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Huang Xuanxiu Dialect Skills in Only Cloud Knows’s Guest Anchor Live Room

1905 movie network news "The day with you is the day I want to live", a New Year movie directed by Xiaogang Feng and written by Zhang Ling, starring Huang Xuan, Yang Caiyu, Xu Fan and Lydia Peckham, is being shown warmly. On the eve of Christmas Eve on December 23rd, director Xiaogang Feng and actor Huang Xuan visited the Viya studio to chat with each other before and after the filming, and even sold out 170,000 movie tickets during the live broadcast.

Xiaogang Feng’s live broadcast helped the elderly find a wife and warm their hearts.

Based on the true story of Xiaogang Feng’s best friend, Only Cloud Knows tells the love story between Sui Dongfeng (Huang Xuan) and Luo Yun (Yang Caiyu) that lasted for 15 years. In the live broadcast, director Xiaogang Feng shared another true story.

Yan Baoxia, the wife of Wang Yuming, a 72-year-old man, suffers from Az Harmo’s disease, and she got lost carelessly. About 12,000 miles, there are more than 20,000 searching for you, and Wang Yuming’s old man has been searching for his wife for 18 months, but it still failed. His sincere feelings touched Xiaogang Feng, and he appealed to everyone to help him find it. The warm-hearted move touched netizens and praised them.

In the latest feature film clip of "The Past" released by the film, Sui Dongfeng donated a bench for his wife, and the bench was engraved with "Where are you, where is my home". At last, the real photos of prototype characters flashed, and the feelings of husband and wife and the friendship of war shocked the soul. "When I saw the end, I burst into tears, and the real power was the most touching."

Xiaogang Feng, a delicate and emotional "Pisces director" in the live broadcast, recalled the first time he saw his best friend. "My first uniform was the collar he sewed for me. This friendship is lifelong."

Xiaogang Feng’s first online shopping became the king of goods, Huang Xuan, who became a dialect expert.

In the live broadcast, director Xiaogang Feng showed an unknown and lovely side, talked about his first online shopping experience, proudly showed off his Martin boots, and interacted with netizens to guess the price. Martin boots, which cost only 138 yuan, have been unanimously loved by netizens, and they have been "seeking links". The director’s first online shopping was particularly successful and won the title of "New King of Goods".

Huang Xuan, on the other hand, showed off his dialect skills, and continuously challenged to use Shaanxi dialect, Henan dialect, Wuhan dialect, Cantonese dialect, Sichuan dialect and Beijing dialect to tell the classic confession love story in Only Cloud Knows, which attracted screams at the scene. Netizens praised Huang Xuan for his "strong language talent and the welfare of voice control."


How to calculate the isolation time? What are the requirements for returning to Hangzhou and leaving Hangzhou? Authoritative response

According to the news released by Hangzhou, today is the fifth day of the Lunar New Year, and the balance of the Spring Festival holiday is less than 2 days, and it is about to usher in the peak of return trip. In view of the recent public concern about the isolation time, the policy of going out to Hangzhou and returning to Hangzhou, Hangzhou 12345 Mayor Hotline gave relevant answers.

Calculation method of isolation period and isolation start time

First, the isolation start date is calculated from the entry into the isolation point. If the epidemic shows that the transmission within the isolation point occurs, it will be recalculated from the date when the last positive infected person is transferred out of the isolation point.

Two, close contact and confirmed cases (asymptomatic infected persons) in the same unit (corridor) personnel must be isolated for 14 days. From the beginning of centralized isolation, nucleic acid detection was carried out once a day, and on the 14th day, double sampling and double detection were used for parallel detection, and the results were all negative, so the isolation could be lifted.

Three, the sub-close joint isolation for seven days, starting from the centralized isolation, once a day to carry out nucleic acid detection, on the seventh day, the parallel detection of double collection and double detection, the results are all negative, and the related close joint detection on the seventh day is also negative, the isolation can be lifted. If a positive infection occurs among the passengers in the same car during the transit, it shall be managed according to the close connection, and the isolation start date shall be calculated from the point of entry. Other risk personnel shall be managed with reference to the sub-secret connector.

Four, the close contact and the confirmed cases (asymptomatic infected persons) in the same unit (corridor), after the isolation, carry out home health monitoring for 7 days, and carry out a nucleic acid test on the second and seventh days respectively, and the rest of the people carry out 2+14 daily health monitoring after the isolation.

Isolation unsealing time

The sub-close connection of mixed transport refers to the close connection management, and it needs to be isolated for 14 days. On the 14th day, the parallel detection of double mining and double inspection is adopted, and the results are all negative, so the isolation can be lifted.

Remarks: Due to the different circumstances of each person, the specific time for lifting the isolation shall be subject to the notice of the isolation point. The adjustment of the three districts and the unsealing of the district shall be subject to the announcement of each district. Please pay close attention to the announcement of this district in time.

Return to Hangzhou

[Inter-provincial Return to Hangzhou]

After the end of the Spring Festival holiday, in terms of epidemic prevention and control, in view of the fact that the epidemic situation still exists in all parts of the country, the policy for returning to Hangzhou is divided into three situations:

The first type is that people who come to Hangzhou and return to Hangzhou from provinces without epidemic situation can come to Hangzhou and return to Hangzhou normally with the green code of Hangzhou health code and the inspection of itinerary card.

The second type of people who come to Hangzhou and return to Hangzhou from low-risk areas in provinces (except Zhejiang Province) where the epidemic has occurred must come to Hangzhou and return to Hangzhou with a negative nucleic acid test certificate within 48 hours.

The third situation is divided into two grades: one is to implement "14+7" management measures for those who come to Hangzhou and return to Hangzhou in the middle and high-risk areas, and the other is to implement "2+14" management measures for those who come to Hangzhou and return to Hangzhou in the towns and streets where the middle and high-risk areas are located (not in the designated areas) and the announced designated areas, that is, negative nucleic acid test certificates within 48 hours and health monitoring for 14 days.

[Return to Hangzhou in the province]

Low-risk return to Hangzhou in the province, green code can be; All districts and counties (cities) in Hangzhou flow, and the green code is enough.

Travel out of Hangzhou

[Leaving Hangzhou]

On the inter-provincial (city) travel policy from Hangzhou;

According to the current requirements of the overall joint prevention and control mechanism to prevent spillover, the area where the middle and high-risk areas in Hangzhou are located is restricted from traveling across provinces (cities) according to the code.

If the green code personnel want to go out of the province (city), they can rely on the 48-hour negative nucleic acid test certificate.

The above is for railway, aviation and highway passenger transport.

Changes and requirements of traffic travel within the city

On the afternoon of January 31, traffic control measures were taken in Fuyang District, Hangzhou.

At present, except Fuyang District, the traffic in our city is generally running normally. However, due to the epidemic situation, the passenger flow has dropped significantly compared with last year, and the transportation capacity arrangement has been adjusted accordingly.

Railway changes

Fuyang Railway Station stopped passengers from entering the station. At the same time, due to the influence of passenger flow, 406 trains were stopped on February 1, and the subsequent railway departments will adjust the capacity in time according to the passenger flow.

Changes in road passenger transport

All passenger lines in Fuyang District were shut down, and 53 inter-provincial lines, 49 inter-city lines and 19 inter-county lines were shut down in the city.

Change in public transport

The section from Zhongcun Station to Guihua West Road Station of Metro Line 6 was suspended, involving 10 stations. The operation section was adjusted to Gouju Lane Station to Shuangpu Station, and Gouju Lane Station to Conservatory of Music Station. Other stations and trains in the network still maintained orderly and stable operation as planned. Except for Bus No.500 and Bus No.504, the other 138 bus lines were stopped. Bus No.500 was adjusted to operate between Chengzhan Railway Station and Liyu Mountain Area, and Bus No.504 was adjusted to operate between Huanglong Bus Station and Xiangshan Renjia South. At the same time, the departure frequency of some bus lines in urban areas will be dynamically adjusted according to the passenger flow.

It is suggested that citizens should consult the information in advance through the railway, road passenger transport, bus and subway related information inquiry platforms and make travel arrangements before going out.

It is recommended that the public pay attention to personal protection, cooperate with the bright code and temperature measurement when entering traffic places, and wear masks all the time.

It is suggested that outbound passengers should prepare 48-hour nucleic acid test report in advance before entering the station, so as to travel smoothly.

Hangzhou airport requirements

From January 27th, domestic outbound passengers at Hangzhou Airport are required to provide negative reports of nucleic acid test within 48 hours; Keep a flight to Beijing every day.

Since January 27, 2022, according to the spirit of relevant documents, Hangzhou Airport has started the inspection of negative certificates of 48-hour nucleic acid testing for domestic outbound passengers. The specific notice is as follows: All domestic passengers departing from Hangzhou Airport must have a negative report of nucleic acid test within 48 hours before boarding the plane.

(1) The effective start time of the negative report of nucleic acid detection within 48 hours shall be based on the time when the nucleic acid report is displayed; For nucleic acid reports showing both sampling time and detection time, the sampling time shall prevail; If the specific time is not displayed in the nucleic acid test report, the effective time shall be calculated at 0: 00 on the day when the report is displayed.

(2) The expiry date of the negative certificate of 48-hour nucleic acid test is subject to the scheduled departure time of the flight.

(3) Negative reports of paper and electronic nucleic acid detection can be used.

(four) children under the age of 3 can not check, check the negative report of nucleic acid detection within 48 hours.

(V) Flight dynamics: According to the relevant regulations of the Civil Aviation Administration on epidemic prevention and control, only one flight can be reserved from Hangzhou to Beijing every day. From January 27th to February 9th, Hangzhou Airport keeps a flight to Beijing every day. In addition, other departure flights of Hangzhou Airport except Beijing route may also be cancelled.

Warm reminder: Please consult your airline before you travel to find out the latest epidemic prevention policies in the destination city. At the same time, do a good job of self-protection during travel, cooperate with epidemic prevention work, and travel in a civilized and healthy way.

Long-distance travel requirements

People in medium and high risk areas and counties (cities, districts) are strictly restricted from traveling. People in other counties (cities, districts) where high-risk areas are located do not have to travel unless necessary. If they really need to travel, they must hold a negative nucleic acid test certificate within 48 hours.

The above travel requirements are aimed at inter-provincial mobility. The implementation time is until March 15, 2022.

Passengers can call the 24-hour hotline 86046666 for information.

Railway travel requirements

Since January 27, 2022, according to the spirit of the relevant documents of the provincial epidemic prevention and control office, the major railway stations in Hangzhou have started the inspection of negative certificates of 48-hour nucleic acid detection for passengers traveling across provinces. The specific notice is as follows:

All passengers who travel across provinces through Hangzhou Railway Station must hold a negative report of nucleic acid test within 48 hours before they can enter the station.

(1) The effective start time of the negative report of nucleic acid detection within 48 hours shall be based on the time when the nucleic acid report is displayed; For nucleic acid reports showing both sampling time and detection time, the sampling time shall prevail; If the specific time is not displayed in the nucleic acid test report, the effective time shall be calculated at 0: 00 on the day when the report is displayed.

(2) The expiry date of the 48-hour negative nucleic acid test certificate is subject to the scheduled departure time of the train.

(3) Negative reports of paper and electronic nucleic acid detection can be used.

(four) children under the age of 3 can not check, check the negative report of nucleic acid detection within 48 hours.

The railway does not restrict travel in any area such as Binjiang, Xiaoshan and West Lake. If passengers want to refund their tickets, they will refund their tickets at the railway ticket office on the spot, free of charge.

How are the old houses in Macao rebuilt and utilized?

  In 2005, UNESCO listed "Macao Historic District" as a world cultural heritage in the World Heritage List. Macao architect Zhang Queqiao participated in the whole process of applying for the World Heritage. In a "one seat" speech held not long ago, he told us the story of Macao’s cultural heritage protection.

  Cultural relics buildings are very fragile, easily affected by wind and rain, and more easily influenced by human activities. However, when you make such a shabby building "alive" and hand it over from your hands to the next generation, you will have an indescribable sense of happiness. This kind of happiness will turn into a kind of motivation to support you to go on, so all the efforts are very worthwhile.

  —— Zhangque Bridge

  ■ Zhangque Bridge

  Macao architecture combining Chinese and western cultures.

  If you have been to Macao, you must know that there are many cultural relics in Macao. In Macau city walk, you will see an old building when you walk. However, most of the old buildings you see are churches, forts and temples. Today, I will introduce some relatively small buildings to you.

  For example, Gao’s mansion, which is Gao Kening’s mansion. It looks like a western-style building from the outside, but inside it is an authentic traditional Chinese layout and decoration.

  He Dong Library, which also looks like a Western-style building, but a closer look shows that these Western-style columns are decorated with Chinese patterns. There are also some buildings that use western-style pillars to support Chinese roofs.

  There is also Lujia Mansion, which is a traditional Chinese building, but if you look closely, you will find that its windows, from lintels to shutters and shell windows, are all influenced by western architecture.

  These Chinese and western buildings can be seen everywhere in Macao.

  The total area of Macao is about 33.3 square kilometers, of which 3.1 square kilometers belong to the scope of cultural relics construction or protection, especially in the Macao Peninsula, where the cultural relics are the densest and the population is the most concentrated. Therefore, the contradiction between the demand of space development and the protection of cultural relics is very prominent.

  Now it seems that many cultural relics in Macao are well protected, but in fact, they have been devastated by years before they were restored.

  I have been working in Macao for more than 20 years, and I have been engaged in the protection of cultural relics and architectural heritage since I graduated from university. Before the return of Macao, I worked with the Portuguese to repair buildings, mainly to restore the appearance of the buildings, and rarely involved the interior. After the reunification, we fully assumed the responsibility of cultural relics protection, from the restoration of the exterior and interior of the building to the transformation and reuse of cultural relics buildings.

  The practice of more than 20 years has made us know that the protection and sustainable utilization of cultural relics buildings is not an easy task. Today, I will share with you a few cases of renovation and protection of cultural relics that I have participated in.

  The longest-restored cultural relics in Macao

  Let’s talk about the Zhengjiadawu first.

  I have a lot of fate with this building. When I was a child, I lived 200 meters away from it and passed it every day. But at that time, I didn’t know that this building was originally the former residence of Zheng Guanying, a modern thinker. His book "The Prophecy of Prosperity" once influenced Sun Yat-sen and Kang Youwei.

  Zheng’s house was built by Zheng Guanying’s father from about 1859, and then his brothers slowly expanded around. At present, Zheng’s house retains an area of about 4,000 square meters. Its main building area is a traditional courtyard building in Lingnan, but many places are influenced by western culture, including some columns, ceilings and windows. This building is very famous, but it was very dilapidated before it was repaired.

  In the 1920s, the descendants of the Zheng family went out to develop, and the big house began to be sublet. In the forties and fifties of the 20th century, due to the war in the mainland, many people suddenly poured into Macao, and 400,000 people lived in the area of 4 square kilometers in the main city. At that time, many rooms and halls in Zheng’s mansion became? Rooms (note: a room is divided into several small rooms with partitions, and the living area is small, and the rent is usually cheaper), which was once subletted to 72 tenants and lived for two or three hundred people. Under the overload, the building was greatly damaged. ? There is not enough room, and many illegal buildings have been built on the rooftop and garden.

  In 2001, the government reclaimed the Zheng family mansion by replacing the land, and I participated in the reception work. At that time, the Zheng family mansion was in ruins, and my heart was very heavy. In fact, the Zhengjia Mansion was appraised as a cultural relic building in 1992. If it can be repaired earlier, it will not become so shabby.

  After the Zheng family mansion was recovered, people were very happy and hoped that it could be repaired immediately. At that time, we were under great pressure, because it was the first time that we were faced with such a large-scale restoration project of cultural relics, and the restoration was very difficult.

  I remember, before the reunification, I participated in the restoration project of the only dome church in Macao. At that time, the brick dome cracked and the structure was unstable, but in order to repair it before the reunification, the brick dome was replaced by a concrete structure. I felt very sorry and sad when I saw that the blue brick dome wall was smashed by a hammer. So I told myself that the restoration of Zheng’s mansion should be done step by step.

  From 2001 to 2009, it took us eight years to repair the Zheng family mansion, and every step was very careful. This is a cultural relic building that has been restored for the longest time in Macao.

  Cultural relics buildings pay attention to "repairing the old as the old"

  At that time, it took nearly a year to clean up the garbage. Because we are not only cleaning up garbage, but also "treasure hunting". In the garbage, you can find many components of old buildings, such as bricks, tiles, wooden components and so on. This job is not easy. When cleaning up the garbage, we are always ashamed. Once, my colleague was questioned by the police.

  After cleaning up the garbage, we made a field survey of the whole environment and recorded where it was destroyed and where it was missing. Why do you have to go to the scene to do these jobs? Because cultural relics buildings pay attention to "repairing the old as the old", they should use the original technology and old materials to restore the original space and appearance of the building. Therefore, it is very important to distinguish its original appearance. We can’t judge its previous appearance just by taking it for granted, but we must verify its authenticity on the spot.

  Let me give you an example. The Zheng family mansion has a straight sedan chair. When the car was received, it was very shabby and I didn’t know what it was like. Many people say that the Zheng family is very rich, and the platform must be paved with more exquisite stone. I asked: So where did the stone go? They said it might have been stolen. I find it strange that such a heavy stone is unlikely to be stolen. After careful search, we finally found some rammed earth under the two walls of the sedan chair. After comparison, we confirmed that this is the original platform. This is a common practice in Macao. So, we resurfaced the platform according to the formula of rammed earth.

  Another place, according to an old man who once lived in a big house, saw a round doorway in front of him when he was a child. I think he is right, because the word "Leave the Moon" is written on the back wall. According to the traditional architectural culture of China, there should be a circular doorway in front of this wall. But how big is this doorway? Fortunately, we found several arc-shaped stones on the ground of the garden. After comparison, it was confirmed that they were the arch wall stones of the Moon Cave Gate, so we rebuilt the Moon Cave Gate according to the radian of the stones.

  But not all places can find evidence to repair it. Like the Moon Cave Gate in Wenchang Hall, we vaguely see a pair of couplets on both sides of the doorway, in which two words are missing: "Now it’s yin and yang, borrow the attic to support the sky." We found a word "He" from an old photo and added it. What is the last word of "Yin and Yang are now combined, borrowing the attic to support the sky"? Some people say that "heaven" should be opposite to "earth". It is also said that Zheng Guanying should believe in Taoism, and Yin and Yang are one, and "one" is right. Because there was no evidence, we finally chose to leave it blank.

  Everyone saw that many places still looked very broken after being repaired, so some people said that we didn’t do a good job. In fact, when we were restoring the Zheng family mansion, many places were mainly reinforced, and more were used to show its historical development process. Repairing the old as the old is not only to restore the building to its original appearance, but also to leave traces of time in the process of building evolution.

  At that time, every household had a gatekeeper (the god of gatekeepers). We can see that the words "Wangxiangtang" written above the gate were printed by computer and pasted up, which is obviously a modern handwriting. We carefully cut the parts of these words with a scalpel, and found that there were 13 layers in them, indicating that it had been changed at least 13 times. In fact, we can technically shovel out all the words that were later covered and leave the original appearance, but we didn’t do that. Because we feel that architecture bears the flow of people, emotions and social changes, and these 13-layer words truly record the vicissitudes of life, so we finally kept it.

  And ever built? The floor tiles in the hall of the room were very shabby and uneven. At that time, there were a dozen people living in a few square meters, which was the humble abode at that time. We have also preserved this history completely.

  We try to use all the old materials we can, and if we need to make new ones, we will distinguish the old and new parts. For example, wood components are distinguished by color, and the darker ones are newly made. Old marks carved on doors and windows and mottled repair marks on external walls have also been preserved.

  The Root-seeking Journey of Chinese and Western Medicine Bureau

  Someone asked me: A cultural relic building has undergone so many changes. What should it be restored to? Personally, I feel that while the main space, style and style of the building are well preserved, it is very important to properly protect the traces in the development process, even the archaeological remains of the surrounding environment when the building was first built should be preserved and protected as much as possible.

  The Bureau of Chinese and Western Medicine is such an example.

  It is said that the Bureau of Chinese and Western Medicine was opened in 1892 when Sun Yat-sen came to Macao to practice medicine. Sun Yat-sen graduated from Hong Kong College of Western Medicine and was the first Chinese medical practitioner. At that time, he volunteered to give doctors at the Bureau of Chinese and Western Medicine, and did not accept medical fees to serve the poor people in Macao. In 2011, the government of Macao Special Administrative Region bought back the Bureau of Chinese and Western Medicine, and prepared to build it into an exhibition hall to show Sun Yat-sen’s life.

  The house was also in disrepair before it was repaired. When we were repairing the gate, we found that there seemed to be handwriting on the wall. We slowly peeled off the wall, and found that it was written with the words "Drinking Fragrant Fairy Pavilion". We suspect that it may have been an opium den at first.

  We also found a strange thing when we were repairing the building, that is, there was a well in the house. Wells are usually outdoors. Why is there a well here? We found some rubble foundations next to the well. Finally, according to the argument of colleagues majoring in archaeology, this may be an old pier site. Macao is a place built by sea reclamation. This site witnessed the passage of the coastline of Macao during the process of sea reclamation, which is a very important discovery.

  Then, we found some rubble foundations indoors, and many "Clark Porcelain" tiles, that is, China blue-and-white porcelain exported, which proved that Macau was an important node of the Maritime Silk Road.

  In 2016, when the Chinese and Western Medicine Bureau completed the restoration and opened it to the public, we also showed these archaeological discoveries together. We used modern language to design stairs connecting up and down to show archaeological sites and discoveries, making this old house more lively and rich.

  In fact, cultural relic architecture is not static, it is dynamic, and the content given to it by each era will become one of its connotations. We can also carry out new architectural design in old buildings and old environments, but the key is to respect its own value.

  The Extension Project of Hedong Library

  The way to rebuild the Bureau of Chinese and Western Medicine is to integrate modern languages into the original environment. I once did an expansion project in Hedong Library, and I used the same method.

  Hedong Library was originally a European-style building built in the early 19th century, which is a typical garden-style luxury residence. Later, Mr. He Dong, a wealthy businessman, bought it and turned it into his residence in Macau. His descendants donated money to buy many books, making this building a library for collecting Chinese books.

  When I was in middle school, the school happened to be nearby, and I often read in this library for two or three hours at a time. The front garden here is very beautiful and quiet. The back garden was not very open at that time, and the impression was very mysterious. Unexpectedly, a few years later, I have the opportunity to expand this library. Why do you want to expand? After the return of Macao, there are more and more readers, and the government pays more attention to culture and education. In order to increase the reading space, it is necessary to expand the library.

  When I made the design, I set three principles for myself: first, the new building can’t be antique, and it can’t be old and new; Second, the new building cannot exceed the height of the old building; Third, we must respect the inherent value of old buildings.

  After careful consideration, I decided to build the new building on the side of the old building and put the atrium between the old and new buildings. I want to emphasize that we must enter from the old building to the new building. This is an inherited relationship.

  Let me show you around: there is a beautiful front garden at the door, and then enter the tall old building. After a short and narrow staircase, I came to the open and bright atrium. Finally, it passes through the overhead floor of the new building and enters the back garden. When many people come to the library, they will find the spatial relationship between high and low interesting, especially when they enter the atrium from the very short old stairs, and they feel different.

  We use the simplicity of modern language to set off the richness of classical language, and the light glass contrasts with the thick wall, which has a different charm.

  Let the old buildings "live" with a new look

  Finally, I want to talk about Shalitou Library. This example is special because it is not a cultural relic building.

  I once saw many distinctive buildings in Macao slowly disappearing, which was a great pity, so we made a list of distinctive buildings in Macao, hoping to preserve these buildings as soon as possible through cooperation and find opportunities to evaluate them as cultural relics and protect them. Shalitou Library is one of them.

  There used to be seven arcade buildings here, which were built by the sea before. Because they were not cultural relics at that time, they could be demolished according to the plan and built into buildings more than 20 meters high. However, arcade is a distinctive architectural style for Macao. At that time, all the streets here were arcades, and these seven were the last ones. We want to keep the last flavor of this street.

  However, the decision is in the hands of the owner, and we can’t force him to protect the building, so we will talk to him about whether we can cooperate. We propose to rent these seven buildings and pay for their restoration to make them into a library. Upon hearing this, the owner expressed support.

  The fa? ades of these seven arcades have been preserved. We hope to turn the original space into a library. However, the drilling report poured cold water on us. The engineer said that this place was originally a sea reclamation, and the foundation was very unstable. The two floors have already subsided, so they should be demolished except the facade.

  We asked him to do something again anyway. The engineer thought with us for a long time, and finally found a way to keep three of the arcades and re-structure the others. Finally, this layout was formed: there is an atrium in the middle and two buildings with the same volume, one new and one old, on both sides. All the leftmost buildings are preserved, including the old stairs, walls and columns. We also kept some production tools and machinery in the original shop. The new building on the right is relatively simple, with the simplest decoration to set off the old building.

  Atrium is the focus of design. We made a container design in the atrium, because it used to serve the wharf, and we wanted to express our nostalgia for the old building. Through the large transparent glass in the atrium, new buildings can be seen in the old buildings, and the old and new spaces are integrated. Stairs and ramps are arranged around the atrium, and unconsciously there is a feeling of time and space shuttle. We also put the repaired old materials and components on the walls of the new building.

  At the end of the project, one day, I stood on the rooftop and found that I could see the sea in the distance. These arcades used to be by the sea, but now they are far away from the sea after gradual reclamation. I had a brainwave and asked my colleagues to open a window on the rooftop, reshaping its previous relationship with the sea. This window is called "Eye of the Inner Harbor".

  Shalitou Library is very popular after its completion, and it is brightly lit every night.

  Cultural relics buildings are very fragile, easily affected by wind and rain, and more easily influenced by human activities. However, when you make such a shabby building "alive" and hand it over from your hands to the next generation, you will have an indescribable sense of happiness. This kind of happiness will turn into a kind of motivation to support you to go on, so all the efforts are very worthwhile.

  (ten thousand leaves finishing)

He once conquered Bollywood by dancing, and this time he loved omnipotent.


Special feature of 1905 film network  With the gradual opening of Indian films to the China market, mainland audiences have a deeper understanding of this country which is good at singing and dancing and full of emotions. Not only the "Three Sweats" led by Aamir Hussain Khan, more and more Bollywood filmmakers began to enter our field of vision.

 

On Wednesday, there was a work called "The Movie" which landed in the cinema. As a rising star, hrithik roshan, the leading actor, won himself a place in Bollywood with his outstanding performances in many musical films, and was also called "the Four Kings" with Aamir Hussain Khan, shahrukh khan and salman khan. Because of his strong figure, charming dancing and excellent kung fu, Rothman is even proudly called "Stallone, Brad Pitt and Michael Jackson in one" by fans.

 

It’s been a long time since "Omnipotence" was released in China, but it’s a great surprise and satisfaction for Lohan that his works can meet mainland fans again at this time. At the premiere, he said "amazing", "Thank you" and "I love you" three times. What touched the Indian filmmaker was the tolerance and openness of China audience to different cultures.

Different from the role of "superhero" in the past, Lohan played an ordinary blind man in omnipotent. But as described in the title, this ordinary man became omnipotent in a battle of revenge because of his purest and deepest love.

 

 

The following is hrithik roshan’s self-report

 

Lohan is the most touching part of omnipotent. There is infinite love in this character’s heart, which resonates with me. Lohan’s love for Sophia (the heroine) is endless, and it can almost be said that Sophia is his world. When I read this character of this man from the story, and his persistence that he can pay so much for love and just pursue justice, I was deeply attracted.

 

At the same time, I also like Lohan’s "rationality". He will never lose his mind because of anger. Even after the final revenge, he still keeps his dignity and always stays calm without losing his temper because of grief. Because he knows exactly what he wants and believes that he will "win" — — Someone ruined my life, and I will make him pay the due price. The power of love, supreme wisdom and firm belief make it possible for Lohan to "revenge" impossible.

 

It’s very easy to play Lohan on the emotional level, almost the easiest role in my career, because I am very similar to him and I love this character very much, so it’s not difficult to interpret him.

 

But technically speaking, the test of this role is very many, and I need to learn to become blind. Of course, we have seen quite a few films about blind people. It’s very simple if we just want to show their appearance, but I don’t want to do this alone. I want everyone to see the real life of blind people in our society.

 

But it’s hard. In the past, when shooting action scenes, I could know where my safety zone was. You can watch your opponent’s movements and make evasive reactions. But after "becoming blind" in omnipotent, it is impossible. I can only rely on perception and be careful about the real boundary of the set, otherwise I will really fall.

 

Besides, I have to overcome the nature of blinking. You know when the fist comes, people’s subconscious fear will make you blink, but the blind can’t. For this reason, I made a lot of efforts and changes in shooting.

 

I mentioned that I am very similar to Lohan. I advocate and believe in unconditional love in my life, and I also believe that this emotion is of universal significance. I don’t think love is reversible. Many people say that love and hate each other because of love. In my opinion, it is not love. Love does not arise from anyone’s needs, nor is it a choice, nor is it an attachment. Love is love. It lies in sharing, not in controlling, and not in being tied together. Each individual in love should be independent, just like the pillars in a temple, keeping a distance from each other, but supporting the whole dome. The farther away they are, the larger the coverage will be.

 

I think it is the responsibility of filmmakers to create works with realistic themes and social significance. First of all, it is related to a sense of identity. If I interpret things or phenomena that don’t exist in life in a movie, it must be difficult to have empathy, which is like appearing in someone else’s life.

 

Movies should restore the social environment in an artistic way, create characters in life and convey a message. Of course, as a way of people’s leisure life, the entertainment of movies may be very important, but it is what we should pursue to do entertainment and theme expression at the same time.

 

I believe that human emotions are common all over the world. If you tell your story sincerely, then the information you want to convey will not be hindered by space. Almost all the good Indian movies depict characters, tell their feelings and relationships, and integrate our unique Indian culture.

 

In our past films, there were many elements of singing and dancing, and many feelings were conveyed through dancing and songs, which is new and special for the whole world. We can do this regardless of comedy or tragedy.

 

In recent years, everyone’s creative style has expanded, and we have more types of movies. However, it is obvious that the core of Indian movies is always the story of people, which is why China audiences accept and love Indian movies. We can easily find our sense of self-identity from the stories and emotions of the characters.

 

I am very grateful to the China audience for being so tolerant, open-minded to accept the cultures of different countries, including movies, and really appreciate it. I also felt this strong warmth when I came to China this time. The audience’s openness to culture has also benefited me a lot.

 

I’ve seen many Chinese films, and I really appreciate the artists in China. For example, I like Zhang Yimou’s harmony very much. After watching House of Flying Daggers, I was deeply impressed by the action design in it, so I also invited Cheng Xiaodong, the action director of the film, to come to India to cooperate with the Superman of India series. It can be said that he opened a door for me to understand China culture. If there is an opportunity in the future, I am very willing to cooperate with China filmmakers, especially those with kung fu themes.

Gree group welcomes "new head"

The new head of Zhuhai Gree Group Co., Ltd. has officially performed his duties. According to the information of official website Group, Kang Hong has officially become the Party Secretary and Chairman of Gree Group. According to public information, Kang Hong, male, born in Sichuan in 1976, previously served as deputy secretary general of Zhuhai Municipal People’s Government.

Gree Group, established in March 1985, is the first state-owned capital investment operation platform in Zhuhai, and its business covers industrial investment, construction investment, urban renewal, construction and installation, service operation and other fields. According to the data of official website, by the end of 2023, the total assets of Gree Group exceeded 113.2 billion yuan and the total owners’ equity exceeded 48.3 billion yuan.

Gree Group is the controlling shareholder of Gree Electric, a listed company. Since 2006, the group has continuously reduced its shareholding in Gree Electric. In 2019, Gree Group signed a Share Transfer Agreement with Zhuhai Mingjun, a subsidiary of Gaochun Capital, stipulating that Zhuhai Mingjun would receive 902 million shares of Gree Electric held by Gree Group at a price of 46.17 yuan per share (accounting for 15% of the total share capital of Gree Electric), with a total transfer price of 41.662 billion yuan.

After this transaction, Zhuhai Mingjun has the right to nominate three directors of Gree Electric, which cannot reach more than half of the board of directors of Gree Electric. No shareholder or investor can actually control the voting rights of listed companies’ shares and decide to appoint more than half of the members of the company’s board of directors, that is, it cannot control the board of directors of listed companies. Therefore, after the transaction is completed, Gree Electric has no controlling shareholder and actual controller.

By the end of the third quarter of 2023, Gree Group held 3.44% of the shares in Gree Electric, making it the fourth largest shareholder of listed companies. By February 8, 2024, the total market value of Gree Electric was 203.5 billion yuan.

According to Gree Electric’s latest financial report, the revenue in the first three quarters of 2023 was 155 billion yuan, a year-on-year increase of 5.1%; The net profit was 20.1 billion yuan, a year-on-year increase of 9.77%; The net profit after deducting non-profit was 19.215 billion yuan, a year-on-year increase of 3.49%.

Full Moon of B2B Export Pilot of Cross-border E-commerce Guangzhou Customs supervised goods worth 2.84 billion yuan.

  Cross-border e-commerce B2B export pilot implemented the "full moon". As the first batch of pilot customs, Guangzhou Customs supervised a total of 569,000 cross-border e-commerce B2B export declarations and declarations in the first month, with a value of 2.84 billion yuan. The main export commodities were clothing, plastic products and furniture.

  At present, Guangzhou Customs has completed the supervision of B2B goods export of cross-border e-commerce through sea, land and air channels, and achieved full coverage of four business types under the supervision mode of "9710" and "9810".

  The relevant person in charge of the postal supervision department of Guangzhou Customs said that in order to promote the smooth implementation of the new model, the customs has introduced targeted regulatory facilitation measures such as "one-time registration" and "one-point docking", priority inspection, simplified declaration, customs clearance permission and return account management, which will bring direct customs clearance convenience to enterprises and help traditional manufacturing industries to drive exports to pick up by online transactions.

  In order to promote the smooth development of B2B export pilot work, Guangzhou Customs strengthened the customs clearance guarantee mechanism, established the "Guangzhou Customs-Data Center-Guangzhou Electronic Port" contact and cooperation mechanism, set up a special class for cross-border e-commerce work, and coordinated the pilot work. "Over the past month, the export channels of cross-border e-commerce enterprises have been further broadened, effectively reducing the customs clearance costs of enterprises and helping enterprises to explore foreign markets with more confidence." Jiang Tao, deputy general manager of a trading company in Foshan, said.

  According to the statistics of Huangpu Customs, from July 1st to August 1st, Huangpu Customs passed the new B2B export supervision mode, and accumulated 1.6 million tickets for inspection and release, with a value of about 700 million yuan.

  As one of the first pilot customs, Huangpu Customs strongly supports enterprises in its jurisdiction to carry out B2B export business of cross-border e-commerce. "The dividend is real." Chen Jianxin, chairman of Dongguan Chaodian cross-border electronic commerce Co., Ltd., said that using the new B2B export model of cross-border e-commerce, on the one hand, the logistics distribution capacity was improved, and the company reduced the logistics cost by about 30%; On the other hand, measures such as simplifying customs clearance procedures and giving priority to inspection have also shortened the customs clearance time of enterprises by 50%.

Folk customs in Fujian: the traditional festival customs in Fuzhou started from the Dragon Boat Festival.

  China News Service, Fuzhou, June 6 th: The Dragon Boat Festival "ends" the traditional festivals and customs in Fuzhou.

  China News Service reporter Lin Weili

  As the Dragon Boat Festival approaches, many people in Fuzhou put up such red couplets in front of their doors. These words, which are neat and full of philosophy of life, are a unique culture of the Dragon Boat Festival in Fujian in the early years.

  In addition to posting lunch books, Fuzhou people will spend more unique traditional customs on the Dragon Boat Festival, which was included in the national legal holiday for the first time this year.

  According to Mr. Fang Binggui, a folk expert in Fuzhou, there are roughly ten activities in Fuzhou’s traditional Dragon Boat Festival, and a folk song sings these contents in a nutshell: "The Dragon Boat Festival is full of drums, and the belly is replaced by spring clothes; Dragon boat races in the river, sachets hanging on the children’s lapels; Every family is busy wrapping zongzi, and every household is happy to hang pu; Poison male yellow rice wine, avoid evil five-color symbol; Let the yellow smoke go, and post the noon book. "

  Among these ten activities, the belly pocket, sachet and midday book are the treasures in the cultural treasure house of the Dragon Boat Festival in Fujian, especially the midday book, which is unique to only Fuzhou Shiyi in China and can be called a must in China.

  Liang Zhangju’s "Couplet Conghua" in the Qing Dynasty recorded that Fuzhou folk customs, every year on the fifth day of the fifth lunar month, the Dragon Boat Festival, must use red paper, write the antithesis, and stick it on the column, which is called "noon book". It is said that this custom existed in the Ming Dynasty, and it is called "the separation of peach symbols", which is actually a kind of festival couplets.

  However, with the accelerated pace of modern life, many old customs are gradually forgotten. This year, the Dragon Boat Festival was included in the national legal holiday for the first time. Although the three-day holiday is not long, it gives people time to settle down, return to tradition and regain all kinds of fun in the past.

  Miss Lin, who works in a media in Fuzhou, has been busy making dumplings-shaped sachets recently. She said that her grandmother taught her this when she was a child. When she grew up, she stopped doing it for a long time because of her busy study and work. However, this year’s Dragon Boat Festival has a strong festive atmosphere throughout Rongcheng, which reminds her of the Dragon Boat Festival sachets that have been put on hold for a long time, so she decided to pick up colorful colored lines again and make more sachets with her own blessings for relatives and friends.

  Some hotels and restaurants in Fuzhou have not only sold all kinds of delicious zongzi this year, but also added many activities with local characteristics, such as writing lunch books for the citizens, letting grandparents put Chinese-style covers on children, hanging fragrant bags and so on.

  On the occasion of the Dragon Boat Festival, Fuzhou will also hold "Our Festival-Dragon Boat Festival Theme Cultural Activities": reading Chinese classics, reappearing hanging white wormwood, hanging calamus, wearing sachets, wearing purses and drinking realgar wine will be presented one by one, and the traditional customs of the Dragon Boat Festival in Fuzhou will be interpreted.

  As one of the most famous activities of the Dragon Boat Festival, dragon boat racing is also essential for the annual Dragon Boat Festival in Fuzhou. Although the Fuzhou Dragon Boat Race was held in another place this year, Guangming Port, as the most traditional dragon boat race place in Fuzhou, has not been deserted. Every year from the first day of May to the fifth day of May, even if there is no dragon boat race here, the dragon boats of all villages will still go into the water to worship God and seek peace.

  At this time, many citizens always come to watch. Residents living nearby said that every year on the Dragon Boat Festival, there will be 50 or 60 dragon boats launched here. Whenever the dragon boat passes by, people will set off firecrackers to cheer for the dragon boat and pray for a safe and smooth year. (End)

Export to domestic sales to cultivate new advantages

By exporting to domestic sales, many foreign trade enterprises can have a chance to survive in the current shrinking international market. In the "China Branch" of the global market, foreign trade enterprises also need to actively cultivate new competitive advantages in terms of quality, service, technology, brand, standards, marketing and talents.

Nearly 300 high-quality foreign trade enterprises sell thousands of high-quality foreign trade products, such as home appliances, home textiles, clothing, shoes and specialty agricultural products, and the planned three-day export products-to-domestic sales activity was extended to the activity week … This was the hot scene during the series of activities of "Dressing up the Pedestrian Street for Foreign Trade Products" sponsored by the Ministry of Commerce and Zhejiang, Shaanxi and Chongqing provinces, which opened on July 25th.

Since the beginning of this year, affected by the COVID-19 epidemic, the international demand has shrunk, the orders of foreign trade enterprises have declined, and the enthusiasm and voice of exporting to domestic sales have been rising. At the same time, there is also great growth potential for exporting products to domestic market. Zhong Shan, Minister of Commerce, said at the press conference of the State Council Office in May that most foreign trade enterprises used to export only. Now, after the export was blocked, the government supports them to export to domestic sales. This work has now achieved results. In April, the domestic sales of export enterprises increased by 17%, indicating that high-quality foreign trade products are also welcomed by domestic consumers.

Yang Guoliang, deputy director of the Foreign Trade Department of the Ministry of Commerce, analyzed that from the perspective of domestic consumption, the national epidemic prevention and control war has achieved significant strategic results, and the domestic market demand is accelerating, providing a domestic market for export industries such as electronic household appliances, light industry, textiles and clothing, and agricultural products. From the perspective of investment, the promotion of new infrastructure, new urbanization and major projects in various places has brought new opportunities to export industries such as machinery and equipment, electrical and mechanical equipment and precision instruments. From the perspective of consumption upgrading, some foreign trade enterprises are shifting from traditional mass production to personalized customization, which can better meet the needs of domestic consumption upgrading. The rapid development of new modes, such as live broadcast with goods, has also opened up sales channels for foreign trade enterprises directly facing consumer groups.

On June 9th, the executive meeting in the State Council decided that in order to help foreign trade enterprises with nearly 200 million jobs out of difficulties, while encouraging enterprises to explore the international market, they should also support marketable export products to explore the domestic market. The General Office of the State Council recently issued the "Implementation Opinions on Supporting Export Products to Domestic Sales", which put forward 10 policy measures from three aspects: First, support export products to enter the domestic market, including speeding up market access for domestic sales, promoting the development of "same line, same standard and homogeneity" and strengthening intellectual property protection; Second, multi-channel support for domestic sales, including building a platform for domestic sales, giving play to the role of effective investment and accurately matching consumer demand; The third is to increase support, including improving the level of facilitation of domestic sales, providing financing services and support, increasing insurance support and strengthening financial support.

After the release of the "Implementation Opinions", many major foreign trade provinces quickly issued relevant policies to support enterprises to expand the domestic market and open up online sales channels. For example, many governments in Zhejiang Province and Pinduoduo signed a strategic cooperation agreement to help foreign trade enterprises switch to e-commerce platforms and promote export to domestic sales.

It is understood that the data of the tax authorities show that the export of some foreign trade products to domestic sales has indeed improved. For example, the Guangdong Provincial Taxation Bureau said that the export of communication equipment manufacturing industry, textile and garment industry and motor manufacturing industry has achieved outstanding results.

Li Danghui, deputy director of the Consumption Promotion Department of the Ministry of Commerce, said that more high-quality export products will be sold domestically, which will further enrich the domestic market supply, increase consumers’ choices, accurately meet demand, and promote consumption upgrading.

"Promoting export to domestic sales is a realistic choice for foreign trade enterprises to survive." Bai Ming, deputy director of the International Market Research Institute of the Research Institute of the Ministry of Commerce, believes that the export to domestic sales is the result of foreign trade enterprises seeking a "safe haven" in the situation of shrinking external market demand. However, if we want to make a difference in the "China Branch" of the global market, we should not just position the "China Branch" as a "safe haven", but must make long-term strategic planning.

At present, foreign trade enterprises also face some difficulties in turning to domestic sales, mainly because some products have different standards at home and abroad. For example, the size of clothing exported to Europe and America is different from the domestic standard, and the style and domestic market demand are also different, so it is necessary to make targeted adjustment or transformation when transferring it to domestic sales; Selling some export products to domestic market often involves brand and trademark issues, and requires foreign authorization; Some foreign trade enterprises have been producing according to orders for a long time, lacking domestic marketing experience and team, and their brand awareness in China is not high. In addition, domestic sales also face the difference of market settlement mode. Domestic sales usually adopt credit sales mode, which takes up more funds and has relatively high risks.

"By exporting to domestic sales, many foreign trade enterprises can have a chance to survive in the current shrinking international market." Bai Ming also stressed that in the "China Branch" of the global market, foreign trade enterprises also need to actively cultivate new competitive advantages in terms of quality, service, technology, brand, standards, marketing and talents. Not only should China’s foreign trade enterprises stay green, but also China’s manufacturing should have a chance to win the future. (Reporter Feng Qiyu)

Dynamic | "Celebrate the 20th National Congress" —— The symphony concert "Songs in My Heart for the Party" will be played soon.

The Symphony Orchestra of Inner Mongolia Art Theatre will join hands with the permanent conductor Hao Fu to play a symphony concert of "Celebrating the 20th National Congress"-"Songs in My Heart for the Party" at 20: 00 on July 1st, Inner Mongolia. Let’s review the glorious course of the Party and pay tribute to its glorious years together with the majestic music. Feel the party’s gratitude with music, and tell the fervent heart of China.

This concert has a distinctive theme and a rich repertoire. Not only are there many well-known symphony works, but also many musicians are invited to sing the praises of the party together with the performers of the orchestra, and send affectionate birthday wishes to the party and present it to the 20th National Congress of the Communist Party of China.

Performance time: July 1, 2022 at 20: 00.

Venue: Ulanqiath Grand Theatre, Inner Mongolia

Performer: Symphony Orchestra of Inner Mongolia Art Theatre

Performance ticket price: 100/180/280/380

(30% discount for 180/280/380 tickets)

Tel: 0471-8920111 and 89469899.

Scan code to buy tickets

Symphony Orchestra of Inner Mongolia Art Theatre

The Inner Mongolia Art Theatre Symphony Orchestra is a professional symphony orchestra affiliated to the Inner Mongolia Art Theatre. Its predecessor was the Inner Mongolia Song and Dance Troupe Orchestra, which was established in 1946. In 1985, at the initiative of Li Delun, a famous conductor in China, the Inner Mongolia Symphony Orchestra was reorganized. At that time, the orchestra was the earliest symphony orchestra established in minority areas of China. The members of the orchestra come from Han, Mongolian, Daur, Ewenki, Hui, Manchu and other nationalities, and have a group of skilled and well-trained performers, some of whom have won prizes in various international, domestic and regional competitions. Hu De, the conductor, won the fourth place in the first national command competition. The permanent conductor Hao Fu won the first place in the 12th Hungarian Danube International Conductor Competition in 2016, and the chairman award of the jury of the 1st International Conductor Competition of Bucharest National Symphony Orchestra in Romania in 2018.

In 2000, the orchestra’s special symphony concert "Prairie Golden Tone" won the first prize of outstanding drama performance in the whole region. In 2021, the large-scale symphony "Flag" commissioned by the famous composer Mr. Zou Ye was selected into the outstanding stage art works exhibition held by Publicity Department of the Communist Party of China, Ministry of Culture and Tourism and China Federation of Literary and Art Circles to celebrate the 100th anniversary of the founding of the Communist Party of China (CPC). Selected as the supporting repertoire of the "Red Centennial Inner Mongolia" project, a major theme literary masterpiece creation project in Inner Mongolia Autonomous Region; He was selected for the outstanding drama exhibition in Inner Mongolia Autonomous Region in 2021 and won the "Excellent Drama Award" and "Excellent Organization Award".

Haofu

Permanent conductor of Inner Mongolia Art Theatre Symphony Orchestra;

Chief conductor of Sichuan Philharmonic Orchestra;

Assistant conductor of Shenzhen Symphony Orchestra;

Gold medal winner of the 12th Hungarian Danube International Command Competition;

Chairman of the jury of the first Romanian BMI international command competition;

First place in the Asian regional qualifier of the 54th French Besancon International Command Competition;

National Art Foundation-finalist of the Young Talents Command Training Program;

Judge of the 10th Pusan Maru International Music Festival Concerto Competition;

Top 20 players in the finals of the first Polish Audite International Command Competition;

The finalist of the 13th Berlin International Conductor Master Class;

Mongolian, director of Inner Mongolia Musicians Association, member of China Musicians Association, member of China Musicians Association Conductor Society, was born in a musical family, and studied piano since childhood, and began to learn conductor at the age of fourteen. In 2008, he was admitted to the conductor major of the Middle School Attached to the Central Conservatory of Music with the first place. In 2016, he graduated from the conductor department of the Central Conservatory of Music with honors, and served as the assistant conductor of the symphony orchestra of the Central Conservatory of Music. In 2016, he was admitted to the conductor department of the Conservatory of Music of the University of South Carolina, USA with excellent results. At the same time, he studied symphony and opera conductor and symphonic wind conductor, and graduated with honors in 2018. Over the years, he has studied under the famous conductor Professor Chen Lin, the director of the Central Conservatory of Music, the famous conductor Professor Chen Bing, and the conductor professor Scott Weiss of USC University in the United States. He has cooperated with the following orchestras: Berlin Symphony Orchestra, French Victor Hugo Symphony Orchestra, Hungarian Danube Symphony Orchestra, American USC University Symphony Orchestra, Polish Radom Chamber Orchestra, Bucharest National Symphony Orchestra, Central Opera Symphony Orchestra, Tianjin Song and Dance Theatre Symphony Orchestra, etc.Hangzhou Philharmonic Orchestra, Suzhou Symphony Orchestra, Henan Symphony Orchestra, Shaanxi Symphony Orchestra, Kunming Nieer Symphony Orchestra, Baotou Symphony Orchestra, Xi ‘an Symphony Orchestra, Shenyang Symphony Orchestra, Qingdao Symphony Orchestra, Lanzhou Symphony Orchestra, Jiangsu Symphony Orchestra, Wuhan Philharmonic Orchestra, Shanxi Shuozilun Symphony Orchestra, Xiamen Song and Dance Theatre Symphony Orchestra, Ningbo Symphony Orchestra, Central Conservatory of Music Symphony Orchestra, Central Conservatory of Music Symphony Orchestra, China Youth Symphony Orchestra, China.

Li Ziyue

Chief of Symphony Orchestra of Inner Mongolia Art Theatre; National second-class performer; Member of China Musicians Association; Director of Violin Society of China Musicians Association; China orchestral network artist; Director of Inner Mongolia Musicians Association; Vice President of Inner Mongolia Violin Association; Excellent instructor of China International Youth Art Festival; Excellent Tutor Award of Hong Kong International Violin Competition; Individual performance award for outstanding plays in Inner Mongolia Autonomous Region; Instructor of outstanding art students in Inner Mongolia Autonomous Region; Member of the jury of the first youth string competition in Inner Mongolia; First prize of western string solo group in Inner Mongolia Chamber Music Competition; In 2019, he was sent to Shanghai Band College to study; He used to be the chief of the Youth Symphony Orchestra of Inner Mongolia Art College and the Youth Symphony Orchestra of Inner Mongolia Art College. He published two academic papers, On the Differences of Playing Method and Playing State of Violin in Solo and Band Playing, and How to Integrate Mongolian Style into Violin Playing.

Go to Beijing and Shanghai with the delegation to perform the large-scale symphony epic Genghis Khan; Participated in the five consecutive Western Symphony Music Weeks in Chongqing, Yinchuan, Xinjiang, Inner Mongolia and Chengdu, and participated in the rehearsal of the joint orchestra on behalf of the orchestra; Opening ceremony of the 15th Inner Mongolia, China Grassland Culture Festival and 20th Shanghai International Art Festival Inner Mongolia Branch and orchestra solo Schindler’s List; Butterfly lovers, a famous violin concerto, has been a soloist and cooperated with the Symphony Orchestra of Inner Mongolia National Art Theatre. The Symphony Orchestra of Inner Mongolia National Art Theatre went to Thailand to perform the symphony concert "Listening to the Grassland"; Participate in China Inner Mongolia International Chorus Week "The Night of Shanghe"; Go to Ulaanbaatar, Mongolia to participate in the cultural performance of the 70th anniversary of the founding of China-Mongolia People’s Republic of China (PRC); Performance at the opening ceremony of the 17th China Inner Mongolia Grassland Culture Festival; Invited to participate in recording music MV violin and Ma Touqin’s "Gobi in My Heart" and report it in Sohu News; Invited to participate in the recording of Hohhot Radio and Television Station to explain "The Secret of Violin Strings"; Recording the violin single "Dream of the Grassland"; Won the 14th Wenhua Award of the Ministry of Culture "Wenhua Drama Award"-"Flowers Fall and Flowers Bloom". As the only performer in the whole region, he participated in the opening concert of the 24th beijing music festival.

Ma chunyu

Tenor, deputy to the 13th National People’s Congress, master of the Belarusian National Conservatory of Music, currently associate professor of baotou teachers college Conservatory of Music, director of the Association of Overseas Chinese in Inner Mongolia, vice president of the Association of Overseas Chinese in Baotou, and director of the Association of Overseas Chinese in Baotou.

In 2008, he participated in the CCTV National Young Singer TV Grand Prix and won the first prize of Bel Canto in Inner Mongolia Division. In 2009, he participated in the "Vedene" international opera competition in France and won the first place in the international silver award; In 2010, he participated in the National "Genius Youth" Radio Vocal Competition in Belarus and won the gold medal in Bel Canto. The representative works "Girl from the Grassland" and "Rain and Dew Sunshine" won the "Five One Project" award for spiritual civilization construction in the autonomous region, and "Towards Tomorrow" and "My Home at the Foot of Castle Peak" won the "Five One Project" award for spiritual civilization construction in Baotou City.

Li Xiangping

Tenor singer; Vocal music master tutor; Associate Professor of Vocal Music, Conservatory of Music, Inner Mongolia Normal University; Deputy Director of Xiao Lisheng Vocal Music Art Center; Chairman of the Revolutionary Committee of Inner Mongolia Normal University; Member of China Musicians Association and director of Inner Mongolia Musicians Association; Chairman of Hohhot Musicians Association.

He has served as a judge of Inner Mongolia Grassland Star Young Singer TV Grand Prix, Chamber Music Competition and Golden Bell Award; Judge of Inner Mongolia College Entrance Examination Music Unified Examination.

Representative singing works:

"Daqingshan Chilechuan" and "Heaven loves the truth"

Awards:

In March, 2004, he won the first prize of Bel Canto in the Inner Mongolia Selection Competition of the 11th National Young Singers TV Grand Prix of CCTV.

In May, 2004, the 11th National Young Singer "Cover the Cup with a New Cover" held in CCTV won the screen award of Bel Canto.

In March, 2004, the "Golden Award" was the national favorite singer, and the top ten singers of Bel Canto in Inner Mongolia audition.

In June, 2004, the second national coal mine young singer contest "Zheng Meibei" won the gold medal in bel canto.

In November, 2004, the male solo "You are such a person" won the first prize of the enterprise literature and art performance program in the whole region.

In October, 2007, he won the second prize of Bel Canto singing in the third Chamber Music Competition of Inner Mongolia Autonomous Region for "Love the Truth".

Xu zhongnan

In 2012, he published (monograph) Song Selection Skills and Singing Practice in Modern Vocal Music Art in Guangming Daily Press.

In 2014, he completed the Research on the Development of Cultural and Creative Industries in the Capital in Inner Mongolia Academy of Social Sciences.

In 2016, he completed (subject) "On the Cultural Performance Project in Community Culture Construction" in Hohhot Social Science Federation.

In 2017, he published the 13th Five-Year Plan (textbook) Musical Appreciation and Analysis in Jilin University Press.

In 2020, he published a paper "Exploring the Embodiment of Music Concept in Food Culture" in China Brewing, the core of Peking University.

Zhang ying

Young soprano of Inner Mongolia Art Theatre Song and Dance Troupe

Representative of the 16th National People’s Congress of Yuquan District, Hohhot City, Inner Mongolia

Member of the 17th National People’s Congress Standing Committee, Yuquan District, Hohhot City, Inner Mongolia.

In 2007, the third Inner Mongolia Chamber Music Vocal Competition "Torch of Torch Festival" won the silver prize.

In 2011, the song "Forever in the Mood for Love" of the 4th Inner Mongolia Chamber Music Vocal Competition won the gold medal.

In 2015, he successfully held a solo concert in Xiamen.

With its natural characteristics of simplicity, sweetness and wide range, it integrates the emotion of life and a solid foundation of bel canto into singing, forming a unique singing style of national vocal music. Adhere to the sound of harmony and spread Chinese civilization.

Masterpieces: Home, Love in Snow, Kissing Eggs, Love in the Yellow River, Lullaby in Qingcheng City, Opening Spring, Yearning for Love in Wan Li at Wanli Tea Ceremony.

Schedule of performance

The Communist Party of China (CPC) people’s spiritual pedigree

-Soviet spirit

Domestic movie posters frequently "pay tribute" and insist on originality is the only way to rise.

Screenshot of Today’s Film Review Program

There are many new films in the summer movie market, but the movie posters launched one after another have been criticized. Once the posters of "Water Baby" were launched, they were accused of "plagiarism" and "spicy eyes". In this situation, how should domestic movie posters face the criticism and really boost film promotion?

The film channel "Today’s Film Review" invited Lin Siwei, director of the collection department of China Film Archive, as a guest to discuss the development and direction of domestic film posters. Lin Siwei, an enthusiast of collecting movie posters, admits that only by truly taking the original road can domestic movie posters usher in the "golden age".

Three major problems faced by controversial poster design based on plagiarism

Well-made movie posters will add color to the promotion of movies and attract more box office. On the contrary, an unsatisfactory poster is bound to have the opposite effect. Lin Siwei pointed out in "Today’s Film Review" that the poster design and creativity of the recently released or about to be released movies, including After School, Beautiful Accident and Rescue Against Time, are suspected of drawing lessons from some well-known movies in the past, and it is understandable for the audience to question them. Among them, the poster of the movie After School is exactly the same as the poster of the 2010 movie in terms of coordination, layout and font design, and the relatively rough picture matching makes this poster have a gap between "buyer show" and "seller show". Similarly, in the final poster of the movie Rescue Against Time, Yang Mi, the main character, lies curled up in a circular machine, which is exactly the same as a poster of a heroine lying in a space capsule.

For a long time, China’s movie posters have been disputed by audiences and critics. In Today’s Film Critics, Lin Siwei pointed out three problems in the production of China’s movie posters. First, the production of commercial movie posters in China has been in a stage of drawing lessons from foreign designs for nearly ten years, and the so-called "takenism" is used to simply transform outstanding foreign works into domestic versions of finished products. Secondly, domestic films invest a lot of money in the early shooting, often ignoring the late packaging, and the lack of attention to poster design also leads to the lack of new ideas in movie posters. Third, the relevant professional teams in China have just started, and the relatively backward level of graphic design in China is also an objective factor.

Commercial literature and art have their own doorways, and the artistic conception of the picture directly hits the hearts of the audience.

There is a close relationship between movie posters and movies. It is not only one of the most direct means to publicize the works, but also an important carrier to interpret the types and meanings of movies. Among them, the posters of literary films are generally more individual in style, which is a very good example at home and abroad. A variety of posters in this film are unique in design. In its "Pen Front Edition" poster, the main characters are arranged in the overall environment in a patchwork way, which fully reflects the feeling that the characters are in a moderns. In the "splash-ink version" poster, the designer puts the leading role Tang Wei in a scene full of pen and ink, so as to show the chaotic thoughts of Xiao Hong, the protagonist of the film, under the background of the times at that time. In addition, there are movie posters that use black-and-white contrast to cause strong visual impact; The series of posters of the film set off the four characters of the title of the film "A Master" with a hazy background, which has obvious key divisions and formed a sharp contrast.

As for the poster design of commercial films, Lin Siwei concluded in "Today’s Film Review": "The basic appeal of commercial film posters is big and comprehensive, which needs to include stars, plots and what the production company wants to express. For example, the posters of last year’s New Year’s film, the characters are concentrated on the main screen, which is very rich and presents a kind of egg atmosphere for the New Year. In addition, in a poster of the film, the heads of the two leading actors are opposite and opposite, and the reality and reality are intertwined, showing the complicated emotional relationship between the two girls in the film, which is neat and clear at a glance.

Lin Siwei also mentioned the films that released international posters at Cannes International Film Festival. He analyzed that this film poster mainly shows the environment and artistic conception. The poster takes the mountain city as the main scene, and a fox shuttles through a dense fog, so that the audience can intuitively feel that this is a monster story film that takes place in modern times, which successfully arouses the audience’s interest in the film. And the movie posters of the films that also emerged in Cannes also brought a very strong visual impact. In the poster, red is the main color, with a green title, and its background is an overpass that is taken upside down, which covers the protagonist on the screen and forms a complicated composition effect, reflecting the protagonist’s depressed and vacant psychological state.

Highlighting the tight encirclement, looking for creativity and insisting on originality are the only way to rise.

According to different uses and purposes, movie posters can be roughly divided into: people relationship posters, preview posters, pilot posters, international posters, fixed-file posters, countdown posters and so on. In recent years, even posters showing box office results have been constantly launched to make films popular. Facing the huge design demand, how should Chinese poster designers highlight the tight encirclement, find creativity and tap valuable creative themes? Lin Siwei described the development direction of China movie posters for the creators in Today’s Film Review.

At present, movie posters have been gradually transformed from paper-based and computerized to mobile phones, and they have begun to have practical value in both the ticket purchase process and the presentation of event invitations. If movie poster creators want to find good creative ideas, they should get involved in the early preparation and filming of movies as soon as possible. "Good design will develop to be more continuous, timely and practical, and creators should look for design ideas in this respect. In the future, the development of movies will gradually mature, and the corresponding movie poster design will get better and better in terms of visual effects and connotations. " Lin Siwei looks forward to the development direction of China movie posters in Today’s Film Review.

Light and shadow flow, time condenses, and movie posters convey to us the unique charm of film art in the form of fixed frames. The prosperity and development of China’s film industry is inseparable from film posters. Domestic film posters are resolutely on the road of original rise, and we expect it to go further and better. I hope that when we see a good movie in the future, its poster is equally classic and worthy of our retention and aftertaste.

It is reported that the daily broadcast column "Today’s Film Review" of film culture review is broadcast on the film channel at 22: 00 every Monday to Friday night.