The entertainment is over! Ding Liu was ridiculed as "desperate illiterate" and Tony Leung Chiu Wai, Zhang Songwen demonstrated to be an artist.

The entertainment is over! Ding Liu was ridiculed as "desperate illiterate" and Tony Leung Chiu Wai, Zhang Songwen demonstrated to be an artist.

The end of the Spring Festival has brought a new term: desperate illiteracy. At that time, YiBo was interviewed in the offline publicity of "Nobody". A reporter asked what he had learned through the role. Originally, he was just a standard questions, but YiBo hesitated for a long time. In the end, he could only end up with "I don’t know how to answer".

Not only did the audience question the top-notch cultural level, but even the official media couldn’t stand it and publicly criticized "desperate illiteracy".

In fact, it’s not only YiBo who is puzzled when he arrives at the interview, but also Zhao Lusi, Liu Haocun and others have left embarrassing interview clips.

Zhao Lusi was even suspected by netizens that she had not read the script outline, otherwise how could she not even know the story background?

Liu Hao’s interview about the definition of an actor has been famous on the Internet for a long time, but he couldn’t answer it after thinking for a long time. He had to smile around to cover up his embarrassment and weakly said, "Will it be broadcast here?"

The article also mentioned "Man Jiang Hong", and the "illiterate jokes" caused by the publicity link abound.

Netizens found that Jackson Yee, the leading actor, had written a lot of typos. Not only that, he also associated "Yue Fei’s death" with "romance", which was a bit irrelevant.

Compared with these young artists, the advantages of powerful actors are self-evident. Take The Knockout, who just finished, as an example. The two leading actors, Zhang Yi and Zhang Songwen, have quite good writing styles.

Zhang Yi’s acting experience was read by netizens, and he also opened a personal column in the newspaper.

Zhang Songwen is also an out-and-out literary youth, and his articles have been published in Youth Digest. During The Knockout’s broadcast, he wrote a whole article about the characters’ experience, which was exquisite and vivid.

Performing a good play is more than just memorizing lines. If you want to deduce the soul of the role, you must first have a full understanding of the role.

As a starring role, you should be familiar with the background of the story, so as not to ask why. Observing the characters deeply on the basis of understanding the background of the story is to test the basic skills of the actors.

Where is the effort, the effect will appear. The truth that no pains, no gains is still out of date in acting.

Acting is not lip service, let alone a good interpretation of the role by feeling. Whether you have worked hard on acting, the audience’s eyes are discerning.

The Knockout’s ratings can soar all the way, which is inseparable from the actor’s control over the role. An Xin and Gao Qiqiang are antagonistic to each other, and the contest between one positive and one evil is full of tension and quite penetrating. Just at the stage of studying the script, the starring actors have been studying hard for many days.

Ronnie, the actor of Gao Qilan in the play, revealed that the whole crew took acting very seriously and could not keep up without a little effort. Whether an actor is serious about his work or not, ratings are the most intuitive reflection.

A good actor not only plays the play freely, but also has his own connotation and foundation. As the co-star of Nobody, Tony Leung Chiu Wai is a senior figure. Many people think that he is taciturn and not very active in front of the camera.

As a matter of fact, Tony Leung Chiu Wai has an inner show and loves reading very much. He can often quote from the classics, handy, and inadvertently reveal a very amazing literary talent.

After acting, Tony Leung Chiu Wai put more energy into reading. He can analyze the role clearly, and every sentence is reasonable, and the director will ask him a thing or two.

Throughout Tony Leung Chiu Wai’s career experience, he frequently contributed classic works, such as Chungking Forest, Spring Break, In the Mood for Love, Infernal Affairs, A Master and Listener, all of which are branded with his strong personal style.

Realism and heaviness in performance is an arduous challenge. Good cultural accomplishment has laid a solid foundation for his acting career. No matter what role he plays, it is difficult for the audience to see a sense of disobedience from Tony Leung Chiu Wai.

Full of work and meticulous work, the performance is like a slow stew. You should not rush for success, let alone be impetuous. Instead, you should bend down, calm down and hold your horses. If you don’t even know the most basic questions, it is the actor’s dereliction of duty.

Are young actors really unable to put on a good show nowadays? Not really. Learn to be a man first, and if you don’t keep your attitude straight and don’t want to practice from scratch with an open mind, problems will gradually accumulate until water under the bridge.

In the face of reporters’ questions, they are hesitant and ambiguous. Although it is not a big problem, such a phenomenon appears one after another in young actors, which is ultimately not professional enough.

Doing homework in advance is the basic accomplishment of actors, and it should be consciously observed and even engraved. However, in the eyes of some actors, it seems to be a common thing to spoil. This is why the "nine leaks" of internal entertainment emerge in an endless stream, and the cultural level of stars has been repeatedly criticized by netizens.

It is important to put on a good show, but besides, young actors can’t ignore the importance of timely charging. This is not only for the long-term development of personal career, but also for fans and audiences. Temporary popularity is not equal to strength, and taking the audience’s love for granted rather than self-correction, such popularity can only be a flash in the pan.


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