for the guests to write letters to the people they wanted to contact, and secretly got a reply and announced it on the spot.




Among them, Wang Yuan, a small fan of Lin Junjie, wrote a letter to Lin Junjie in order to thank his previous idol for helping to make a new song. At the scene, when he saw Lin Junjie’s handwritten reply and photos, Wang Yuan felt incredible and shouted, "It’s true!" The content of the reply made him even more moved.


In addition, Selina Ren Jiaxuan’s sister, Ren Rongxuan, also received a recorded reply from her sister. Although her sister’s acting career development is not as bright as her own, Ren Jiaxuan said that she has always been her pride and said bluntly: "I am willing to be your lantern fish, even if it can only illuminate a small step, I will burn my life and move forward with you." The affectionate confession is touching.


Can Huang Lei’s witty interpretation of "gourd baby" convey accurate lines? What is the content of Lin Junjie’s reply to "little fan" Wang Yuan? More exciting, at 20:30 on March 31 (Friday) Zhejiang Satellite TV "Ace to Ace", so stay tuned.

Autonavi map launches self-operated online ride-hailing service ＂Rocket Travel＂

Recently, as an important participant in the aggregation and ride-hailing model, Autonavi launched its self-operated online ride-hailing business "Rocket Travel" to attract a lot of attention. In response, Autonavi responded that Autonavi hailing adheres to the aggregation platform positioning, and Rocket Travel’s goal is to explore the next-generation online ride-hailing model. There are no other new city plans.

Autonavi pushes self-employment model online car-hailing "rocket travel", can it make money?

Recently, Autonavi’s self-operated online ride-hailing business has triggered discussions. On October 26, Autonavi’s self-operated capacity platform "Rocket Travel" appeared on the Autonavi map Beijing taxi platform.

The Beijing News shell financial reporter noticed that in the Autonavi map taxi section, "Rocket Travel" provides economical, premium, six-seat business, luxury and other car services.

According to Qichacha’s industrial and commercial information, the operating body of "Rocket Travel" is Beijing Litong Travel Technology Co., Ltd., which was registered in September 2021, and Autonavi Software Co., Ltd. is the sole shareholder.

Autonavi Map has personally gone off the market to do self-operated online car-hailing business or has also seen changes in the industry landscape. Since July 2021, the online car-hailing industry has undergone profound changes, and Meituan’s self-operated online car-hailing project "Meituan Taxi" has re-emerged.

At the same time, the online car industry capital competition once again up the ante, Cao Cao travel completed 3.80 billion yuan B round of financing, T3 travel completed 7.70 billion yuan A round of financing, easy to use the car plan "comeback".

However, it is not easy for the online car-hailing industry to make money. For a long time, the issue of the proportion of online car-hailing has attracted much attention. Since 2021, relevant ministries and commissions have repeatedly asked online car-hailing platforms to reduce the excessive proportion of the commission, set the upper limit of the commission, and announce it to the public.

In July this year, Wang Xiuchun, deputy director of the transportation service department of the Ministry of Transport, said that local transportation departments continue to promote the implementation of "Sunshine Action" by platform companies operating services in the local area. At present, the upper limit of the proportion announced by major platform companies is between 18% and 30%.

The net profit at this level is not high either. In May 2021, Didi Chuxing announced its revenue. In 2020, Didi’s online ride-hailing driver income accounted for 79.1% of the total amount payable by passengers. Of the remaining 20.9%, 10.9% were passenger subsidies, 6.9% were business operating costs (technology research and development, servers, security, customer service, manpower, offline operations, etc.) and taxes and payment fees, etc. 3.1% were net profits for the online ride-hailing business.

The net profit of most small and medium-sized ride-hailing platforms may not reach 3.1%. However, loss-making operations or low net profits are the product of a period of disorderly competition in ride-hailing.

Ding Daoshi, a veteran Internet observer, believes that the business model of online car-hailing is the same as that of shared bicycles. Autonavi’s self-operated online car-hailing will not aim to make profits in the early stage. It will strengthen investment and support, cultivate user habits, and gain market share. The right way is; there are trillions of market opportunities in the industry.

Giants enter the industry, and the aggregation model is highly competitive

In fact, before the launch of "Rocket Travel", Autonavi Maps was already a typical enterprise for aggregating taxi models. On October 28, a shell financial reporter from the Beijing News found that in addition to rocket travel, Autonavi Maps Beijing taxi service also links to platforms such as Feidi Taxi, Xinghui Travel, Beijing Taxi, Journey Easy, AA Travel, Sunshine Travel, Shenzhou Special Car, Cao Cao Travel, and Shouqi Car-hailing.

The aggregation model emerged and emerged around 2018. In September 2018, Hello announced its access to TikTok’s travel service and partnered with Shouqi’s ride-hailing business. In April 2019, Meituan Dache announced the launch of the "aggregation model". Subsequently, Didi Chuxing and navigation platforms such as Autonavi Maps also launched the aggregation model.

The aggregation platform has given new life to many traditional enterprises in the transportation industry with the advantages of traffic entry and complete ecological closed-loop. Since the beginning of this year, the "asset-light" aggregation model has also attracted more giants to join. In July this year, Huawei launched the aggregation taxi platform Petal Travel, and WeChat tested Tencent Travel.

The "aggregation model" has also attracted the attention of relevant ministries and commissions. In August this year, the Office of the Inter-Ministerial Joint Conference on the Coordinated Supervision of New Formats of Transportation conducted reminder interviews with 11 platform companies including Didi Chuxing and Autonavi, pointing out that some platforms have violated the legitimate rights and interests of employees and passengers, prominent illegal operations, and hidden safety and stability risks.

It mentioned that "the aggregation platform should ensure that the connected online car-hailing platform complies with relevant regulations, and urge the connected online car-hailing platform company to strengthen the management of vehicles and personnel. In the event of a safety incident, the aggregation platform company should fulfill its liability for advance compensation according to law, and work with the involved online car-hailing platform company to handle the accident."

How to balance aggregation business and self-operated business? Autonavi responded to the media by saying that Autonavi ride-hailing and Rocket Travel are two completely independent and different platforms, and Autonavi ride-hailing adheres to the aggregation platform positioning. Rocket Travel’s goal is to explore the next generation of online ride-hailing models and conduct technological innovation and trials in limited cities. At present, Rocket Travel has no other new city plans.

Chen Weicheng, Shell Financial Reporter, Beijing News

Editor, Song Yuting

School against spring

How to Tell the ＂China Story＂ in China Musical？

　　China musicals have been developed for 20 years since they created and performed "Yangko Romance" and "Legend of White Snake". In these 20 years, China musicals have experienced ups and downs, however, there is still a long way to go from the developed countries in Europe and America in the presentation of their works, and even there are many gaps with the development of Japanese and Korean musicals. Last weekend, on the occasion of the 2nd Beijing Tianqiao Musical Performance Season, the "2016 Asian Musical Development Trend Forum" was held at the same time. How to develop China musicals became the focus of the forum.

　　There are many grand theaters that are idle.

　　In recent years, the hardware facilities of cultural construction have developed rapidly, and the grand theater has been rising all over China, which is gratifying. However, after the completion of the new theater, how to develop musical as one of the software has become an urgent problem.

　　Li Dun, a producer of musicals, believes that "musicals have developed rapidly in China. In 2014, there were 1,518 musical performances, an increase of 12.4% over the same period in 2013. Among them, 930 original musicals were performed, accounting for 60% of the total musical performances for the first time, and its development activity is close to the data of South Korea, a developed Asian musical country. On the other hand, the investment in national theater construction is too fast, but the supply of theater performance content is insufficient. Nearly one-third of the performance venues are idle or used for other purposes. Most local group performances are difficult to support local theaters, and more excellent performance groups and original plays are urgently needed. "

　　Experts attending the meeting thought that the hardware of Tianqiao Art Center, Shanghai Cultural Square and theaters in many places is already very good. In contrast, the original software of China musicals is still difficult to match the hardware, and there is no representative classic of China original musicals. The basic talent pool of musicals is not enough, and the market of musicals is not strong enough to support the perennial performances of theaters everywhere. These are the problems that need to be solved in the development of China musicals.

　　There is self-promotion but no good story.

　　There is no classic musical in China. This judgment comes from the fact that the original musical did not get good feedback after it was put into the market, and it can only be performed in one place for two or three times. The judgment of its standard comes more from self-promotion. In addition to the market operation problem, poor storytelling is one reason.

　　Lv Yisheng, former president of Beijing Dance Academy and founder of musical teaching major, said: "In the past two years, I have participated in large-scale competitions of mainstream groups, including musicals, operas and dance dramas, all of which are non-verbal arts, but there is also a drama problem. The foundation of drama cannot be laid, and it is useless to sing musicals and dance well. " Lv Yisheng compares the stage art that needs to tell stories with Hollywood and Broadway musicals. "We all choose real materials, but we make the real ones fake, and Hollywood makes the fake ones real."

　　In Lu Yisheng’s view, the poor storytelling of the script is mainly due to the writer’s cultivation: "Not only the cultivation of the bank, but also the cultivation of cross-border. You must have all aspects of cultivation to tell the story of the musical well."

　　There is a musical major, but no outstanding talents can be cultivated.

　　In the developed countries of musicals, a city has more than ten musicals every day, but no city in China can do it. In addition to the problem of original musical writers, finding musical actors is also a big problem.

　　Yin Haozhen, director of Korean musical, said: "One of the problems encountered in the development of musical in China is the cultivation of talents. In Seoul, South Korea, many musicals are staged every day. When recruiting actors for musicals, there will be about 1,500 actors for each role, and the professional education of musicals has become very popular. With this foundation, there will be great development of musicals. "

　　In China, although many art colleges now have musical majors, the talents trained are flawed, the actors from drama colleges lack singing and dancing skills, the dance and acting skills from music colleges are insufficient, and the singing skills from dance colleges are flawed, so it is difficult to find comprehensive high-level musical actors.

　　In musical teaching, some teachers have misunderstandings about students’ material selection and teaching, thinking that they can sing musicals if they can sing pop songs. Therefore, it is really hard to find an actor with a real dramatic voice. The weakness of talents is also a reason for the slow development of China’s original musicals.

　　Many musicals have no box office.

　　In addition, the operation mode did not form an effective scale of development, which also limited the development of China musicals. In original musical dramas, some are created as brands of regional cultural construction, and many of them have not really entered the market operation mode; Some musicals are produced and run by musicians themselves, and there is not much financial support. However, in developed countries in Europe and America, as well as South Korea and Japan, the main reason why musicals can form a climate is to enter the real market operation.

　　In the past two years, there have been seven-act musical production companies in the market, which have produced One Step to Heaven, Avenue Q, I, Don Quixote and The Sound of Music. Sha Qing, director of the application of Seven Acts Life, said: "Seven Acts thinks that musicals are more important in terms of operation, and we use a stupid method to make them — — The more money you spend, the better the product. We still take this very seriously. There is no shortcut to this. "

　　In terms of operation, the "Seven Acts" also adopted a "stupid" approach. Sha Qing said: "We expect to support ourselves at the box office. Perhaps it is smarter to burn investors’ money or rely on subsidies. However, we believe that if we want to develop healthily for a long time, we must rely on the box office. "

　　In this regard, some predecessors in the musical industry think that the idea of "Seven Acts" is a bit "idealistic". Because in the current market environment, although the annual box office income is constantly improving, on the whole, the pressure to rely solely on the box office to support themselves is still great.

　　However, in Sha Qing’s view, a company with no college background like "Seven Acts" has to earn enough money at the box office if it wants to survive for a long time, and every drama has to make money. Only in this way can we survive.

　　Fan Chong, a screenwriter and producer of musicals, said: "The biggest problem in China musicals is learning. Why study? Learn what? How to learn? First of all, producers and producers need to learn how to control the volume and scale of a play, how to evaluate the cost of a play, how to radiate values, and whether there is any soil for this play to perform in China. Drama needs rationality and data, cost control, and attracting the most audience with the least money. Creators should be rigorous and responsible to the audience, investors and theaters. Only by focusing on one thing can we witness the arrival of a musical era in China. "

　　Text/reporter Lun Bing

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